King of Thieves
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About this ebook
New York City, 1928. Master-thief Mac must join an FBI sting operation against a cadre of corrupt bankers. Music, murder, and mayhem ensue – at the speakeasy where criminals scheme and on Wall Street where financiers conspire.
This trenchantly satirical play was first produced at the Stratford Festival in 2009, where director Jennifer Tarver described it as being loosely based on John Gay’s Beggar’s Opera (1728) which was later immortalized in the great Brecht-Weill composition The Threepenny Opera (1928). Readers familiar with these works will delight in Walker’s inspired pairing of Mac and Polly, Peachum and his missus, Jenny Diver, and a host of others within the corrupt world of Wall Street bankers immediately before the 1929 market crash. Readers meeting these characters for the first time will find much to enjoy in Walker’s ready wit and keen sense of story.
When the FBI blackmails Peachum into helping bring down a group of corrupt bankers, he partners with Mac, his son-in-law, to discover that the bankers are using their wealth to inflate the market, plotting to pull their assets just before the bubble bursts. They scheme to make new for- tunes by providing loans after everyone else goes bankrupt. If all of this sounds distressingly familiar, it should.
At its heart, King of Thieves, like both its predecessors, is an examination of criminal behaviour at all levels of society, and of the disturbing truth that everyone can fall prey to dishonesty and corruption. But the element of fun in Walker’s script makes us laugh and his sense of zaniness reflects the bafflement many of us feel when contemplating our own world: a place where men of dubious moral integrity still inhabit the corridors of power and are still not taken to task for their dishonourable – if not downright criminal – behaviour.
Cast of 11 men and 4 women.
George F. Walker
George F. Walker has been one of Canada’s most prolific and popular playwrights since his career in theatre began in the early 1970s. His first play, The Prince of Naples, premiered in 1972 at the newly opened Factory Theatre, a company that continues to produce his work. Since that time, he has written more than twenty plays and has created screenplays for several award-winning Canadian television series. Part Kafka, part Lewis Carroll, Walker’s distinctive, gritty, fast-paced comedies satirize the selfishness, greed, and aggression of contemporary urban culture. Among his best-known plays are Gossip (1977); Zastrozzi, the Master of Discipline (1977); Criminals in Love (1984); Better Living (1986); Nothing Sacred (1988); Love and Anger (1989); Escape from Happiness (1991); Suburban Motel (1997, a series of six plays set in the same motel room); and Heaven (2000). Since the early 1980s, he has directed most of the premieres of his own plays. Many of Walker’s plays have been presented across Canada and in more than five hundred productions internationally; they have been translated into French, German, Hebrew, Turkish, Polish, and Czechoslovakian. During a ten-year absence from theatre, he mainly wrote for television, including the television series Due South, The Newsroom, This Is Wonderland, and The Line, as well as for the film Niagara Motel (based on three plays from his Suburban Motel series). Walker returned to the theatre with And So It Goes (2010). Awards and honours include Member of the Order of Canada (2005); National Theatre School Gascon-Thomas Award (2002); two Governor General’s Literary Awards for Drama (for Criminals in Love and Nothing Sacred); five Dora Mavor Moore Awards; and eight Chalmers Canadian Play Awards.
