Delphi Collected Works of Canaletto (Illustrated)
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About this ebook
The Venetian old master Canaletto achieved international fame for his landscapes, ‘vedute’, which were celebrated for their masterful expression of atmosphere. His detailed paintings of Venice, London and English country homes influenced succeeding generations of landscape artists. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Canaletto’s collected works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1)
* The collected paintings of Canaletto— over 200 paintings, indexed and arranged in chronological and alphabetical order
* Includes reproductions of rare works
* Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information
* Enlarged ‘Detail’ images, allowing you to explore Canaletto’s celebrated works in detail, as featured in traditional art books
* Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders
* Special chronological and alphabetical contents tables for the paintings
* Easily locate the paintings you wish to view
* Includes Canaletto's published book of etchings - explore the artist’s varied works
Please visit www.delphiclassics.com to browse through our range of exciting e-Art books
CONTENTS:
The Highlights
RIO DEI MENDICANTI: LOOKING SOUTH
SANTI GIOVANNI E PAOLO AND THE SCUOLA DI SAN MARCO
THE PIAZZETTA: LOOKING NORTH
THE STONEMASON’S YARD
THE ENTRANCE TO THE GRAND CANAL, VENICE
THE REGATTA ON THE GRAND CANAL
GRAND CANAL: FROM SANTA MARIA DELLA CARITÀ TO THE BACINO DI SAN MARCO
DOLO ON THE BRENTA
ROME: ARCH OF CONSTANTINE
LONDON: WESTMINSTER BRIDGE FROM THE NORTH ON LORD MAYOR’S DAY
LONDON: WHITEHALL AND THE PRIVY GARDEN FROM RICHMOND HOUSE
WARWICK CASTLE
WESTMINSTER ABBEY WITH A PROCESSION OF KNIGHTS OF THE BATH
OLD WALTON BRIDGE
ETON COLLEGE CHAPEL
PIAZZA SAN MARCO LOOKING EAST FROM THE SOUTH WEST CORNER
The Paintings
THE COLLECTED PAINTINGS
ALPHABETICAL LIST OF PAINTINGS
The Etchings
THE ETCHINGS OF CANALETTO, 1697-1768
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Book preview
Delphi Collected Works of Canaletto (Illustrated) - Peter Russell
Canaletto
(1697-1768)
Contents
The Highlights
RIO DEI MENDICANTI: LOOKING SOUTH
SANTI GIOVANNI E PAOLO AND THE SCUOLA DI SAN MARCO
THE PIAZZETTA: LOOKING NORTH
THE STONEMASON’S YARD
THE ENTRANCE TO THE GRAND CANAL, VENICE
THE REGATTA ON THE GRAND CANAL
GRAND CANAL: FROM SANTA MARIA DELLA CARITÀ TO THE BACINO DI SAN MARCO
DOLO ON THE BRENTA
ROME: ARCH OF CONSTANTINE
LONDON: WESTMINSTER BRIDGE FROM THE NORTH ON LORD MAYOR’S DAY
LONDON: WHITEHALL AND THE PRIVY GARDEN FROM RICHMOND HOUSE
WARWICK CASTLE
WESTMINSTER ABBEY WITH A PROCESSION OF KNIGHTS OF THE BATH
OLD WALTON BRIDGE
ETON COLLEGE CHAPEL
PIAZZA SAN MARCO LOOKING EAST FROM THE SOUTH WEST CORNER
The Paintings
THE COLLECTED PAINTINGS
ALPHABETICAL LIST OF PAINTINGS
The Etchings
THE ETCHINGS OF CANALETTO, 1697-1768
The Delphi Classics Catalogue
© Delphi Classics 2016
Version 1
Masters of Art Series
Giovanni Antonio Canal
By Delphi Classics, 2016
COPYRIGHT
Masters of Art - Canaletto
First published in the United Kingdom in 2016 by Delphi Classics.
© Delphi Classics, 2016.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78656 501 3
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
The Highlights
Venice — Canaletto’s birthplace
The house in which Canaletto was born
Portrait of Canaletto, 1754
THE HIGHLIGHTS
In this section, a sample of Canaletto’s most famous works is provided, with concise introductions, special ‘detail’ reproductions and additional biographical images.
RIO DEI MENDICANTI: LOOKING SOUTH
Giovanni Antonio Canal, better known by his sobriquet ‘little Canal’ as he was the son of the painter Bernardo Canal, was born in Venice in 1697. He served his apprenticeship with his father and his brother, learning the occupation of a theatrical scene painter. Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people. After returning from studying in Rome in 1719, he began painting in his distinctive topographical style. His first known signed and dated work is Architectural Capriccio (1723), now housed in Milan in a private collection. Studying with the older Luca Carlevarijs, a moderately-talented painter of urban cityscapes, he soon became his master’s equal.
The following plate, Rio dei Mendicanti: Looking South, formed part of a set of paintings from 1723, which are believed to be the artist’s first depicted view paintings of Venice. The name of the original patron of the artworks has not survived, though they were first recorded in the inventory of the Princes of Liechtenstein in 1806. The striking quality of the draughtsmanship of the works has caused surprise amongst art historians, since no earlier and less accomplished canvases survive.
The view depicted in the image is not a commonly depicted canal of Venice and was rarely frequented by tourists. Instead, it is the haunt of everyday Venetians, going about their usual business, evidently unaware of our scrutiny. A long pavement creates a sense of depth to the picture, running beneath the looming form of the San Lazzaro dei Mendicanti church. A fragile looking wooden bridge spans the canal water, while the Ponte del Cavallo can be glimpsed in the background. Feathery brushstrokes and the dappled sky charge the image with a sense of tranquillity, offering a view of the city away from the hectic areas of the more populated canals. Colourful clothing, hung up on lines as washing, differentiates the palette, while additional elements add interest to the piece: a maid shakes the dirt of her broom from the second floor window to the far right of the canvas; pockets of men gather closely for what appear to be whispered conversations; an old man gingerly holds on to a wall, while gripping his walking stick with the other hand. This everyday glimpse of Venetian life characterises many of the artist’s earlier canvases, anticipating the style of another Venetian artist, Franceso Guardi.
Detail
Detail
Detail
Detail
The Rio dei Mendicanti (Beggars Canal) is a canal in Venice forming the boundary between the district of Cannaregio and Castello.