Way Past Midnight On The Other Side Of Real Estate
By Samuel Vargo
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About this ebook
Most of the work that appears in this volume was published by online literary e-zines. But there are quite a few poems included here that were published in print magazines, too. This collection goes back over three decades, and this time block includes a period where there was no Internet, only print magazines. I wanted to get together a good, strong sampling of my poetic work to date – published with a sprinkling of brand new work – under cover. By the way, this collection ranges from metered and measured verse to experimental pieces. Some prose and poetry is stark-raving serious; other pieces are in the experimental or absurdist style. There are political poems here, working-class poems, and love poems. No poetry collection would be a poetry collection without at least a sprinkling of love poems, after all. There are poems harboring fears and resentments (but no hate poems); and I've also included some nature poems and even some working and industrial poems. Just about any sort of poem one would dream of seeing is contained in this poetry collection. It’s not really a commercial pursuit, yet neither is it predominantly academic. And it's not bubblegum verse with purple cheesy rhymes and lines. It’s not written for a mass audience or the general public.
Who did I write these poems for? Well, I wrote them for me.
Really, there is not another person in the world a poet writes for except the person who's clicking and clacking the lines down an electronic, white, empty document.
I think everyone should try to write some poetry. I think many are intimidated, perhaps even embarrassed, about taking on a task of penning some poetry. Poetry can be the bird on the wing or the turkey on the table. It can be a warm summer day or the bleakness of a cold winter wind or a hard, scorching sun. It’s not something that can be measured by a continuum or pigeonholed into a strict discipline. It’s as airy as a spring breeze and as confining as the stale air of a prison cell. It’s everything and nothing. It’s all and nothing, but never all or nothing. Poetry is not the zero-sum game that modern society has seemed to create for all modern forms of expression. It’s nice to consider yourself a poet even if you cannot write very well. I was a teacher, yes, I taught English on a part-time basis at a number of community colleges, state colleges, and state universities for over a decade. I usually had a full-time job, too, at either a daily newspaper or a business journal when I taught college English courses. Being a teacher, I think that some of our most accomplished writers were at one time very poor writers. They taught themselves by reading, writing, making mistakes and even were scoffed at and ridiculed. But through trial and error and a lot of hard work, little mileposts are passed and a writer's prowess is earned. What kills me is that a lot of people say they're going to write but never do - these days, the best thing to do is sit on a desk chair behind a computer terminal and write something. Anything. That's the first step, anyhow. If you can't afford a laptop or a PC, start writing in notebooks or legal pads. Paper and ink are cheap but your thoughts and feelings aren't! So capture them while they are fresh in your mind.
These days, I sort of keep poetry writing as a guilty pleasure. I used to write a lot more poetry when I was younger. These days, I normally write fiction or as a freelance journalist. Anyhow. I've never had a complete collection of my work published and although virtually everything in "Way Past Midnight on the Other Side of Real Estate" has been previously published by print and online magazines, I'm very excited to share with the world a complete collection of the work I've collected over several decades.
Samuel Vargo
Samuel Vargo writes on a freelance basis for a few liberal, online, national magazines that headline daily. He also writes for a few comedy and satire magazines with international readerships that headline daily. Vargo has written poetry and short stories for print and online literary magazines, university journals and a few commercial magazines. He worked most of his adult life as a newspaper reporter and taught as an adjunct English professor for about a decade at a number of community colleges, state colleges, and state universities. He has a BA in Political Science and an MA in English (both degrees were awarded by Youngstown State University in Youngstown, Ohio, USA). These days, Vargo doesn't write much poetry, but instead, concentrates on writing detective mystery novels under the pseudonym Stanley Gladden. His two latest works are "Woodside" and "Welcome to the Horror Show". Vargo was a curator and editor for a string of eight commercial online magazines for almost a year, but a few years ago, he gave this up to work on his own writing pursuits. Vargo was the fiction editor of Pig Iron Press, Youngstown, Ohio, for 12 years. A book-length collection of Vargo's short stories, titled "Electric Onion Head and the Rotating Cyclops of the Month", was published by Literary Road and had a web presence for seven years from 2007-.2014.
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Way Past Midnight On The Other Side Of Real Estate - Samuel Vargo
Way Past Midnight on the Other Side of Real Estate
- A collection of poetry and prose
By Samuel Vargo
Way Past Midnight on the Other Side of Real Estate, Copyright 2015 and Copyright 2017 by Samuel Vargo. All Rights Reserved. No part of this poetry collection can be copied or reproduced without the consent of the author, Samuel Vargo
Way Past Midnight on the Other Side of Real Estate is dedicated to my good friend and fellow writer Kenny Bullock, author of the surrealistic absurdist novel, The Years the Locusts Ate.
