The Collected Poems of Driscoll
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Terracom Poets Series: The Collected Poems of William Driscoll with an introduction by Martin Devlin.
William Driscoll
Born on the shores of Lake Michigan north of Chicago, Illinois, as a boy Will was more at home on the beaches, local playing fields or exploring the woods behind his house than in a classroom. Precocious and free-spirited, he was given to the rough and tumble of sports and other physical activities. All this changed the day he discovered what he would later call--"the magic book; the first book that made the movie go in my head"-- J.R.R. Tolkien's The Hobbit. Devouring it, the Lord of the Rings and later The Silmarillion in consecutive readings, his life-long love of fantasy and poetry began. During his high school years, now an avid reader, Will became a student of science fiction/fantasy, mythology and folklore and would seek out similar works by Robert A. Heinlein, Frank Herbert, Roger Zelazny, Marion Zimmer Bradley and Stephen R. Donaldson. Graduating from college with honors, he received his first awards in the genres of poetry and short fiction while, all the while, his own fantasy world was slowly taking shape in his imagination. In 1988 surrounded by family and friends he married the love of his life, rock singer and part-time journalist for the Soho Weekly News, Kelly Andersen. Together they have three wonderful children, Shae, Erin and Erik. While Will wrote, Kelly went on to a long successful third career as a restaurateur and is currently a sought-after health and lifestyle coach. Throughout his writing life, Will has always considered himself a poet having written seven books of poetry along with a number of short stories, three movie scripts and an Off Broadway play. At the same time, like some model train enthusiast lovingly shaping an H0 scale paradise in his basement, he was tinkering obsessively with his fantasy world which presented first as hastily written notes in a journal; these scratchings would later become notebooks and then computer files filled with detailed histories, maps, poetry, character sketches and stories. Twenty-two years after that first note was taken, he decided to pull it all together and began Godsfade, a high science fiction/fantasy series set in a dystopian future, The Living Gods, Awakening in the Hollow and The Dark Gate being the first three installments.
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The Collected Poems of Driscoll - William Driscoll
About the Poet
Known primarily as a narrative poet, William Driscoll is above all a storyteller and the guises he affects from poem to poem, as rich and varied as that of an adolescent girl afraid of her own budding desires to that of an old man looking back on lost longing are at once assorted and convincing.
Driscoll’s poetry falls squarely into that category Emerson once called portfolio poetry
, verse produced with little thought of notoriety or allegiance to prevailing style. This stand point gives these poems a fresh quality, a nonconformity, having provided the poet with the freedom to be unconventional.
During his lifelong search for structures and forms designed to heighten the unique rhythms and music of his poetry, Driscoll’s work is clearly divided into three stages: a callow lyric period influenced by antique verse and marked by the use of archaic themes–often in tetrameter with end rhymes–to a nonrhyming middle period punctuated by short staccato lines and linear stanzas designed to shape the contours and control the pacing of the poems, to a latter experimental period of more free form poems heavily dependent on internal and slant rhymes to achieve their effects.
In the wide-ranging poetry included in this volume, running the gamut from heroic couplets to blank verse, the reader will discover a quasi-Italian sonnet sequence with ever–increasing lines to swell each stanza to its conclusion, a ballad in pigeon Middle English and a song based on the rhythms and music of a Mozart Mass. These, as well as other contrivances of line, rhythm and rhyme, highlight the poet’s restless search for new forms and novel boundaries constructed to push the language to its limits.
With disparate themes ranging from social satire to the agony of loss to the search for spiritual meaning–at times filled with invective, anger and slice at other times doggerel or whimsy that cut a wide swath of satire and mockery–the poems in this collection range from the serious to the bawdy and profane.
Table of Contents
About the Poet
Lyrics
Five Eggs in Springtime
Were We Once filled with Sky and Lake
The Visitor
The Dripping Drops of Rain
The Many Coats
Death came Anyway
Tara
Passionless Age
Mystic Sand
My Love of your Morning
Creativity
I Have Known Euphoria and Epiphany
As the Flower turns to the Sun
A Song of Autumn
I Pour Meaning into the Vessel of my Lives
In the end it is only You and I
Silence
I Made Love to my Wife
I Know Sorrow Now
I am a Heart
The Song of the Earth and Sea
Gone are the days
Cicadas
Curdle Friar
Upon a Wall a Dragon’s Claw
Curving Pendulous
A Goth’s Arch
Naked as the Sunshine
Red Clover Grows
We Read to Know
Will I Live Another Day?
