The Witch: “The slowest kiss makes too much haste.”
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About this ebook
Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One – Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.
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The Witch - Thomas Middleton
The Witch by Thomas Middleton
The Witch has survived in quarto in the hand of Ralph Crane, a scrivener employed by the King's Players. From the dedication, it is traditionally believed that Middleton recovered the play from the King's Players at the Blackfriars Theater not without much difficulty
because the play was a failure and lay in an imprisoned obscurity.
Thomas Middleton was born in London in April 1580 and baptised on 18th April.
Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister.
By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned.
In the early years of the 17th century, Middleton wrote topical pamphlets. One – Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry.
These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres.
His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith.
In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel.
The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613.
In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death.
The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies.
However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador.
What happened next is a mystery. It is the last play recorded as having being written by Middleton.
Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.
Index of Contents
To the Truly Worthy and Generously Affected Thomas Holmes, Esquire
Dramatis Personae
ACT I
Scene I - The Grounds of the Lord Governor's House, a Banquet Laid Out
Scene II - Hecate's Cave
ACT II
Scene I - Antonio's House
Scene II - The Duke's Palace
Scene III - A Farmhouse
ACT III
Scene I - The Duke's Palace
Scene II - The Grounds of Antonio's House
Scene III - A Forest Glade
ACT IV
Scene I - The Duke's Palace
Scene II - Fernando's House
Scene III - Antonio's House
ACT V
Scene I - Antonio's house
Scene II - Hecate's Cave, a Cauldron Set
Scene III - Antonio's House
Thomas Middleton – A Short Biography
Thomas Middleton – A Concise Bibliography
DRAMATIS PERSONAE
DUKE
LORD GOVERNOR
SEBASTIAN, contracted to ISABELLA
FERNANDO, his friend
ANTONIO, husband to ISABELLA
ABBERZANES, a gentleman, neither honest, wise, nor valiant
ALMACHILDES, a fantastical gentleman
GASPERO }
HERMIO } servants to ANTONIO
FIRESTONE, the clown and Hecate's son
BOY
DUCHESS
ISABELLA, niece to the GOVERNOR and wife to ANTONIO
FRANCISCA, Antonio's sister
AMORETTA, the Duchess's woman
FLORIDA, a courtesan
An OLD WOMAN
HECATE, the chief witch
Five other witches, including STADLIN, HOPPO, PUCKLE and HELLWAIN
MALKIN, a spirit like a cat
Other Witches and Servants, Mutes
To the truly worthy and generously affected Thomas Holmes, Esquire:
Noble Sir,
As a true testimony of my ready inclination to your service, I have, merely upon a taste of your desire, recovered into my hands, though not without much difficulty, this ignorantly ill-fated labour of mine. Witches are, ipso facto, by the law condemn'd, and it only, I think, hath made her lie so long in an imprison'd obscurity. For your sake alone, she hath thus far conjur'd herself abroad, and bears no other charms about her but what may tend to your recreation, nor no other spell but to possess you with a belief that as she, so he that first taught her to enchant, will always be
Your devoted
Thomas Middleton
ACT I
SCENE I - The Grounds of the Lord Governor's House, a Banquet Laid Out
Enter SEBASTIAN and FERNANDO.
SEBASTIAN
My three years spent in war has now undone
My peace forever.
FERNANDO
Good, be patient, sir.
SEBASTIAN
She is my wife by contract before heaven
And all the angels, sir.
FERNANDO
I do believe you;
But where's the remedy now? You see she's gone:
Another has possession.
SEBASTIAN
There's the torment.
FERNANDO
This day, being the first of your return,
Unluckily proves the first too of her fastening.
Her uncle, sir, the GOVERNOR of Ravenna,
Holding a good opinion of the bridegroom,
As he's fair-spoken, sir, and wondrous mild—
SEBASTIAN
There goes the devil in a sheepskin!
FERNANDO
With all speed,
Clapp'd it up suddenly. I cannot think, sure,
That the maid overloves him; though being married
Perhaps, for her own credit, now she intends
Performance of an honest, duteous wife.
SEBASTIAN
Sir, I've a world of business. Question nothing;
You will but lose your labour. 'Tis not fit
For any, hardly mine own secrecy,
To know what I intend. I take my leave, sir.
I find such strange employments in myself
That, unless death pity me and lay me down,
I shall not sleep these seven years. That's the least, sir.
[Exit.
FERNANDO
That sorrow's dangerous can abide no counsel.
'Tis like a wound past cure; wrongs done to love
Strike the heart deeply. None can truly judge on't
But the poor, sensible sufferer, whom it racks
With unbelieved pains, which men in health,
That enjoy love, not possibly can act,
Nay, not so much