Protect and Keep: The Coronation of Queen Elizabeth II
By David Long and Gavin Whitelaw
()
About this ebook
The summer of 2022 saw the celebration of the seventieth anniversary of Queen Elizabeth II’s coronation, the first time in British history that a monarch has reached this remarkable milestone.
As the event was the first of its kind to be televised, images from the ceremony inside Westminster Abbey are instantly recognisable. Far less familiar are the scenes in the streets outside, where huge crowds assembled to see a procession of state coaches and historic regiments marching past public buildings festooned with patriotic banners and colourful grandstands erected outside many famous landmarks.
Using a private collection of more than 200 rare images of London’s West End, Protect and Keep looks back to the day that the Queen pledged herself to her country. It provides a unique and precious record of an historic occasion: the day of the Coronation as it was seen by ordinary members of the public.
David Long
David Long, BEng (Hons), MSc, CEng, MIPEM, is a Clinical Engineer registered in the UK as a Clinical Scientist with the Health and Care Professions Council. He has over 20 years multi-disciplinary NHS experience in the field of rehabilitation engineering, specialising in the provision of postural management and custom contoured seating. Being a Chartered Engineer as well as a qualified clinician, Dave is particularly able to apply biomechanical principles to the assessment process, and to advise and assist with the more technical aspects of the required equipment. He is employed by AJM Healthcare who deliver a number of wheelchair services on behalf of the NHS. He also retains a contract with Oxford University Hospitals NHS Trust where he teaches on the Oxford Brookes University accredited Postgraduate Certificate in Posture Management for People with Complex Disabilities.
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Protect and Keep - David Long
TITLE PAGE
INTRODUCTION
1 THE KING IS DEAD, LONG LIVE THE QUEEN
2 A THOUSAND YEARS OF HISTORY
3 WENT THE DAY BADLY
4 PREPARATIONS BEGIN
5 LIGHTS, CAMERAS … ACTION
6 HER MAJESTY’S GOWN
7 INTO THE ABBEY
8 REJOINING LONDON
FINALE: THE QUEEN’S CORONATION DAY SPEECH
APPENDIX: THE QUEEN’S BEASTS
COPYRIGHT
Sixty years on, arguably the most enduring memories of that cold wet June day in London are of grainy black and white images taken inside the lofty hushed portals of Westminster Abbey. This, after all, was the first time in history that the government and church authorities had agreed to allow such a sombre and important ceremony to be filmed for television and enjoyed by the wider public, and as a result those same images were always certain to cast a long shadow as they echoed down the years.
At the time the impact of the decision was indeed immense, with literally millions tuning in to view what was to be the most significant television event since John Logie Baird’s first demonstration of his new ‘televisor’ back in the 1920s. Across Britain tens of thousands of households bought their first television sets expressly in order not to miss out on such an historic occasion. And on the day itself many thousands more, unable to afford what at this time was still a rare and major expense for most families, crowded into the homes of their better-heeled neighbours to enjoy the spectacle and pageantry of a truly splendid national occasion.
While much of what took place that day must have baffled foreigners, the excitement around the world was just as high, and with the coronation of the new sovereign of the United Kingdom the first such event anywhere in the world to be broadcast internationally, the larger overseas broadcasting organisations sent hundreds of their own commentators to London to provide bespoke coverage in more than thirty languages. Among them was Miss Jacqueline Bouvier of the Washington Times-Herald, who later that year married future president John F. Kennedy. But perhaps best served was Canada, the Royal Air Force ordering its advanced new Canberra jet-bombers into the air so as to rush film across the Atlantic in record-breaking time to be shown by the Canadian Broadcasting Corporation with instant feeds to major US networks such as NBC and ABC¹.
The quality of this coverage, the attention to the tiniest detail of dress and protocol, and even more so the sheer novelty of having cameras present at such an event, nevertheless means that those same monochrome images are today the only ones that most of us ever see. How many know, for example, that there was a good deal of colour film shot on the day as well, and that a colour film of the Queen’s Coronation, A Queen is Crowned, was afterwards narrated by the actor Laurence Olivier? (It was even nominated for an Oscar.) There was even some experimental 3D footage shot as well, although of course until the 1960s no home television sets at any price were able to show anything but ordinary black and white film – so that even now this other material is only very rarely seen.
Much harder to explain is that the photography and footage from outside Westminster Abbey is also now relatively unknown. Indeed much of this imagery – moving and still – is so rare that today it is all too easy to overlook just how big a show London put on for its new queen and for the world.
For weeks the eyes of the world were on London
The weather may have been foul – so much worse than on the days of the two full dress rehearsals which had been conducted in late May – and ‘Austerity Britain’ meant Londoners and others were still very much caught up in the grip of the post-war, ration-book malaise, but against this there was a real determination in the country to make the most of the occasion. From the early morning, the area around the ancient Collegiate Church of St Peter at Westminster was thronging with respectful well-wishers hoping to glimpse members of the royal family and other dignitaries and to share in their joy.
Evidence of this can be seen in the many famous landmark buildings which were festooned with flags and bunting – looking down on Piccadilly Circus the figure of ‘Eros’ was temporarily housed in a gilded cage – and the immense grandstands which were erected at strategic points around the route along which the new sovereign would travel on her journeys to and from this most ancient of rituals. Also on the Mall, still London’s only authentically ceremonial piece of town planning, where giant illuminated arches and crowns were installed to lead the way to Buckingham Palace².
Happily the sight of all this can now be seen here in all its glory, in this hitherto private and unpublished collection of candid and informal colour photographs taken by members of the huge crowds which greeted the new sovereign when she emerged from the abbey. They show a London which is at once quite different to the London of today yet wholly familiar to anyone who walks the same streets sixty years on or views them from the top of a bus. By capturing the spirit of this great occasion, and the excitement which swept the country in the early summer of 1953, they more than anything convey the atmosphere and optimism and the real sense of history which was to greet Britain’s New Elizabethan Age. The death of George VI may have been sudden and tragic, but the coronation of his daughter was to provide a tonic for a nation still bruised and battered by the war – and a reason to celebrate.
Respectful crowds gather in the Mall for the rehearsal.
The weather was foul, but thousands came to see the pageantry and colour.
London was festooned with colours and decorative structures.
¹ The operation, codenamed ‘Pony Express’, involved three Canberras lifting off at 1.30, 3.15 and 6.20 p.m. The flights took a little over five hours, so that at 4.15 p.m. local time a full ‘telerecording’ of the BBC’s coverage was able to be broadcast by stations in Ottawa, Toronto and Montreal. Across the Atlantic more than two million homes tuned in