Acknowledgements and earlier publications -
Way Past Midnight on the Other Side of Real Estate is Copyright 2015 by Samuel Vargo. All poems and prose pieces have earlier Copyrights, as well, and are under Copyrights drafted during the year of their earlier publications online or in print journals and magazines. Here is a list of acknowledgements of previous publications which appear in this book of poetry, with the poems appearing in alphabetical order: A Labyrinth of Stones and Feathers,
from Late Knocking, Winter 1998/1999 (a print journal of the Hartford Poetry Society, Hartford, Maryland). Alley Cat,
Mastodon Dentist, an online literary e-zine that is now defunct. anymore,
from Poetry Motel - broadside (print), 1998. Anymore Revisited
, from undergroundwindow.com volume 1, issue 14, now defunct. Bad Love is Eaten like Hot Dogs,
from Centrifugal Eye, Winter, 2008, an online magazine still publishing. Beggar.
from Clark Street Review, No. 4, San Luis Obispo, Calif., 1999, p. 22, a print digest now defunct. Big News Day Hooray!!!
from Edifice Wrecked, Issue 7, an online literary e-zine., February./March 2005; and from Revolver, posted Nov. 4, 2011, an online literary magazine, still publishing. Black Coffee at Daybreak,
from Censored Poets (a LitBlog), posted Monday, February 05, 2007 (Censored Poets still has an Internet presence but appears to be idle). Breaking Up Is Hard To Do,
from Gypsy Blood Review, Summer, 1993, a print magazine (now defunct). Counting Corn Kernels Under a Hot August Sun,
Word Riot, June, 2007. Crossroads
from Ascent Aspirations, Feb. 2014, Vol. 18, No. 2. Darwin’s Curse, Love at its Worst, a lot of Ampersands, & the Extinction of the Mastodons,
appeared in Fat City Review 2014, an online magazine (now defunct). Dictator In The Birdfeeder,
from Projected Letters (Second Issue, 2005), an online magazine (now defunct). "Dogs In Winter." from Red Dancefloor, Vol. 3, Issue 1, 1993, (a print magazine – no longer publishing from Van Nuys, Calif.) p. 27. Duel Between Literary and Number Men,
from Why Vandalism? an online magazine now defunct, June 2008. Fotophone,
from Glass: A Journal of Poetry (Vol. 1, Issue 2), an online magazine that still has an Internet presence. Funhouse,
from Trafalgar Mountain Poetry Irregular, or TMP Irregular, now a defunct literary e-zine that has no presence on the Internet. Good Fences,
from Censored Poets LitBlog, posted Friday, January 26, 2007, an online publication that seems idle now but still has an Internet presence. If Jesus was a Pistol Slinging Gunfighter,
from Ascent Aspirations, February 2007, an online Canadian literary magazine still publishing and also, an earlier draft of this poem appeared in the print magazine, Clark Street Review, No. 10 in 2000. Insomnia,
from Whisper, Issue #8, 1995, a print magazine (published from Rohnert Park, Calif., which is no longer published). It All Starts with Two Degrees from Hell on the Old 49 Highway,
from [in parentheses] – their New Modernism
2016 issue (the poem was posted online on Aug. 17, 2016). January Penance,
from the Higginsville Reader, Vol. 3, No. 3, Summer 1993 (a monthly print literary digest). John Lennon’s Still Gone,
from Ascent Aspirations November 2005, and the Clark Street Review. Just a Rainy Night in Georgia,
from Glass: A Journal of Poetry (Vol. 1, Issue 2), an online magazine that still has an Internet presence. Just Friends.
Clark Street Review. 2000 #10, p. 8, a print magazine published from San Luis Obispo, Calif., now defunct.
(Just Sign This CONCERNED)" appears in [in parentheses] (Summer 2014) an online literary journal that still has an Internet presence. Mass,
appears in Centrifugal Eye, Winter, 2008, an online literary e-zine. Maynard’s Red Pen,
from Ohio Teachers Write, Fall, 2001, Vol. 7, a print journal of the Ohio Council of Teachers of Language Arts, Youngstown, Ohio, p. 12. Open the Gates, Let’s See Who’s Next,
from Ascent Aspirations, November 2005, and the Clark Street Review, a print magazine. Outliving Kerouac,
from Ascent Aspirations, February 2007, and the 2007 issue of cakeandthecrocodile.com (an online publication - now defunct). "Painting with the Color Perfect," from Ascent Aspirations Magazine. Passing Through.
from Lynx Eye, Summer 1995, Vol 2, No. 3, (a print magazine) published through the Scribblefest Literary Group, Los Angeles, Calif. p. 28. Passing Through,
also appeared in Late Knocking, Winter 1998 to 1999 (a print publication from the Hartford Poetry Society, Hartford, Maryland). Politics and the Blind Toad,
from White Leaf Press (U.K.) Winter 2005, a literary webzine – now defunct. Public Relations Letter for the Chamber of Commerce of AnyCity, USA:
and this girl is grimy gorgeous and counting.
Yasse. (an online literary e-zine that is now idle but still has an Internet presence) May/June 2004 (volume four). Public Relations Letter to the Desert’s Darkness,
from Ascent Aspirations, Feb. 2014, Vol. 18, No. 2. Railroad Street Blues,
The Higginsville Reader, Vol. 5, No. 4, Fall 1995. (print publication). Rain, You Oblong Dancer…,
Underground Window, Volume 1, Issue 14 (undergroundwindow.com was an online literary e-zine that no longer has a presence on the Internet). Saint Vitus Loves Gary.
The Higginsville Reader. Vol. 5, No. 3 (Print Magazine), Summer 1995. Three Bridges, N.J., p. 6. Secrets of a Guarded Woman,
from the Linden Avenue Literary Journal, February 2017, No. 57. Sick’s Sense,