KUBLA KHAN: A VISION IN A DREAM & CHRISTABEL
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Samuel Taylor Coleridge
Samuel Taylor Coleridge (1772-1834), English lyrical poet, critic, and philosopher, whose Lyrical Ballads (1798), written with William Wordsworth, started the English Romantic movement. He was born in Ottery St Mary where his father was the vicar, and he was at school with Charles Lamb and Leigh Hunt, and spent two years at Jesus College, Cambridge. He is best known for his poems The Rime of the Ancient Mariner and Kubla Khan, but his critical work, especially on Shakespeare was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He also suffered from poor physical health that may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these concerns with laudanum, which fostered a lifelong opium addiction.
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KUBLA KHAN - Samuel Taylor Coleridge
Christabel
Table of Contents
Preface
Part I
The Conclusion to Part I
Part II
Conclusion to Part II
Preface
Table of Contents
The first part of the following poem was written in the year 1797, at Stowey, in the county of Somerset. The second part after my return from Germany, in the year 1800, at Keswick, Cumberland. It is probable that if the poem had been finished at either of the former periods, or if even the first and second part had been published in the year 1800, the impression of its originality would have been much greater than I dare at present expect. But for this, I have only my own indolence to blame. The dates are mentioned for the exclusive purpose of precluding charges of plagiarism or servile imitation from myself. For there is amongst us a set of critics, who seem to hold, that every possible thought and image is traditional; who have no notion that there are such things as fountains in the world, small as well as great and who would therefore charitably derive every rill they behold flowing, from a perforation made in some other man’s tank. I am confident however, that as far as the present poem is concerned, the celebrated poets whose writings I might be suspected of having imitated, either in particular passages, or in the tone and the spirit of the whole, would be among the first to vindicate me from the charge, and who, on any striking coincidence, would permit me to address them in this doggerel version of two monkish Latin hexameters.
Yes mine and it is likewise yours;
But an