The Man of Mode: or, Sir Fopling Flutter. A Comedy
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George Etherege was born in Maidenhead, Berkshire, around 1636, the eldest of six children to George Etherege and Mary Powney. Little is known of much of his life and especially his early years. He was educated at Lord Williams's School and the next sighting of him is as apprentice to a lawyer before he himself began to study law at Clement's Inn, London, one of the Inns of Chancery. Thereafter conjecture attributes many things to him but none that can be confirmed as fact. However, after the Restoration to the throne of Charles II in 1660 he wrote his first comedy; The Comical Revenge, or, Love in a Tub, which also brought him to the attention of Lord Buckhurst, who later became the Earl of Dorset. The Comical Revenge was performed at the Duke's theatre in 1664 although other accounts say it was premiered at Lincoln’s Inn Fields. It is written partly in rhymed heroic verse and contains several comic scenes that are refreshingly bright, especially in the context of other plays performed at the time. The verbal sparring between Sir Frederick and the Widow was a new departure for the stage and it worked brilliantly. An immediate success, it had followed much of the earlier traditions of theatre but had already begun to lay the foundations for what would become the comedy of manners. It gave him an immediate entrée to a world of literary rakes, including Sir Charles Sedley, John Wilmot, the earl of Rochester and many of the roguish elements of the Court circle. He seemed easy-going and amiable and his nicknames seem to confirm this; "gentle George" and "easy Etheredge." Whether this rich life of gaudy pleasures hindered his writing or not it would be another four years before his next play would be finished and performed. In 1668 She Would If She Could, a comedy full of action, wit and spirit, came to the stage. Although it was also seen by others to be frivolous and immoral. However, the play does cement Etheredge’s modern reputation as a powerful figure in English playwriting. The play dropped the romantic verse element to concentrate on flirtation for flirtations own sake. It was a radical departure. Unfortunately, it also flopped. It is said due to bad acting but the sudden movement away from the normal structure of a play may equally be the reason. Etheridge now departed on new adventures and between 1668 and 1671 Etherege resided in Constantinople as the secretary of the English ambassador, Sir Daniel Harvey. Returning once more to English shores he wrote the prologue for the opening, in 1671, of the new Dorset Garden Theatre. In 1676 his last and wittiest comedy, The Man of Mode; or, Sir Fopling Flutter, was brought to the stage. It was an immediate and over-whelming success. He was acclaimed. A writer being the sum of his own experiences it was widely believed that the play’s characters paint comic pictures of several of his well-known contemporaries. Sir Fopling Flutter himself being a portrait of Beau Hewit, the reigning exquisite of the hour, Dorimant a reference to John Wilmot, the Earl of Rochester, and Medley a portrait of Etherege himself or fellow playwright and wit Sir Charles Sedley. Even the drunkard shoemaker was a real character, who made his fortune from being brought to public attention. After this brilliant success Etheredge retired from literature, and a few years later had lost much of his new fortune to gambling. Etherege was knighted in either 1679 or 1680 and went on to marry the wealthy widow Mary Sheppard Arnold. In March, 1685 he was appointed resident minister in the imperial German court at Regensburg. After three and a half-year's residence and the Glorious Revolution, he left for Paris to join James II in exile. He died in Paris, probably in late 1691, although the date and cause of death are uncertain.
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The Man of Mode - George Etherege
The Man of Mode by George Etherege
or, Sir Fopling Flutter
A Comedy
George Etherege was born in Maidenhead, Berkshire, around 1636, the eldest of six children to George Etherege and Mary Powney.
Little is known of much of his life and especially his early years. He was educated at Lord Williams's School and the next sighting of him is as apprentice to a lawyer before he himself began to study law at Clement's Inn, London, one of the Inns of Chancery.
Thereafter conjecture attributes many things to him but none that can be confirmed as fact.
However, after the Restoration to the throne of Charles II in 1660 he wrote his first comedy; The Comical Revenge, or, Love in a Tub, which also brought him to the attention of Lord Buckhurst, who later became the Earl of Dorset.
The Comical Revenge was performed at the Duke's theatre in 1664 although other accounts say it was premiered at Lincoln’s Inn Fields. It is written partly in rhymed heroic verse and contains several comic scenes that are refreshingly bright, especially in the context of other plays performed at the time. The verbal sparring between Sir Frederick and the Widow was a new departure for the stage and it worked brilliantly.
An immediate success, it had followed much of the earlier traditions of theatre but had already begun to lay the foundations for what would become the comedy of manners.
It gave him an immediate entrée to a world of literary rakes, including Sir Charles Sedley, John Wilmot, the earl of Rochester and many of the roguish elements of the Court circle. He seemed easy-going and amiable and his nicknames seem to confirm this; gentle George
and easy Etheredge.
Whether this rich life of gaudy pleasures hindered his writing or not it would be another four years before his next play would be finished and performed.
In 1668 She Would If She Could, a comedy full of action, wit and spirit, came to the stage. Although it was also seen by others to be frivolous and immoral. However, the play does cement Etheredge’s modern reputation as a powerful figure in English playwriting. The play dropped the romantic verse element to concentrate on flirtation for flirtations own sake. It was a radical departure. Unfortunately, it also flopped. It is said due to bad acting but the sudden movement away from the normal structure of a play may equally be the reason.
Etheridge now departed on new adventures and between 1668 and 1671 Etherege resided in Constantinople as the secretary of the English ambassador, Sir Daniel Harvey.
Returning once more to English shores he wrote the prologue for the opening, in 1671, of the new Dorset Garden Theatre.
