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    Arts Reviews
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    Arts Reviews
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    Arts Reviews
    Ebook165 pages2 hours

    Arts Reviews

    By Celia Brayfield

    3/5

    ()

    Currently unavailable

    Currently unavailable

    About this ebook

    The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the NO 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writer like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du CInema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.
    LanguageEnglish
    PublisherCreative Essentials
    Release dateOct 21, 2010
    ISBN9781842434185
    Unavailable
    Arts Reviews
    Author

    Celia Brayfield

    Celia Brayfield is a novelist and cultural commentator. She is the author of nine novels. The latest, Wild Weekend explores the tensions in a Suffolk village in homage to Oliver Goldmsith's She Stoops to Conquer. To explore suburban living, she created the community of Westwick and explored mid-life manners in Mr Fabulous And Friends, and the environmental implications of urbanisation in Getting Home. She has often juxtaposed historical and contemporary settings, notably eighteenth century Spain in Sunset, pre-revolutionary St Petersburg in White Ice and Malaysia in the time of World War II in Pearls. Four of her novels have been optioned by major US, UK or French producers. Her non-fiction titles include two standard works on the art of writing: Arts Reviews (Kamera Books, 2008) and Bestseller (Fourth Estate, 1996.) Her most recent is Deep France (Pan, 2004) a journal of a year she spent writing in south-west France. She has served on the management committee of The Society of Authors and judged national literary awards including the Betty Trask Award and the Macmillan Silver PEN Prize. A former media columnist, she contributes to The Times, BBC Radio 4 and other national and international media.

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    • 3/5
      Is it fair to write a review about a book on writing reviews? Perhaps not, but I will attempt the feat nonetheless. In this work, British author Celia Brayfield offers her readers wisdom and experiences from her career of writing arts reviews for periodicals. (She has since moved on to writing full books.)

      She spends first eight of the ten chapters sharing the rules of the road for writing arts reviews. She fills in these rules with examples from her life experience. While this was interesting at first, I grew tired of hearing story after story. I wanted Brayfield to put forth an argument or, at the very least, to cite someone else who is putting forth an argument. Without a strong central narrative, the book seemed to ramble at times. Being more familiar with the American arts scene than the British one, I had trouble sifting through the unfamiliar names.

      Although I thought about putting the book down as I labored through the chapters, the last two chapters redeemed it to me. In the next-to-last chapter, Brayfield provides a detailed history of arts reviews. She displays erudition about the major writers who shaped our perception of this practice. In the last chapter, she provides helpful and practical advice for starting out in the field. Such pragmatism is always welcomed.

      I wish she would have taken the perspective of writing to help the reader understand how to perfect the art instead of just sharing story upon story. This book is not a total failure as the last two chapters illustrate. Still, it could have been stronger to meet my desires and my American cultural experience.