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Omnesia (alternative text)
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Omnesia (alternative text)
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Omnesia (alternative text)
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Omnesia (alternative text)

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'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection -published in twin editions, the alternative text and the remix -approaches and evades such flawed totality. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poeti outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgängers haunted by the idea of a whole neither can embody or know. Which one are you reading? Poetry Book Society Recommendation. 'The very form of Omnesia is innovative and intimately related to his creative concerns. The "book" comes as two distinct books, dubbed the Alternative Text and the Remix...The two books aren't halves of one whole. The real poem might be stranded in the limbo between them, ever out of reach (in some ways this aligns Herbert more with a poet like John Burnside). There is no "definitive" or "original" version. That seems to me to be an attitude and ideology worth taking forward into the 21st-century Scotland.' - Stuart Kelly, The Scotsman.
LanguageEnglish
Release dateMar 27, 2014
ISBN9781780370804
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Omnesia (alternative text)
Author

W.N. Herbert

W.N. [Bill] Herbert is a highly versatile poet who writes both in English and Scots. Born in Dundee, he established his reputation with two English/Scots collections from Bloodaxe, Forked Tongue (1994) and Cabaret McGonagall (1996). These were followed by The Laurelude (1998), The Big Bumper Book of Troy (2002), Bad Shaman Blues (2006) and Omnesia (2013). His latest collection, The Wreck of the Fathership, is published by Bloodaxe in 2020. He has also published a critical study, To Circumjack MacDiarmid (OUP, 1992) drawn from his PhD research. His practical guide Writing Poetry was published by Routledge in 2010. He co-edited Strong Words: modern poets on modern poetry (Bloodaxe Books, 2000) with Matthew Hollis, and Jade Ladder: Contemporary Chinese Poetry (Bloodaxe Books, 2012) with Yang Lian. Bill Herbert is Professor of Poetry and Creative Writing at Newcastle University and lives in a lighthouse overlooking the River Tyne at North Shields. He was Dundee's inaugural Makar from 2013 to 2018. Twice shortlisted for the T.S. Eliot Prize, his collections have also been shortlisted for the Forward Prize, McVities Prize, Saltire Awards and Saltire Society Scottish Book of the Year Award. Four are Poetry Book Society Recommendations. In 2014 he was awarded a Cholmondeley Prize for his poetry, and an honorary doctorate from Dundee University. In 2015 he became a Fellow of the Royal Society of Literature.

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