Classic Short Story Collections: Fantasy Series

A Houseboat on the Styx is a fantasy novel written by John Kendrick Bangs in 1895. The original full title was A House-Boat on the Styx: Being Some Account of the Divers Doings of the Associated Shades. The novel was first published by Harper Brothers in 1896. The premise of the book is that everyone who has ever died (up to the time in which the book is set, which seems to be about the time of its publication) has gone to Styx, the river that circles the underworld. The book begins with Charon, ferryman of the Styx being startled—and annoyed—by the arrival of a houseboat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually to be appointed the boat's janitor. What follows are eleven more stories (for a total of twelve) which are set on the house boat. There is no central theme, and the purpose of the book appears to be as a literary thought experiment to see what would happen if various famous dead people were put in the same room with each other. Each chapter is a short story featuring various souls from history and mythology. In the twelfth chapter the house boat disappears, leading into the sequel, Pursuit of the Houseboat. A Houseboat on the Styx appears to have no original fictional characters in it. All are borrowed—with varying degrees of licence—from either history or mythology. Bangs' idea of setting people in the afterlife (called Bangsian fantasy after his name) is quite similar to a book called God Bless You, Dr. Kevorkian by Kurt Vonnegut. Throughout the book, there is a running joke that Shakespeare didn't actually write any of his own plays, that they were actually ghostwritten by Sir Francis Bacon, Sir Walter Raleigh, and other contemporaries. Will always tries to change the subject quickly when authorship comes into conversation. Heroes in Hell, the first book in a series of fantasy short story collections by various authors, has a similar, albeit more modern, theme. Philip José Farmer's Riverworld series is similar in that the main characters are, for the most part, historical figures who are resurrected on a planet with one great river winding around it, and Farmer credited the book as one of his inspirations for the series. The book was on the Publishers Weekly list of 10 best-selling novels in the US, 1896. John Kendrick Bangs (May 27, 1862 – January 21, 1922) was an American author, humorist, editor and satirist. He was born in Yonkers, New York. His father Francis Nehemiah Bangs was a lawyer in New York City, as was his brother, Francis S. Bangs. He went to Columbia College from 1880 to 1883 where he became editor of Columbia's literary magazine, Acta Columbia, and contributed short anonymous pieces to humor magazines. After graduation in 1883 with a Bachelor of Philosophy degree in Political Science, Bangs entered Columbia Law School but left in 1884 to become Associate Editor of Life under Edward S. Martin. Bangs contributed many articles and poems to the magazine between 1884 and 1888. During this period, Bangs published his first books. In 1888 Bangs left Life to work at Harper's Magazine, Harper's Bazaar and Harper's Young People, though he continued to contribute to Life. From 1889 to 1900 he held the title of Editor of the Departments of Humor for all three Harper's magazines and from 1899 to 1901 served as active editor of Harper's Weekly. Bangs also served for a short time (January–June 1889) as the first editor of Munsey's Magazine and became editor of the American edition of the Harper-owned Literature from January to November 1899.

