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King of Thieves
King of Thieves
King of Thieves
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King of Thieves

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New York City, 1928. Master-thief Mac must join an FBI sting operation against a cadre of corrupt bankers. Music, murder, and mayhem ensue – at the speakeasy where criminals scheme and on Wall Street where financiers conspire.

This trenchantly satirical play was first produced at the Stratford Festival in 2009, where director Jennifer Tarver described it as being loosely based on John Gay’s Beggar’s Opera (1728) which was later immortalized in the great Brecht-Weill composition The Threepenny Opera (1928). Readers familiar with these works will delight in Walker’s inspired pairing of Mac and Polly, Peachum and his missus, Jenny Diver, and a host of others within the corrupt world of Wall Street bankers immediately before the 1929 market crash. Readers meeting these characters for the first time will find much to enjoy in Walker’s ready wit and keen sense of story.

When the FBI blackmails Peachum into helping bring down a group of corrupt bankers, he partners with Mac, his son-in-law, to discover that the bankers are using their wealth to inflate the market, plotting to pull their assets just before the bubble bursts. They scheme to make new for- tunes by providing loans after everyone else goes bankrupt. If all of this sounds distressingly familiar, it should.

At its heart, King of Thieves, like both its predecessors, is an examination of criminal behaviour at all levels of society, and of the disturbing truth that everyone can fall prey to dishonesty and corruption. But the element of fun in Walker’s script makes us laugh and his sense of zaniness reflects the bafflement many of us feel when contemplating our own world: a place where men of dubious moral integrity still inhabit the corridors of power and are still not taken to task for their dishonourable – if not downright criminal – behaviour.

Cast of 11 men and 4 women.

LanguageEnglish
PublisherTalonbooks
Release dateApr 15, 2012
ISBN9780889227569
King of Thieves
Author

George F. Walker

George F. Walker has been one of Canada’s most prolific and popular playwrights since his career in theatre began in the early 1970s. His first play, The Prince of Naples, premiered in 1972 at the newly opened Factory Theatre, a company that continues to produce his work. Since that time, he has written more than twenty plays and has created screenplays for several award-winning Canadian television series. Part Kafka, part Lewis Carroll, Walker’s distinctive, gritty, fast-paced comedies satirize the selfishness, greed, and aggression of contemporary urban culture. Among his best-known plays are Gossip (1977); Zastrozzi, the Master of Discipline (1977); Criminals in Love (1984); Better Living (1986); Nothing Sacred (1988); Love and Anger (1989); Escape from Happiness (1991); Suburban Motel (1997, a series of six plays set in the same motel room); and Heaven (2000). Since the early 1980s, he has directed most of the premieres of his own plays. Many of Walker’s plays have been presented across Canada and in more than five hundred productions internationally; they have been translated into French, German, Hebrew, Turkish, Polish, and Czechoslovakian. During a ten-year absence from theatre, he mainly wrote for television, including the television series Due South, The Newsroom, This Is Wonderland, and The Line, as well as for the film Niagara Motel (based on three plays from his Suburban Motel series). Walker returned to the theatre with And So It Goes (2010). Awards and honours include Member of the Order of Canada (2005); National Theatre School Gascon-Thomas Award (2002); two Governor General’s Literary Awards for Drama (for Criminals in Love and Nothing Sacred); five Dora Mavor Moore Awards; and eight Chalmers Canadian Play Awards.

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    Book preview

    King of Thieves - George F. Walker

    FIRST PRODUCTION NOTES

    King of Thieves was first performed at the Stratford Festival Studio Theatre August 12 to September 10, 2010, with the following cast:

    CAST

    MAC: Evan Buliung

    POLLY: Laura Condlin

    PORK: Oliver Becker

    PEACHUM: Jay Brazeau

    MYRNA: Nora McLellan

    BROWN: Nigel Bennett

    STRINGER: Paul Fauteux

    JENNY: Stephanie Roth

    TINA: Mary Antonini

    IVES: Cyrus Lane

    VINNIE: Seán Cullen

    CHRISTIE: Trent Pardy

    GREEN: Shane Carty

    MERCER: Sandy Winsby

    HALLIWELL: Scott A. Hurst

    Waiters, Beggars, and other roles: Richard Lee, Jennifer Patterson, Jay T. Schramek

