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The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)
The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)
The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)
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The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)

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This eBook features the unabridged text of ‘The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of L. Frank Baum’.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Baum includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of ‘The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)’
* Beautifully illustrated with images related to Baum’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
LanguageEnglish
PublisherPublishdrive
Release dateJul 17, 2017
ISBN9781788771184
The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated)
Author

L. Frank Baum

L. Frank Baum (1856-1919) published The Wonderful Wizard of Oz in 1900 and received enormous, immediate success. Baum went on to write seventeen additional novels in the Oz series. Today, he is considered the father of the American fairy tale. His stories inspired the 1939 classic film The Wizard of Oz, one of the most widely viewed movies of all time. MinaLima is an award-winning graphic design studio founded by Miraphora Mina and Eduardo Lima, renowned for establishing the visual graphic style of the Harry Potter and Fantastic Beasts film series. Specializing in graphic design and illustration, Miraphora and Eduardo have continued their involvement in the Harry Potter franchise through numerous design commissions, from creating all the graphic elements for The Wizarding World of Harry Potter Diagon Alley at Universal Orlando Resort, to designing award-winning publications for the brand. Their best-selling books include Harry Potter and the Philospher’s Stone, Harry Potter Film Wizardry, The Case of Beasts: Explore the Film Wizardry of Fantastic Beasts and Where to Find Them, The Archive of Magic: Explore the Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald, and J.K. Rowling’s Fantastic Beasts screenplays. MinaLima studio is renowned internationally for telling stories through design and has created its own MinaLima Classics series, reimagining a growing collection of much-loved tales including Peter Pan, The Secret Garden, and Pinocchio.

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    The Tin Woodman of Oz by L. Frank Baum - Delphi Classics (Illustrated) - L. Frank Baum

    The Complete Works of

    L. FRANK BAUM

    VOLUME 14 OF 76

    The Tin Woodman of Oz

    Parts Edition

    By Delphi Classics, 2015

    Version 2

    COPYRIGHT

    ‘The Tin Woodman of Oz’

    L. Frank Baum: Parts Edition (in 76 parts)

    First published in the United Kingdom in 2017 by Delphi Classics.

    © Delphi Classics, 2017.

    All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

    ISBN: 978 1 78877 118 4

    Delphi Classics

    is an imprint of

    Delphi Publishing Ltd

    Hastings, East Sussex

    United Kingdom

    Contact: sales@delphiclassics.com

    www.delphiclassics.com

    L. Frank Baum: Parts Edition

    This eBook is Part 14 of the Delphi Classics edition of L. Frank Baum in 76 Parts. It features the unabridged text of The Tin Woodman of Oz from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of L. Frank Baum, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

    Visit here to buy the entire Parts Edition of L. Frank Baum or the Complete Works of L. Frank Baum in a single eBook.

    Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

    L. FRANK BAUM

    IN 76 VOLUMES

    Parts Edition Contents

    The Oz Works

    1, The Wonderful Wizard of Oz

    2, The Marvelous Land of Oz

    3, The Woggle-Bug Book

    4, Ozma of Oz

    5, Dorothy and the Wizard in Oz

    6, The Road to Oz

    7, The Emerald City of Oz

    8, The Patchwork Girl of Oz

    9, Little Wizard Stories of Oz

    10, Tik-Tok of Oz

    11, The Scarecrow of Oz

    12, Rinkitink in Oz

    13, The Lost Princess of Oz

    14, The Tin Woodman of Oz

    15, The Magic of Oz

    16, Glinda of Oz

    17, The Royal Book of Oz by Ruth Plumly Thompson

    Other Fantasy Works

    18, The Magical Monarch of Mo

    19, Dot and Tot of Merryland

    20, American Fairy Tales

    21, The Master Key: An Electrical Fairy Tale

    22, The Life and Adventures of Santa Claus

    23, The Enchanted Island of Yew

    24, Queen Zixi of Ix

    25, John Dough and the Cherub

    26, The Sea Fairies

    27, Sky Island

    Non-Fantasy Works Under Baum’s Name

    28, The Daring Twins

    29, Phoebe Daring

    The Pseudonym Works – Fantasy

    30, Twinkle and Chubbins

    31, Policeman Bluejay

    The Pseudonym Works – Non-Fantasy

    32, Aunt Jane’s Nieces

    33, Aunt Jane’s Nieces Abroad

    34, Aunt Jane’s Nieces at Millville

    35, Aunt Jane’s Nieces at Work

    36, Aunt Jane’s Nieces in Society

    37, Aunt Jane’s Nieces and Uncle John

    38, Aunt Jane’s Nieces on Vacation

    39, Aunt Jane’s Nieces on the Ranch

    40, Aunt Jane’s Nieces Out West

    41, Aunt Jane’s Nieces in the Red Cross

    42, The Flying Girl

    43, The Flying Girl and Her Chum

    44, Mary Louise

    45, Mary Louise in the Country

    46, Mary Louise Solves a Mystery

    47, Mary Louise and the Liberty Girls

    48, Mary Louise Adopts a Soldier

    49, The Boy Fortune Hunters in Alaska

    50, The Boy Fortune Hunters in Panama

    51, The Boy Fortune Hunters in Egypt

    52, The Boy Fortune Hunters in China

    53, The Boy Fortune Hunters in Yucatan

    54, The Boy Fortune Hunters in the South Seas

    55, The Fate of a Crown

    56, Daughters of Destiny

    57, Tamawaca Folks: A Summer Comedy

    58, Annabel, a Novel for Young Folk

    59, The Last Egyptian

    Shorter Fiction

    60, Our Landlady

    61, Mother Goose in Prose

    62, Animal Fairy Tales

    63, Uncollected Short Stories

    The Poetry Collections

    64, By the Candelabra’s Glare

    65, Father Goose: His Book

    66, The Army Alphabet

    67, The Navy Alphabet

    68, Father Goose’s Year Book

    The Poems

    69, List of Poems in Alphabetical Order

    The Plays

    70, The Maid of Arran

    71, The Wizard of Oz

    72, The Maid of Athens

    73, The King of Gee-Whiz

    74, The Pipes O’ Pan

    Baumiana

    75, Baum Related Articles and Pieces

    The Biography

    76, In Other Lands Than Ours by Maud Gage-Baum

    www.delphiclassics.com

    The Tin Woodman of Oz

    Baum’s twelfth Oz book, The Tin Woodman of Oz, appeared in 1918, published by Reilly & Britton and illustrated by John R. Neill.  When asked by a visiting Gillikin boy, Woot the Wanderer, about his history, the Tin Woodman recounts the familiar tale about how he lost his limbs and eventually met Dorothy Gale and traveled to the Emerald City for a heart.  Woot tells the Tin Woodman that with a new heart he may be kind, but he is not a loving person, or he would have returned to his sweetheart, Nimmie Amee.  Ashamed, the Tin Woodman and Woot, accompanied by the Scarecrow, travel into the Gillikin Country where they meet a variety of strange magical creatures as well as a wicked enchantress, a giantess named Mrs. Yoop, who promptly transforms them.  Further exciting adventures ensue as well as encounters with even more unusual friends and foes.  Along the way, the reader also learns something of the fascinating background history of the Land of Oz.

    First edition copy of ‘The Tin Woodman of Oz’

    CONTENTS

    Woot the Wanderer

    The Heart of the Tin Woodman

    Roundabout

    The Loons of Loonville

    Mrs. Yoop, the Giantess

    The Magic of a Yookoohoo

    The Lace Apron

    The Menace of the Forest

    The Quarrelsome Dragons

    Tommy Kwikstep

    Jinjur’s Ranch

    Ozma and Dorothy

    The Restoration

    The Green Monkey

    The Man of Tin

    Captain Fyter

    The Workshop of Ku-Klip

    The Tin Woodman Talks to Himself

    The Invisible Country

    Over Night

    Polychrome’s Magic

    Nimmie Amee

    Through the Tunnel

    The Curtain Falls

    Fred Stone and David Montgomery in the 1902-03 musical, The Wizard of Oz

    Fred Stone and David Montgomery in the 1902-03 musical, The Wizard of Oz

    Fred Stone and David Montgomery in the 1902-03 musical, The Wizard of Oz

    THE TIN WOODMAN OF OZ

    A Faithful Story of the Astonishing Adventure

    Undertaken by the Tin Woodman, assisted

    by Woot the Wanderer, the Scarecrow

    of Oz, and Polychrome, the Rainbow’s

    Daughter

    This Book

    is dedicated

    to the son of my son

    Frank Alden Baum

    TO MY READERS

    I know that some of you have been waiting for this story of the Tin Woodman, because many of my correspondents have asked me, time and again, what ever became of the pretty Munchkin girl whom Nick Chopper was engaged to marry before the Wicked Witch enchanted his axe and he traded his flesh for tin. I, too, have wondered what became of her, but until Woot the Wanderer interested himself in the matter the Tin Woodman knew no more than we did. However, he found her, after many thrilling adventures, as you will discover when you have read this story.