 American Fairy Tales is the title of a collection of twelve fantasy stories by L. Frank Baum, published in 1901 by the George M. Hill Company, the firm that issued The Wonderful Wizard of Oz the previous year. This volume contains12 Fairy Tales from the author of the Wizard of Oz series of books.Inspired by Lang and the Brothers Grimm, Baum sought to create an American type of fairy tales, avoiding the usual violence and roman often found in these sort of stories. L. Frank Baum was doing well in 1901, better than ever before in his life. He had written two popular books, Father Goose: His Book and The Wonderful Wizard of Oz, and was determined to capitalize on this success. In addition to American Fairy Tales, Baum's Dot and Tot of Merryland and The Master Key appeared in 1901. Publisher George M. Hill sold the serialization rights to the twelve stories in AFT to five major newspapers, the Pittsburgh Dispatch, the Boston Post, the Cincinnati Enquirer, the St. Louis Republic, and The Chicago Chronicle. The stories appeared between March 3 and May 19, 1901; the book followed in October.The BoxOf Robbers (excerpt)No one intended to leave Martha alone that afternoon, but it happened that everyone was called away, for one reason or another. Mrs. McFarland was attending the weekly card party held by the Women's Anti-Gambling League. Sister Nell's young man had called quite unexpectedly to take her for a long drive. Papa was at the office, as usual. It was Mary Ann's day out. As for Emeline, she certainly should have stayed in the house and looked after the little girl; but Emeline had a restless nature."Would you mind, miss, if I just crossed the alley to speak a word to Mrs. Carleton's girl?" she asked Martha."'Course not," replied the child. "You'd better lock the back door, though, and take the key, for I shall be upstairs.""Oh, I'll do that, of course, miss," said the delighted maid, and ran away to spend the afternoon with her friend, leaving Martha quite alone in the big house, and locked in, into the bargain.The little girl read a few pages in her new book, sewed a few stitches in her embroidery and started to "play visiting" with her four favorite dolls. Then she remembered that in the attic was a doll's playhouse that hadn't been used for months, so she decided she would dust it and put it in order.Filled with this idea, the girl climbed the winding stairs to the big room under the roof. It was well lighted by three dormer windows and was warm and pleasant. Around the walls were rows of boxes and trunks, piles of old carpeting, pieces of damaged furniture, bundles of discarded clothing and other odds and ends of more or less value. Every well-regulated house has an attic of this sort, so I need not describe it.The doll's house had been moved, but after a search Martha found it away over in a corner near the big chimney.She drew it out and noticed that behind it was a black wooden chest which Uncle Walter had sent over from Italy years and years ago—before Martha was born, in fact. Mamma had told her about it one day; how there was no key to it, because Uncle Walter wished it to remain unopened until he returned home; and how this wandering uncle, who was a mighty hunter, had gone into Africa to hunt elephants and had never been heard from afterwards...- - - -Lyman Frank Baum (May 15, 1856 – May 6, 1919), better known as L. Frank Baum, was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Ozseries, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in hi

The Wallet of Kai Lung is a collection of fantasy stories by Ernest Bramah, all but the last of which feature Kai Lung, an itinerant story-teller of ancient China. It was first published in hardcover in London by Grant Richards in 1900, and there have been numerous editions since. Its initial tale, The Transmutation of Ling, was also issued by the same publisher as a separate chapbook in 1911. The collection's importance in the history of fantasy literature was recognized by the anthologization of two of its tales in the celebrated Ballantine Adult Fantasy Series, edited by Lin Carter and published by Ballantine Books; "The Vision of Yin" in Discoveries in Fantasy (March, 1972), and "The Transmutation of Ling" in Great Short Novels of Adult Fantasy Volume II (March, 1973).Although the collection is presented in the fashion of a novel, with each of its component stories designated chapters, there is no overall plot aside from each of the first eight tales being presented as narratives told by Kai Lung at various points in his itinerant career. The final tale is represented as being from a manuscript left by its own separate first-person narrator, Kin Yen.TheTransmutation of Ling (excerpt)The sun had dipped behind the western mountains before Kai Lung, with twenty li or more still between him and the city of Knei Yang, entered the camphor-laurel forest which stretched almost to his destination. No person of consequence ever made the journey unattended; but Kai Lung professed to have no fear, remarking with extempore wisdom, when warned at the previous village, that a worthless garment covered one with better protection than that afforded by an army of bowmen. Nevertheless, when within the gloomy aisles, Kai Lung more than once wished himself back at the village, or safely behind the mud walls of Knei Yang; and, making many vows concerning the