Poems
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Edward Thomas
Edward Thomas was born near Uxbridge in 1943 and grew up mainly in Hackney, east London in the 1950s. His teaching career took him to cental Africa and the Middle East. Early retirement from the profession enabled him to concentrate on writing. Along with authorship of half a dozen books, he has contributed regular columns to several journals.
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Poems - Edward Thomas
Edward Thomas
Philip Edward Thomas was born in Lambeth, London, England in 1878. His parents were Welsh migrants, and Thomas attended several schools, before ending up at St. Pauls. Never entirely happy with urban life – he took many trips to Wiltshire and Wales, fostering an attraction to the natural world which would inform much of his later poetry – Thomas led a reclusive early life, and began writing as a teenager. He published his first book, The Woodland Life (1897), at the age of just nineteen. A year later, he won a history scholarship to Lincoln College, Oxford.
In 1899, while still an undergraduate, Thomas married Helen Noble, daughter of the essayist and poet James Ashcroft Noble (1844-1896). Encouraged by his wife’s father, Thomas committed himself to becoming a man of letters. He worked frantically, reviewing up to fifteen books a week (usually poetry collections) for the Daily Chronicle, and penning six collections of essays in eight years. Thomas was a skilful critic; in 1913, The Times described him as the man with the keys to the Paradise of English poetry.
He also became a close friend of the Welsh poet W. H. Davies, whose career he almost single-handedly developed.
Thomas was never entirely happy with life as a prolific essayist, however. In correspondence with the poet Gordon Bottomely, he described himself as a hack writer, a hurried and harried prose man
whose exhaustion left his brain wild.
Thomas suffered from chronic depression, apparently carrying a vial of poison (which he described as his saviour
) with him at all times. In 1911, he suffered a severe mental breakdown.
In the spring of 1914, in what was arguably the most formative event of his life, Thomas met the American poet Robert Frost. Although Frost is now one of America’s most adored poets, at this point no one would publish his work in the United States, and he had emigrated to England in search of artistic fortune. Thomas had previously reviewed Frost’s work at great length, and, upon meeting, the men engaged in lengthly discussions on the nature and form of poetry.
On one of their many long countryside walks, Frost suggested to Thomas that sections of his In Pursuit of Spring (1913) – a meditative travelogue documenting Thomas’ pilgrimage by bicycle from Clapham Common, London, to the Quantock Hills of Somerset – might be turned into poems. Together, the two men experimented with composing lines that followed, in loose poetic form, the sound-patterns of speech – building on theories of rhythm and form Thomas had expressed in his critiques of Algernon Charles Swinburne (1912) and Walter Pater (1913).
Frost’s advice turned out to be transformative. Thomas returned to his accumulated writings with new imagination. He began to pen loose and lyrical poems, calling them quintessences of the best parts of my prose books
which purged the stultifying effects of damned rhetoric
from his writing. As well as being a creative release, Thomas found the process of writing poetry to be highly therapeutic; in his journals, he spoke of them as fostering a sense of strong mental calm.
Thomas began writing poetry seriously in December of 1914 – five months after the onset of World War I. He published several poems under the pseudonym Edward Eastaway, which variously baffled and delighted reviewers. Meanwhile, he deliberated over whether to join the war effort or