Arden of Faversham by William Shakespeare - Apocryphal - Apocryphal (Illustrated)
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Arden of Faversham by William Shakespeare - Apocryphal - Apocryphal (Illustrated) - William Shakespeare (Apocryphal)
The Complete Works of
WILLIAM SHAKESPEARE
VOLUME 41 OF 74
Arden of Faversham
Parts Edition
By Delphi Classics, 2012
Version 6
COPYRIGHT
‘Arden of Faversham’
William Shakespeare: Parts Edition (in 74 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78656 307 1
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
William Shakespeare: Parts Edition
This eBook is Part 41 of the Delphi Classics edition of William Shakespeare in 74 Parts. It features the unabridged text of Arden of Faversham from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of William Shakespeare, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of William Shakespeare or the Complete Works of William Shakespeare in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
WILLIAM SHAKESPEARE
IN 74 VOLUMES
Parts Edition Contents
The Plays
1, Henry VI, Part 2
2, Henry VI, Part 3
3, Henry VI, Part 1
4, Richard III
5, The Comedy of Errors
6, Titus Andronicus
7, Taming of the Shrew
8, The Two Gentlemen of Verona
9, Love’s Labour’s Lost
10, Romeo and Juliet
11, Richard II
12, A Midsummer Night’s Dream
13, King John
14, The Merchant of Venice
15, Henry IV, Part I
16, Henry IV, Part II
17, Much Ado About Nothing
18, Henry V
19, Julius Caesar
20, As You Like It
21, Twelfth Night
22, Hamlet
23, The Merry Wives of Windsor
24, Troilus and Cressida
25, All’s Well that Ends Well
26, Measure for Measure
27, Othello
28, King Lear
29, Macbeth
30, Antony and Cleopatra
31, Coriolanus
32, Timon of Athens
33, Pericles
34, Cymbeline
35, The Winter’s Tale
36, The Tempest
37, Henry VIII
38, The Two Noble Kinsmen
The Lost Plays
39, The Lost Plays
The Sources
40, The Plays’ Sources
The Apocryphal Plays
41, Arden of Faversham
42, The Birth of Merlin
43, King Edward III
44, Locrine
45, The London Prodigal
46, The Puritan
47, The Second Maiden’s Tragedy
48, Sir John Oldcastle
49, Thomas Lord Cromwell
50, A Yorkshire Tragedy
51, Sir Thomas More
52, Fair Em
53, Mucedorus
54, The Merry Devil of Edmonton
55, Edmund Ironside
56, Thomas of Woodstock
57, Vortigern and Rowena
The Adaptations
58, Tales from Shakespeare by Charles and Mary Lamb
The Poetry
59, The Sonnets
60, Venus and Adonis
61, The Rape of Lucrece
62, The Passionate Pilgrim
63, The Phoenix and the Turtle
64, A Lover’s Complaint
The Apocryphal Poetry
65, To the Queen
66, A Funeral Elegy for Master William Peter
67, Sonnets to Sundry Notes of Music
The Criticism
68, The Criticism
The Biographies
69, Some Account of the Life of Mr. William Shakespear by Nicholas Rowe
70, Shakespeare: His Life, Art, and Characters by Henry Norman Hudson
71, Life of William Shakespeare by Sir Sidney Lee
72, Shakespeare’s Lost Years in London by Arthur Acheson
73, The People for Whom Shakespeare Wrote by Charles Dudley Warner
Resources
74, Resources
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Arden of Faversham
This play was entered into the Register of the Stationers Company on 3 April 1592, and printed later that same year by Edward White. It depicts the murder of Arden by his wife Alice and her lover, and their subsequent discovery and punishment. The play is notable as perhaps the earliest surviving example of domestic tragedy, a form of Renaissance play depicting local crimes rather than far-off and historical events. Some believe Thomas Kyd wrote this play, while others still believe Shakespeare had a hand in its composition.
The 1592 Quarto of the play
CONTENTS
DRAMATIS PERSONAE
ACT I
ACT II
SCENE II
ACT III
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
ACT IV
SCENE II
SCENE III
SCENE IV
ACT V
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
DRAMATIS PERSONAE
Thomas Arden, Gentleman, of Feversham
Franklin, his Friend
MOSBIE
Clarke, a Painter
Adam Fowle, Landlord of the Flower-de-Luce
Bradshaw, a Goldsmith
Michael, Arden’s Servant Greene
Richard Reede, a Sailor
Murderers : Shakebag, Black Will
A Prentice
A Ferryman
Lord Cheiny, and his Men
Mayor of Feversham, and Watch
Alice, Arden’s Wife
Susan, Mosbie’s Sister
ACT I
A Room in Arden’s House.
Enter Arden and Franklin.
Franklin. Arden, cheer up thy spirits, and droop no more !
My gracious Lord, the Duke of Somerset,
Hath freely given to thee and to thy heirs.
By letters patents from his Majesty,
All the lands of the Abbey of Feversham.
Here are the deeds,
He hands them.
Sealed and subscribed with his name and the
king’s :
Read them, and leave this melancholy mood.
Arden. Franklin, thy love prolongs my weary life ;
And but for thee how odious were this life, lo
That shows me nothing but torments my soul,
And those foul objects that offend mine eyes !
Which makes me wish that for this veil of heaven
The earth hung over my head and covered me.
Love-letters pass ‘twixt Mosbie and my wife,
And they have privy meetings in the town :
Nay, on his finger did I spy the ring
Which at our marriage-day the priest put on.
Can any grief be half so great as this ?
Franklin. Comfort thyself, sweet friend ; it is not
strange That women will be false and wavering.
Arden. Ay, but to dote on such a one as he
Is monstrous, Franklin, and intolerable.
Franklin. Why, what is he ?
Arden. A botcher, and no better at the first ;
Who, by base brokage getting some small stock,
Crept into service of a nobleman.
And by his servile flattery and fawning
Is now become the steward of his house,
And bravely jets it in his silken gown.
Franklin. No nobleman will countenance such a peasant.
Arden. Yes, the Lord Clifford, he that loves not me.
But through his favour let him not grow proud ;
For were he by the Lord Protector backed.
He should not make me to be pointed at.
I am by birth a gentleman of blood,
And that injurious ribald, that attempts
To violate my dear wife’s chastity
(For dear I hold her love, as dear as heaven)
Shall on