amount of prayer-paper which he would assuredly burn when he was actually through the gates, he stepped out more quickly, until suddenly, at a turn in the glade, he stopped altogether, while the watchful expression into which he had unguardedly dropped at once changed into a mask of impassiveness and extreme unconcern. From behind the next tree projected a long straight rod, not unlike a slender bamboo at a distance, but, to Kai Lung's all-seeing eye, in reality the barrel of a matchlock, which would come into line with his breast if he took another step. Being a prudent man, more accustomed to guile and subservience to destiny than to force, he therefore waited, spreading out his hands in proof of his peaceful acquiescence, and smiling cheerfully until it should please the owner of the weapon to step forth. This the unseen did a moment later, still keeping his gun in an easy and convenient attitude, revealing a stout body and a scarred face, which in conjunction made it plain to Kai Lung that he was in the power of Lin Yi, a noted brigand of whom he had heard much in the villages.“O illustrious person,” said Kai Lung very earnestly, “this is evidently an unfortunate mistake. Doubtless you were expecting some exalted Mandarin to come and render you homage, and were preparing to overwhelm him with gratified confusion by escorting him yourself to your well-appointed abode. Indeed, I passed such a one on the road, very richly apparelled, who inquired of me the way to the mansion of the dignified and upright Lin Yi. By this time he is perhaps two or three li towards the east.”...- - - -Ernest Bramah (20 March 1868– 27 June 1942), born Ernest Brammah Smith, was an English author.He published 21 books and numerous short stories and features. His humorous works were ranked with Jerome K Jerome and W. W. Jacobs, his detective stories with Conan Doyle, his politico-science fiction with H. G. Wells and his supernatural stories with Algernon Blackwood. George Orwell acknowledged that Bramah's book, What Might Have Been, influenced his Nineteen Eighty-Four. Bramah created the characters Kai Lung and Ma

A collection of 15 fantasy short stories, similar to the "Arabian Nights", set in Chicago. Excerpt:  The Manner in Which Mr. Edward Middleton Encounters the Emir Achmed Ben Daoud. It was a lowering and gloomy night in the early part of the present century. Mr. Edward Middleton, a gallant youth, who had but lately passed his twenty-third year, was faring northward along the southern part of that famous avenue of commerce, Clark Street, in the city of Chicago, wending his way toward the emporium of Mr. Marks Cohen. Suddenly the rain which the cloudy heaven had been promising for many hours, began to descend in great scattered drops that presaged a heavy shower. Mr. Middleton hastened his steps. It was possible that if the dress-suit he wore, hired for the occasion of the wedding of his friend, Mr. Chauncey Stackelberg, should become imbued with moisture in the shower that now seemed imminent, Mr. Cohen, of whom he had hired the suit, would not add to the modicum  agreed upon, a charge for pressing it. But if his own suit for everyday wear, which he was carrying under his arm with the purpose of putting it on at good Mr. Cohen’s establishment, should become wet, that would be a serious matter. It was, in fact, his only suit and that will explain the anxiety with which he scanned the heavens. Suddenly, Pluvius unloosed all the fountains of the sky, and with scarcely a thought whither he was going, Mr. Middleton darted into the first haven of refuge, a little shop he happened to be just passing. As the door closed behind him with the tinkle of a bell in some remote recess, for the first time he realized that the place he had entered was utterly dark. His ears, straining to their uttermost to make compensation for the inability of his eyes to be of service to him in this juncture, could no more than inform him that the place was utterly silent. But to his nose came the powerful fragrance of strange foreign aromas such as he had never had experience of before,—which, heavy and oppressive in their cloying perfume, seemed the very breath of mystery. All traffic had ceased without, as the night was well advanced and the rain beat so heavily that the few whom  business or pleasure had called abroad at that hour, had sought shelter. But though the rain now fell with a steady roar, Mr. Middleton, perturbed by a nameless disquiet, was about to rush forth into the tempest and seek other shelter, when a door burst open and, outlined against a glare of light, stood a gigantic man who said in a deep, low voice that seemed to pervade every corner of the room and cause the air to shake in slow vibrations... About Wardon Allan Curtis: (1867-1940) US author, a contributor to several pre-sf fiction magazines. His most important sf is a short Identity Transfer story about a brain transplant, "The Monster of Lake LaMetrie" (September 1899 Pearson's), in which the brain is human and the recipient body that of a prehistoric survival – an elasmosaurus (see Dinosaurs) – from a bottomless lake that may lead into a Symmesian Hollow Earth. Curtis also wrote an Arabian Nights fantasy, "The Seal of Solomon the Great" (February 1901 Argosy) and The Strange Adventures of Mr Middleton (coll 1903), which contains a mixture of Oriental fantasy and bizarre mystery.  (from Science Fiction Encyclo

