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Taxidermist's Manual
Taxidermist's Manual
Taxidermist's Manual
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Taxidermist's Manual

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This vintage book contains a complete guide to taxidermy, with information on skinning, stuffing, mounting, and preserving a variety of animals, birds, insects, etc. Written in simple, pain language and profusely illustrated, this timeless handbook is ideal for the novice and would make for a valuable addition to collections of allied literature. Contents include: "Taxidermy", "On Skinning, Stuffing, and Preservation of Birds", "Skinning", "Stuffing Birds", "Mounting Birds on Wire Frame", "Pelicans", "Pea-Fowl", "Dressing Birds with Wings Spread", "To Clean Feathers", "Preservation of Bugs, etc.", "Of Skinning Animals", "Stuffing and Mounting Animals", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction on taxidermy.
LanguageEnglish
Release dateDec 9, 2016
ISBN9781473346932
Taxidermist's Manual

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    Book preview

    Taxidermist's Manual - T. J. McConnaughay

    thriving.

    Taxidermist’s Manual.

    By T. J. McCONNAUGHAY.

    Taxidermy.

    The word taxidermy is derived from the two Greek words, taxis, which means arrangement, and derma which means skin. Hence this term is applied to the art of preserving and mounting the skins of animals for ornamental and scientific purposes. Little is known of the origin of this art, but it would seem from books of travel and natural history, that it is at most, not more than three hundred years old. It began to be practiced in England about the beginning of the 18th century, which fact is proven from the Sloane Collection which was formed in 1825, as the nucleus of the present natural history collection lodged in the galleries of South Kensington. It was about the middle of the 18th century that the first book devoted to the principles of taxidermy was published in France. After this, others appeared from time to time in France and Germany, but England contributed no literature on the subject until about the beginning of the present century. In 1828 an Englishman named Scudder, established a museum of mounted specimens in an old alms house in New York City. Previous to this, the art seems to have been absolutely unknown in America. It was not till the exhibition of 1851, that the French and German taxidermists taught the English the principles of scientific treatment.

    Since that time several works have appeared from the pens of English and American authors. Prominently among the American writers, were Charles Waterton and Titian R. Peale who greatly improved the art in this country.

    Jules Verreaux, of Paris, brought the art to a still higher perfection, and introduced methods for giving to specimens a life-like expression, which elevated it quite to the realm of higher art. Great were his accomplishments in the art of expressing the actions and characteristic attitudes of the living animals. Since his day taxidermy has rivaled the plastic art, and today, it has reached such a degree of perfection that the most artistic and æsthetic effects may be wrought by the hands of any operator who possesses artistic faculties. The Illiirois State Natural History Society of Bloomington, published an illustrated pamphlet from the pen of one Mr. Holder, which is a very valuable contribution to taxidermic literature. The author was doubtless greatly improved by his associations with Audubon and Bell, and in his book he gives the results of a ripe experience. This book ranks as one of the best yet published. We submit the results of our own patient study and practical experience, and hope it may prove a worthy addition.

    ARTICLE I.

    ON SKINNING, STUFFING AND PRESERVATION OF BIRDS.

    SKINNING.

    No. 2.

    Immediately after the bird is killed, the nostrils, throat and wounds should be stuffed with cotton to prevent the blood from oozing out and staining the plumage; but should any blood get on the plumage, it should be removed as soon as possible. This can be done by taking a cloth or sponge and dipping it in clean water, wringing it out so as to leave it only moist, and rubbing the feathers gently until all traces of blood stain are removed. Now sprinkle the feathers with plaster of paris, and shake out before it sets. Repeat this until they are perfectly dry, and then wrap the specimen in paper to protect the plumage until ready to skin, which should be done as soon as the bird

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