A Persian Requiem
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About this ebook
Simin Daneshvar
Simin Daneshvar (born April 28, 1921, Shiraz, Iran—died March 8, 2012, Tehran, Iran), was an Iranian author who wrote the enduringly popular Savūshūn (1969; published in English as Savushun: A Novel About Modern Iran, 1990, and as A Persian Requiem, 1991), the first modern Persian-language novel written by a woman. In 1948, while Daneshvar was studying Persian literature at the University of Tehran (Ph.D., 1949), she published a short-story collection, Atesh-e khamūsh (The Quenched Fire), the first such book by a woman to come out in Iran. She published a second collection, Shahrī chūn behesht (1961; A City as Paradise) before embarking on Savūshūn. Later novels include Jazīreh-ye Sargardānī (1992; The Island of Perplexity) and Sārebān-e sargardān (2002; Wandering Caravan Master). She was also known for her translations into Persian of such writers as Anton Chekhov and Nathaniel Hawthorne. Daneshvar was married (1950–69) to noted writer and intellectual Jalal Al-e Ahmad and taught art history at the University of Tehran from the late 1950s until her retirement in 1979.
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Reviews for A Persian Requiem
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- Rating: 4 out of 5 stars4/5I found [A Persian Requiem] a fascinating glimpse of life in occupied Iran during World War II. Told primarily from the view of Zari, it tells the story of what occurs when her husband, Yusef, continues his resistance to selling his crops to the British army for the third year in a row, trying to keep back enough for the peasants who work the land to eat. Yusef’s brother, Abol-Ghassem Kahn, takes a more pragmatic view, hoping that in cooperating with the British he may earn a place in the governing classes (and a chance to increase his wealth), while protecting his family at the same time. The situation is further complicated by the request two friends of Yusef from a nomadic tribe make for him to sell them food for their people. In my reading, Zari understands and agrees with her husband’s argument that Persia should be governed by Persians, but I think she has a clearer sight than Yusef of the consequences of not cooperating. She yearns for the safety of her household over and above what might be morally/ethically “right,” as might many of us in a situation where choosing a larger good may inflict suffering in the immediate future on those close to us.The story has added depth for those who have some familiarity with the story of Seyavash/Siyavash in Ferdowsi’s epic poem, the Shanameh, and I’m sure this contributed to its being a bestseller in Iran. I did find that many of the secondary characters in the story seemed rather one-sided. However, the family – Zari, her husband, brother-in-law & sister-in law and her son Khosrow - and the conflicts Zari finds herself facing were depicted well.