Lord Arthur Savile’s Crime and Other Stories by Oscar Wilde (Illustrated)
By Oscar Wilde
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Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wilde includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
eBook features:* The complete unabridged text of ‘Lord Arthur Savile’s Crime and Other Stories’
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Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 and died on the 30th November 1900. He was an Irish playwright, poet, and author of numerous short stories and one novel. Known for his biting wit, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially The Importance of Being Earnest.
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Lord Arthur Savile’s Crime and Other Stories by Oscar Wilde (Illustrated) - Oscar Wilde
The Complete Works of
OSCAR WILDE
VOLUME 16 OF 41
Lord Arthur Savile’s Crime and Other Stories
Parts Edition
By Delphi Classics, 2013
Version 6
COPYRIGHT
‘Lord Arthur Savile’s Crime and Other Stories’
Oscar Wilde: Parts Edition (in 41 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78656 166 4
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
Oscar Wilde: Parts Edition
This eBook is Part 16 of the Delphi Classics edition of Oscar Wilde in 41 Parts. It features the unabridged text of Lord Arthur Savile’s Crime and Other Stories from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Oscar Wilde, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of Oscar Wilde or the Complete Works of Oscar Wilde in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
OSCAR WILDE
IN 41 VOLUMES
Parts Edition Contents
The Plays
1, Vera
2, The Duchess of Padua
3, Lady Windermere’s Fan
4, A Woman of No Importance
5, Salomé
6, An Ideal Husband
7, The Importance of Being Earnest
8, La Sainte Courtisane
9, A Florentine Tragedy
The Poetry
10, The Complete Poems
The Novel
11, The Picture of Dorian Gray - the Original 13 Chapter Version
12, The Picture of Dorian Gray - the Revised 20 Chapter Version
The Short Stories
13, The Portrait of Mr. W. H.
14, The Happy Prince and Other Tales
15, A House of Pomegranates
16, Lord Arthur Savile’s Crime and Other Stories
The Non-Fiction
17, The Decay of Lying
18, Pen, Pencil and Poison - a Study in Green
19, The Critic as Artist
20, The Truth of Masks
21, The Rise of Historical Criticism
22, The English Renaissance of Art
23, House Decoration
24, Art and the Handicraftsman
25, Lecture to Art Students
26, London Models
27, Poems in Prose
28, The Soul of Man Under Socialism
29, Phrases and Philosophies for the Use of the Young
30, A Few Maxims for the Instruction of the Over-Educated
31, De Profundis
32, Oscar Wilde’s Letter to Robert Browning
33, Personal Impressions of America
34, The Decorative Arts
35, The House Beautiful
36, The Truth of Masks
The Journalism
37, The Articles and Reviews
Apocrypha
38, Teleny
The Biographies
39, Oscar Wilde, His Life and Confessions by Frank Harris
40, Memories of Oscar Wilde by G. Bernard Shaw
41, Oscar Wilde: an Idler’s Impression by Edgar Saltus
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Lord Arthur Savile’s Crime and Other Stories
This collection of short semi-comic mystery stories was first published in 1891. In the title story, the main character is introduced by Lady Windermere to Mr Septimus R. Podgers, a chiromantist, who reads his palm and tells him that it is in his future that he will be a murderer. Lord Arthur wants to marry, but decides he has no right to do so until he has committed the murder.
The first edition
CONTENTS
LORD ARTHUR SAVILE’S CRIME
THE CANTERVILLE GHOST
THE SPHINX WITHOUT A SECRET
THE MODEL MILLIONAIRE
Wilde, close to the time of publication
LORD ARTHUR SAVILE’S CRIME
CHAPTER I
It was Lady Windermere’s last reception before Easter, and Bentinck House was even more crowded than usual. Six Cabinet Ministers had come on from the Speaker’s Levée in their stars and ribands, all the pretty women wore their smartest dresses, and at the end of the picture-gallery stood the Princess Sophia of Carlsrühe, a heavy Tartar-looking lady, with tiny black eyes and wonderful emeralds, talking bad French at the top of her voice, and laughing immoderately at everything that was said to her. It was certainly a wonderful medley of people. Gorgeous peeresses chatted affably to violent Radicals, popular preachers brushed coat-tails with eminent sceptics, a perfect bevy of bishops kept following a stout prima-donna from room to room, on the staircase stood several Royal Academicians, disguised as artists, and it was said that at one time the supper-room was absolutely crammed with geniuses. In fact, it was one of Lady Windermere’s best nights, and the Princess stayed till nearly half-past eleven.
As soon as she had gone, Lady Windermere returned to the picture-gallery, where a celebrated political economist was solemnly explaining the scientific theory of music to an indignant virtuoso from Hungary, and began to talk to the Duchess of Paisley. She looked wonderfully beautiful with her grand ivory throat, her large blue forget-me-not eyes, and her heavy coils of golden hair. Or pur they were - not that pale straw colour that nowadays usurps the gracious name of gold, but such gold as is woven into sunbeams or hidden in strange amber; and they gave to her face something of the frame of a saint, with not a little of the fascination of a sinner. She was a curious psychological study. Early in life she had discovered the important truth that nothing looks so like innocence as an indiscretion; and by a series of reckless escapades, half of them quite harmless, she had acquired all the privileges of a personality. She had more than once changed her husband; indeed, Debrett credits her with three marriages; but as she had never changed her lover, the world had long ago ceased to talk scandal about her. She was now forty years of age, childless, and with that inordinate passion for pleasure which is the secret of remaining young.
Suddenly she looked eagerly round the room, and said, in her clear contralto voice, ‘Where is my cheiromantist?’
‘Your what, Gladys?’ exclaimed the Duchess, giving an involuntary start.
‘My cheiromantist, Duchess; I can’t live without him at present.’
‘Dear Gladys! you are always so original,’ murmured the Duchess, trying to remember what a cheiromantist really was, and hoping it was not the same as a cheiropodist.
‘He comes to see my hand twice a week regularly,’ continued Lady Windermere, ‘and is most interesting about it.’
‘Good heavens!’ said the Duchess to herself, ‘he is a sort of cheiropodist after all. How very dreadful. I hope he is a foreigner at any rate. It wouldn’t be quite so bad then.’
‘I must certainly introduce him to you.’
‘Introduce him!’ cried the Duchess; ‘you don’t mean to say he is here?’ and she began looking about for a small tortoise-shell fan and a very tattered lace shawl, so as to be ready to go at a moment’s notice.
‘Of course he is here; I would not dream of giving a party without him. He tells me I have a pure psychic hand, and that if my thumb had been the least little bit shorter, I should have been a confirmed pessimist, and gone into a convent.’
‘Oh, I see!’ said the Duchess, feeling very much relieved; ‘he tells fortunes, I suppose?’
‘And misfortunes, too,’ answered Lady Windermere, ‘any amount of them. Next year, for instance, I am in great danger, both by land and sea, so I am going to live in a balloon, and draw up my dinner in a basket every evening. It is all written down on my little finger, or on the palm of my hand, I forget which.’
‘But surely that is tempting Providence, Gladys.’
‘My dear Duchess, surely Providence can resist temptation by this time. I think every one should have their hands told once a month, so as to know what not to do. Of course, one does it all the same, but it is so pleasant to be warned. Now if some one doesn’t go and fetch Mr. Podgers at once, I shall have to go myself.’
‘Let me go, Lady Windermere,’ said a tall handsome young man, who was standing by, listening to the conversation with an amused smile.
‘Thanks so much, Lord Arthur; but I am afraid you wouldn’t recognise him.’
‘If he is as wonderful as you say, Lady Windermere, I couldn’t well miss him.