    ARTISTIC CREDITS

    DIRECTOR: Jennifer Tarver

    DESIGNER: Peter Hartwell

    LIGHTING DESIGNER: Michael Walton

    SOUND DESIGNER: Thomas Ryder Payne

    DRAMATURGE: Bob White

    MOVEMENT: Kate Alton

    FIGHT CAPTAIN: Richard Lee

    MOVEMENT CAPTAIN: Mary Antonini

    FIREARMS ADVISOR: Daniel Levinson

    FIGHT DIRECTOR: Todd Campbell

    ASSISTANT FIGHT DIRECTOR: Michael Dufays

    ASSISTANT DIRECTOR: Ravi Jain

    ASSISTANT DESIGNER: A.W. Nadine Grant (Ian and Molly Lindsay Young Design Fellow)

    ASSISTANT LIGHTING DESIGNER: Tristan Tidswell

    STAGE MANAGER: Anne Murphy

    ASSISTANT STAGE MANAGER: Emma Laird

    APPRENTICE STAGE MANAGER: Elizabeth McDermott

    PRODUCTION STAGE MANAGER: Marylu Moyer

    MUSICAL DIRECTOR: John Roby

    MUSICAL STAGING: Tracey Flye

    ASSOCIATE MUSICAL DIRECTOR: Laura Burton

    MUSICAL ASSISTANT: Britta Johnson

    PRODUCTION ASSISTANT: Jessica Stinson

    SETTING

    New York City. Fall of 1928.

    PEOPLE

    MAC: a thief

    POLLY: his wife, also a thief

    PORK: one of his crew

    PEACHUM: a fence

    MYRNA: his wife, also a fence

    BROWN: FBI supervisor

    STRINGER: FBI agent

    JENNY: a singer, and a thief

    TINA: a singer, and a thief

    IVES: Pinkerton agent

    VINNIE: speakeasy owner

    CHRISTIE: a beggar

    GREEN: a banker

    MERCER: a banker

    HALLIWELL: a banker

    And a number of Waiters, Beggars, a Socialite, an Innocent Civilian, and two Federal Agents

    King-of-Thieves-Title.jpg

    SCENE 1

    The hall of a large house belonging to GREEN, the banker. MAC, eating sunflower seeds and reading from a pamphlet, waits while his henchman, PORK, nervously prepares to cut a canvas out of a frame he is holding.

    MAC

    This guy lived most of his life in poverty …

    PORK

    Well, he sure made a killing at some point. Look at all the stuff in here.

    MAC

    Not the owner of the house. The painter. Tuberculosis, cataracts, wife died, son killed in the war … and the few paintings he sold, he sold for pennies … He croaks and, two years later, they’re going for thousands.

    PORK is about to start cutting.

    MAC

    Slowly, slowly … it’s not much good to us if you carve it up.

    PORK

    I’m a little nervous. Maybe you should do it.

    MAC

    If I keep doing it, how you ever gonna learn? You want to be a snatch-and-grab artist your whole life?

    PORK

    It’s what I’m good at.

    MAC

    If you’re so good at it, how come you spent most of the past ten years in the slammer? (gestures to painting) Just be patient. If you butcher it, the master of the house isn’t gonna want it back.

    PORK

    That’s the plan? You’re gonna try to sell it back to him?

    MAC

    Guys who owns houses like this, they love their art, especially if it’s from Europe. They probably love it more than they love their kids.

    PORK

    Or I guess we’d be stealing their kids.

    MAC

    If we were the kind of people who stole kids … which we’re not. (hears something) Shhhh … What was –

    PORK reaches inside his coat, reveals a gun. MAC shakes his head. PORK drops his hand, leaving the gun in his jacket.

    IVES

    (from the darkness) Okay … stop right there … and just stay … very still. (approaches while holding his own gun) You. Drop the knife and step away from the painting.

    PORK looks at MAC. MAC just smiles and steps a little towards IVES.

    MAC

    He can’t do that.

    IVES

    Why not?

    MAC

    He’s not finished yet.

    PORK

    You want me to drop him?

    MAC

    Not yet …

    IVES

    Hey, if anybody’s gonna be dropping people here, pal … You think I don’t know how to use this thing or something?

    MAC

    No. If Pinkerton agents know anything, they know how to shoot people.

    PORK

    One of them shot my brother for no reason.

    MAC

    Well, he was beating the crap out of someone at the time.

    PORK

    Yeah, a goddamn strikebreaker.

    MAC

    Right. Yeah … (to IVES) He means for no good reason.

    IVES

    (to PORK) I told you to step away from that painting.

    MAC

    Look, I need to ask you a question. Do you have a family … people who need your financial support?

    IVES

    Yeah, my mother. What of it?

    MAC

    Well, who’s gonna take

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