    I am delighted at the continued interest of both young and old in the Oz stories. A learned college professor recently wrote me to ask: For readers of what age are your books intended? It puzzled me to answer that properly, until I had looked over some of the letters I have received. One says: I’m a little boy 5 years old, and I just love your Oz stories. My sister, who is writing this for me, reads me the Oz books, but I wish I could read them myself. Another letter says: I’m a great girl 13 years old, so you’ll be surprised when I tell you I am not too old yet for the Oz stories. Here’s another letter: Since I was a young girl I’ve never missed getting a Baum book for Christmas. I’m married, now, but am as eager to get and read the Oz stories as ever. And still another writes: My good wife and I, both more than 70 years of age, believe that we find more real enjoyment in your Oz books than in any other books we read. Considering these statements, I wrote the college professor that my books are intended for all those whose hearts are young, no matter what their ages may be.

    And while on this subject of letters I am reminded that a good many of my correspondents neglect to slip a 3-cent postage-stamp into their letters, for the answer. You are sending but one letter, you know, while I get so many hundreds of letters that to prepay postage on all the answers to them would be no small burden to me.

    I think I am justified in promising that there will be some astonishing revelations about The Magic of Oz in my book for 1919.

    Always your loving and grateful friend,

    L. Frank Baum,

    Royal Historian of Oz.

    OZCOT

    at HOLLYWOOD

    in CALIFORNIA

    1918.

    Woot the Wanderer

    CHAPTER 1

    The Tin Woodman sat on his glittering tin throne in the handsome tin hall of his splendid tin castle in the Winkie Country of the Land of Oz. Beside him, in a chair of woven straw, sat his best friend, the Scarecrow of Oz. At times they spoke to one another of curious things they had seen and strange adventures they had known since first they two had met and become comrades. But at times they were silent, for these things had been talked over many times between them, and they found themselves contented in merely being together, speaking now and then a brief sentence to prove they were wide awake and attentive. But then, these two quaint persons never slept. Why should they sleep, when they never tired?

    And now, as the brilliant sun sank low over the Winkie Country of Oz, tinting the glistening tin towers and tin minarets of the tin castle with glorious sunset hues, there approached along a winding pathway Woot the Wanderer, who met at the castle entrance a Winkie servant.

    The servants of the Tin Woodman all wore tin helmets and tin breastplates and uniforms covered with tiny tin discs sewed closely together on silver cloth, so that their bodies sparkled as beautifully as did the tin castle — and almost as beautifully as did the Tin Woodman himself.

    Woot the Wanderer looked at the man servant — all bright and glittering — and at the magnificent castle — all bright and glittering — and as he looked his eyes grew big with wonder. For Woot was not very big and not very old and, wanderer though he was, this proved the most gorgeous sight that had ever met his boyish gaze.

    Who lives here? he asked.

    The Emperor of the Winkies, who is the famous Tin Woodman of Oz, replied the servant, who had been trained to treat all strangers with courtesy.

    A Tin Woodman? How queer! exclaimed the little wanderer.

    Well, perhaps our Emperor is queer, admitted the servant; but he is a kind master and as honest and true as good tin can make him; so we, who gladly serve him, are apt to forget that he is not like other people.

    May I see him? asked Woot the Wanderer, after a moment’s thought.

    If it please you to wait a moment, I will go and ask him, said the servant, and then he went into the hall where the Tin Woodman sat with his friend the Scarecrow. Both were glad to learn that a stranger had arrived at the castle, for this would give them something new to talk about, so the servant was asked to admit the boy at once.

    By the time Woot the Wanderer had passed through the grand corridors — all lined with ornamental tin — and under stately tin archways and through the many tin rooms all set with beautiful tin furniture, his eyes had grown bigger than ever and his whole little body thrilled with amazement. But, astonished though he was, he was able to make a polite bow before the throne and to say in a respectful voice: I salute your Illustrious Majesty and offer you my humble services.

    Very good! answered the Tin Woodman in his accustomed cheerful manner. Tell me who you are, and whence you come.

    I am known as Woot the Wanderer, answered the boy, and I have come, through many travels and by roundabout ways, from my former home in a far corner of the Gillikin Country of Oz.

    To wander from one’s home, remarked the Scarecrow, is to encounter dangers and hardships, especially if one is made of meat and bone. Had you no friends in that corner of the Gillikin Country? Was it not homelike and comfortable?

    To hear a man

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