In 1676 his last and wittiest comedy, The Man of Mode; or, Sir Fopling Flutter, was brought to the stage. It was an immediate and over-whelming success. He was acclaimed. A writer being the sum of his own experiences it was widely believed that the play’s characters paint comic pictures of several of his well-known contemporaries. Sir Fopling Flutter himself being a portrait of Beau Hewit, the reigning exquisite of the hour, Dorimant a reference to John Wilmot, the Earl of Rochester, and Medley a portrait of Etherege himself or fellow playwright and wit Sir Charles Sedley. Even the drunkard shoemaker was a real character, who made his fortune from being brought to public attention.
After this brilliant success Etheredge retired from literature, and a few years later had lost much of his new fortune to gambling.
Etherege was knighted in either 1679 or 1680 and went on to marry the wealthy widow Mary Sheppard Arnold.
In March, 1685 he was appointed resident minister in the imperial German court at Regensburg. After three and a half-year's residence and the Glorious Revolution, he left for Paris to join James II in exile.
He died in Paris, probably in late 1691, although the date and cause of death are uncertain.
Index of Contents
PROLOGUE by Sir Car Scroope, Baronet
DRAMATIS PERSONAE
ACT I
SCENE I
ACT II
SCENE I
SCENE II
ACT III
SCENE I
SCENE II
SCENE III
ACT IV
SCENE I
SCENE II
SCENE III
ACT V
SCENE I
SCENE II
EPILOGUE by Mr. Dryden
GEORGE ETHEREGE – A CONCISE BIBLIOGRAPHY
THE MAN OF MODE
PROLOGUE by Sir Car Scroope, Baronet
Like dancers on the ropes poor poets fare,
Most perish young, the rest in danger are;
This, one would think, should make our authors wary,
But, gamester like, the giddy fools miscarry.
A lucky hand or two so tempts ’em on,
They cannot leave off play till they’re undone.
With modest fears a muse does first begin,
Like a young wench newly enticed to sin;
But tickled once with praise, by her good will,
The wanton fool would never more lie still.
’Tis an old mistress you’ll meet here to-night,
Whose charms you once have look’d on with delight;
But now of late such dirty drabs have known ye,
A muse o’th’ better sort’s ashamed to own ye.
Nature well drawn, and wit, must now give place
To gaudy nonsense and to dull grimace:
Nor is it strange that you should like so much
That kind of wit, for most of yours is such.
But I’m afraid that while to France we go,
To bring you home fine dresses, dance, and show,
The stage, like you, will but more foppish grow.
Of foreign wares why should we fetch the scum
When we can be so richly served at home?
For, heaven be thank’d, ’tis not so wise an age
But your own follies may supply the stage.
Though often plough’d, there’s no great fear the soil
Should barren grow by the too frequent toil,
While at your doors are to be daily found
Such loads of dunghill to manure the ground.
’Tis by your follies that we players thrive,
As the physicians by diseases live;
And as each year some new distemper reigns,
Whose friendly poison helps t’increase their gains,
So among you there starts up every day
Some new unheard-of fool for us to play.
Then for your own sakes be not too severe,
Nor what you all admire at home, damn here:
Since each is fond of his own ugly face,
Why should you, when we hold it, break the glass?
Dramatis Personae
Mr. Dorimant – a Rake
Mr. Medley – a Gossip
Old Bellair – a Gentleman of Substance
Lady Townley – his Sister
Young Bellair – a Gentleman about Town
Sir Fopling Flutter – a Gentleman of Paris and London
Lady Woodvil – a Lady of moderately advanced years
Harriet Woodvil – her eminently marriageable Daughter
Emilia, Mrs Loveit, Belinda - Gentlewomen
Pert – waiting-woman to Mrs Loveit
Busy – waiting-woman to Harriet
Handy – valet-de-chambre to Mr. Dorimant
Mr. Smirk, a parson
A Shoemaker
An Orange-Woman
Three Slovenly Bullies
Two Chairmen
Pages, Footmen, &c. as required
ACT I
SCENE I
[Dorimant’s dressing-room. A table covered with a toilet; clothes laid ready. Enter DORIMANT in his
gown and slippers, with a note in his hand made up, repeating verses.]
DORIMANT
Now for some ages had the pride of Spain/Made the sun shine on half the world in vain.
[looking on the note] For Mrs Loveit.
What a dull insipid thing is a billet-doux written in cold blood, after the heat of the business is over! It is a tax upon good-nature which I have here been labouring to pay, and have done it, but with as much regret as ever fanatic paid the Royal Aid or Church Duties. ’Twill have the same fate, I know, that all my notes to her have had of late, ’twill not be thought kind enough. Faith, women are i’ the right when they jealously examine our letters, for in them we always first discover our decay of passion.—Hey! Who waits?
[Enter HANDY]
HANDY
Sir—
DORIMANT
Call a footman.
HANDY
None of’em are come yet.
DORIMANT
Dogs! Will they ever lie snoring a-bed till noon?
HANDY
’Tis all one, sir: if they’re up, you indulge ’em so they’re ever poaching after whores all the morning.
DORIMANT
Take notice henceforward, who’s wanting in his duty, the next clap he gets, he shall rot for an example. What vermin are those chattering without?
HANDY
Foggy Nan the orange-woman and swearing Tom the shoemaker.
DORIMANT
Go; call in that overgrown jade with the flasket of guts before her; fruit is refreshing in a morning.
[Exit HANDY]
DORIMANT
"It is not that I love you less
Than when before your feet I lay" -
[Enter ORANGE-WOMAN with HANDY]
DORIMANT
How now, double-tripe! What news do you bring?
ORANGE-WOMAN
News! Here’s the best fruit has come to town