Square Holes
A Basket, a Hat
There’s Something about a Restaurant
I Wrote that out of Me
Inevitability
Grow old...with Me
There is a Beauty in Age
The Bitch, the Boss and the Butter–men
Misanthrope Party
Lazy Lions
a–costic–crostic
There are Nine Holes
River Views
Rocking in Endless Motion
Undressing Change
Trinity
The Martyrdom of Cecilia
When Ga puts ‘is Finga on Ya
For Michael, 2000
I Luv a Girl
Prayer One: The Demiurge
The Child
Time’s Test
Let us cease the Talk of Autumn
I Search through a Myriad of Phantoms
Celestial Beings feel not the Things
I Wonder Sometimes
To List the Things I Admire
Young man, Old man
The Higher you Build
The Cove
The Child
The Poet of Sen Sel-Amar
Our Poet Remembers Childhood
Halwin’s Search
Song of Renfrew
The Wooden Box
A Drinking Song
Rime
The Academy – The Salon (and Mr. Manet)
An Eggstremelybad Mentalcase
not who, but what
Noblins
Filadalay
Mon Captain Naught
A Bust of Wilde
Koniology
I Wanna be a Feminist Man
All Boxed In
The Naffoo Bird Sings
A Plea to the Passionless
The Rag–a–man
Dem Beans
I’ve tried on Shirts
The Walrus and the Debutante
Safe Sonnetry
I Never Conjured your Eyes
Sen Zala Ben
Rime
Mulligan
Tweedle-dum and Tweedle-dee
Househusband
Rhodes’ Colossus
When y’touch Things
A Nigerian Story
Romantics
Juliana
The Graal Gate
Requiem Mass
Lochinvar Returns
Amric Loves the Night
The Poet of Sen Sel–Amar
The Golden Bird
Definitions of a Radical Centrist
Of Plastics, Pedophiles
In Defense of the Moneyed Classes
Born and Raised in a Stinkin’ Dessert
The Golden Triangle
If I had in my Hands
Mourning in Waco
Definition of a Radical Centrist
Eat the Elite
Live, from the House of Pain
When Principle Dies
Bread and Circuses
I am Truth
A Brave New Day in the New US of A
I Hate Everybody
25 Unpublished Poems
Kaleidoscope Color
The Universe Encircles
Cha
Evolution
The Stream
Smiling Wicked Innocence
The Irish Kings
Tranquility Base
Over the Next Hill
The Sea has Blown Calmer
Written While Thinking of Christina Rossetti
Tahiti calls to Me
They Beat their Swords
In the Fields
On the Willows, AD 73
Within Wheels
Two Towers
2000 Good–byes
Marisleysis
Symbol
The Rain Came Pouring Down as Tears
How the Years lie Beautiful
Like a Thread in the Darkness
The Flowers of my Heart
Understanding Yeats
Lyrics
Five Eggs in Springtime
When the wind blows warm from the south
heavy with the scent of loam and pine
the forest behind the old shed
shudders, cracks under the weight
of wet snow in spring and expectation
I close my eyes to taste the bloom
of springs before, that came and to
the lover, poet, fool conjured immortality
Did Whitman, in the freezing blood of young
boys dying with winter on some distant field,
taste such sorrow? And sing?
Did Arnold bear such melancholy by his moon–
blanched shore and choose to love?
Human misery is less inspiring amid the maple
and pine when springtime brings the scent of death
Across the holt a neighbor’s clearing trees
rough men balance chainsaws with their bellies
and callused hands or ride high upon
smoking machines with claws and teeth chewing
up the pines, seeing only wood and worse
As some foreign army in a distant field they fall
in uniforms of needles and dried brown leaves
one by one shake the earth and tremble down
they were here before the roads and houses
(the difference and degrees) where soft malice
warms its hands like a Bedouin before a desert fire
they were here before the fall
When I stalked those woods in spring, peered
in its hollow stumps, kicked its rotted logs
saw dead raccoons with black and crawling eyes
and flightless birds bent like broken sticks, drunk
on despair and the liveliness of death and spring
When under a leaning birch, I came upon a nest
abandoned on its side and listing
in it five small eggs bleached as the bark above
nestled in a pile of twigs, five small prayers
of peace thrust to the future unrealized
five fragile dreams broken and consumed
Were We Once filled with Sky and Lake
Were we once filled with sky and lake
and covered with mud?
blue as a jay and daring as a crow?
I don’t remember
something tells me that we were
in Erin I can see it
all dancing Erin pigtails and promise
can I wear a party dress? she smiles
to climb a tree? I ask exasperated
to climb a tree...
Were we once bright as a star
and open as a field?
sharp as a blade of grass
and green as summer?
we might have been
I seem to recall
in Sean I can see it
all searching Sean eyes and fingers
that’s a Cosmos there
that’s Queen Ann’s Lace
if you say so, so
if you say so, so...
Were we once brown as the earth
and ripe as a berry?
shifting like a humming bird
and soaking like a sponge?
I don’t know
it’s quite likely we were
in Erik I can see it
all smiling Erik all hands all head
all light blue eyes
I’m wearing stardust for my shirt – see?
if only I could tell you where I’m from
before I forget...
If only you could tell us
The Visitor
When I was three, the visitor came
to my house and led me from
root to trunk, from warm bath
water to March rain, from my mother’s
breast, my slatted bed to run to him
as if an old friend
And as I ran free as the sunshine on
green grass, pressed footprints in the earth
callow and whispering as the wind
that plays the birch leaves sideways
in the spring, he smiled at me
bone–white and merciless
When I was thirteen, the visitor came again
holding lanterns of gull–flight and
nimbus clouds, baskets of honey–bread
and wild storms and love, love
and I walked with her a while
as if a trusted guide
And she led me to fields of delight
and fruits of mallow sweetness round
the curve of her urging I caressed
the fullness of that promontory
crashed against the black cliffs
of my desire with mad fury
restless as the currents, somber as the grave
And as I forgot the ocean so too
I forgot the shore
for a time
for a time
When I was nineteen, I sat apart silent
a cracked seawall where thousands of
fireflies had lighted for my delight
where moonlight had become woman
and sea tide bliss and there the visitor
touched the sand before my eyes
with snow and ice, whipped the waves
to a dark brooding cascade of hoarfrost
sweeping that ghastly scene with a ghostly
arm it whispered ‘I shall return
to collect my payment’
Then vanished on the winds
leaving me frozen and afraid
When I was thirty–two, the visitor appeared
again – a giant dark and brooding
terrible as the gale, empty as a cavern
reaching a shadow hand inside my chest
it took the fire there and snuffed it
‘Now you are truly dead’
it said
And I mourned
And since the visitor
hasn’t left me but it sits
beside me always, touching my cells
one by one with numbness
like a game, taking bits of me
at a time like twine, to make a nest
my conifer nest
‘Will you soon rock me
in your arms, rock me
for all eternity and never
let me go?’ I ask
And the visitor smiles
The Dripping Drops of Rain
‘The dripping drops
of