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Book preview
King of Thieves - George F. Walker
FIRST PRODUCTION NOTES
King of Thieves was first performed at the Stratford Festival Studio Theatre August 12 to September 10, 2010, with the following cast:
CAST
MAC: Evan Buliung
POLLY: Laura Condlin
PORK: Oliver Becker
PEACHUM: Jay Brazeau
MYRNA: Nora McLellan
BROWN: Nigel Bennett
STRINGER: Paul Fauteux
JENNY: Stephanie Roth
TINA: Mary Antonini
IVES: Cyrus Lane
VINNIE: Seán Cullen
CHRISTIE: Trent Pardy
GREEN: Shane Carty
MERCER: Sandy Winsby
HALLIWELL: Scott A. Hurst
Waiters, Beggars, and other roles: Richard Lee, Jennifer Patterson, Jay T. Schramek
ARTISTIC CREDITS
DIRECTOR: Jennifer Tarver
DESIGNER: Peter Hartwell
LIGHTING DESIGNER: Michael Walton
SOUND DESIGNER: Thomas Ryder Payne
DRAMATURGE: Bob White
MOVEMENT: Kate Alton
FIGHT CAPTAIN: Richard Lee
MOVEMENT CAPTAIN: Mary Antonini
FIREARMS ADVISOR: Daniel Levinson
FIGHT DIRECTOR: Todd Campbell
ASSISTANT FIGHT DIRECTOR: Michael Dufays
ASSISTANT DIRECTOR: Ravi Jain
ASSISTANT DESIGNER: A.W. Nadine Grant (Ian and Molly Lindsay Young Design Fellow)
ASSISTANT LIGHTING DESIGNER: Tristan Tidswell
STAGE MANAGER: Anne Murphy
ASSISTANT STAGE MANAGER: Emma Laird
APPRENTICE STAGE MANAGER: Elizabeth McDermott
PRODUCTION STAGE MANAGER: Marylu Moyer
MUSICAL DIRECTOR: John Roby
MUSICAL STAGING: Tracey Flye
ASSOCIATE MUSICAL DIRECTOR: Laura Burton
MUSICAL ASSISTANT: Britta Johnson
PRODUCTION ASSISTANT: Jessica Stinson
SETTING
New York City. Fall of 1928.
PEOPLE
MAC: a thief
POLLY: his wife, also a thief
PORK: one of his crew
PEACHUM: a fence
MYRNA: his wife, also a fence
BROWN: FBI supervisor
STRINGER: FBI agent
JENNY: a singer, and a thief
TINA: a singer, and a thief
IVES: Pinkerton agent
VINNIE: speakeasy owner
CHRISTIE: a beggar
GREEN: a banker
MERCER: a banker
HALLIWELL: a banker
And a number of Waiters, Beggars, a Socialite, an Innocent Civilian, and two Federal Agents
King-of-Thieves-Title.jpgSCENE 1
The hall of a large house belonging to GREEN, the banker. MAC, eating sunflower seeds and reading from a pamphlet, waits while his henchman, PORK, nervously prepares to cut a canvas out of a frame he is holding.
MAC
This guy lived most of his life in poverty …
PORK
Well, he sure made a killing at some point. Look at all the stuff in here.
MAC
Not the owner of the house. The painter. Tuberculosis, cataracts, wife died, son killed in the war … and the few paintings he sold, he sold for pennies … He croaks and, two years later, they’re going for thousands.
PORK is about to start cutting.
MAC
Slowly, slowly … it’s not much good to us if you carve it up.
PORK
I’m a little nervous. Maybe you should do it.
MAC
If I keep doing it, how you ever gonna learn? You want to be a snatch-and-grab artist your whole life?
PORK
It’s what I’m good at.
MAC
If you’re so good at it, how come you spent most of the past ten years in the slammer? (gestures to painting) Just be patient. If you butcher it, the master of the house isn’t gonna want it back.
PORK
That’s the plan? You’re gonna try to sell it back to him?
MAC
Guys who owns houses like this, they love their art, especially if it’s from Europe. They probably love it more than they love their kids.
PORK
Or I guess we’d be stealing their kids.
MAC
If we were the kind of people who stole kids … which we’re not. (hears something) Shhhh … What was –
PORK reaches inside his coat, reveals a gun. MAC shakes his head. PORK drops his hand, leaving the gun in his jacket.
IVES
(from the darkness) Okay … stop right there … and just stay … very still. (approaches while holding his own gun) You. Drop the knife and step away from the painting.
PORK looks at MAC. MAC just smiles and steps a little towards IVES.
MAC
He can’t do that.
IVES
Why not?
MAC
He’s not finished yet.
PORK
You want me to drop him?
MAC
Not yet …
IVES
Hey, if anybody’s gonna be dropping people here, pal … You think I don’t know how to use this thing or something?
MAC
No. If Pinkerton agents know anything, they know how to shoot people.
PORK
One of them shot my brother for no reason.
MAC
Well, he was beating the crap out of someone at the time.
PORK
Yeah, a goddamn strikebreaker.
MAC
Right. Yeah … (to IVES) He means for no good reason.
IVES
(to PORK) I told you to step away from that painting.
MAC
Look, I need to ask you a question. Do you have a family … people who need your financial support?
IVES
Yeah, my mother. What of it?
MAC
Well, who’s gonna take