Fairy Tales of Slav Peasants and Herdsmen was written in the year 1896 by Aleksander Chodzko. This book is one of his most popular novels, and has been translated into several other languages around the world. THE ABODE OF THE GODS (excerpt) Once upon a time there were two brothers whose father had left them but a small fortune. The eldest grew very rich, but at the same time cruel and wicked, whereas there was nowhere a more honest or kinder man than the younger. But he remained poor, and had many children, so that at times they could scarcely get bread to eat. At last, one day there was not even this in the house, so he went to his rich brother and asked him for a loaf of bread. Waste of time! His rich brother only called him beggar and vagabond, and slammed the door in his face. The poor fellow, after this brutal reception, did not know which way to turn. Hungry, scantily clad, shivering with cold, his legs could scarcely carry him along. He had not the heart to go home, with nothing for the children, so he went towards the mountain forest. But all he found there were some wild pears that had fallen to the ground. He had to content himself with eating these, though they set his teeth on edge. But what was he to do to warm himself, for the east wind with its chill blast pierced him through and through. "Where shall I go?" he said; "what will become of us in the cottage? There is neither food nor fire, and my brother has driven me from his door." It was just then he remembered having heard that the top of the mountain in front of him was made of crystal, and had a fire for ever burning upon it. "I will try and find it," he said, "and then I may be able to warm myself a little." So he went on climbing higher and higher till he reached the top, when he was startled to see twelve strange beings sitting round a huge fire. He stopped for a moment, but then said to himself, "What have I to lose? Why should I fear? God is with me. Courage!" So he advanced towards the fire, and bowing respectfully, said: "Good people, take pity on my distress. I am very poor, no one cares for me, I have not even a fire in my cottage; will you let me warm myself at yours?" They all looked kindly at him, and one of them said: "My son, come sit down with us and warm yourself." So he sat down, and felt warm directly he was near them. But he dared not speak while they were silent. What astonished him most was that they changed seats one after another, and in such a way that each one passed round the fire and came back to his own place. When he drew near the fire an old man with long white beard and bald head arose from the flames and spoke to him thus:...   Aleksander Borejko Chodźko (30 August 1804 – 27 December 1891) was a Polish poet, Slavist, and Iranologist. He was born in Krzywicze in Russia (today's Kryvičy, Belarus), and attended the University of Vilnius. He was a member of the Filaret Association and the Institute of Oriental Studies that was attached to the Ministry of Foreign Affairs of the Russian Empire in Saint Petersburg.

Dream Days is a collection of children's fiction and reminiscences of childhood written by Kenneth Grahame. A sequel to the 1895 collection The Golden Age (some of its selections feature the same family of five children), Dream Days was first published in 1898 under the imprint John Lane: The Bodley Head. The first six selections in the book had been previously published in periodicals of the day – in The Yellow Book and the New Review in Britain and in Scribner's Magazine in the U.S.The book is best known for its inclusion of Grahame's classic story "The Reluctant Dragon".Like its precursor volume, Dream Days received strong approvalfrom the literary critics of the day. In the decades since, the book has perhaps suffered a reputation as a thinner and weaker sequel to The Golden Age—exceptfor its single hit story. In one modern estimation, both books "paint aconvincingly unsentimental picture of childhood, with the adults in these sketches totally out of touch with the real concerns of the young people around them, including their griefs and rages."As with The Golden Age, the first edition of Dream Days was un-illustrated; again like the prior volume, a subsequent edition of Dream Days was published with illustrations by Maxfield Parrish,also from John Lane. Lane's first intention was to print colour plates but he was not satisfied with the colour reproductions of Parrish's pictures. Instead Lane chose a new photogravure reproduction process that produced black-and-white results superior to the halftone images in the 1899 edition of The Golden Age. The Parrish-illustrated edition of Dream Days was issued in London and New York by The Bodley Head in 1902; it contained ten full-page illustrations (one for each of the eight selections plus frontispiece and title page) and six tailpieces. The quality of the images in Dream Days inspired Lane to issue a matching edition of The Golden Age, with improved photogravure plates, in 1904. (from Wikipedia)Kenneth Grahame (8 March 1859 – 6 July 1932) was a Scottish writer, most famous for The Wind in the Willows (1908), one of the classics of children's literature. He also wrote The Reluctant Dragon; both books were later adapted into Disney films, which are The Adventures of Ichabod and Mr. Toad and The Reluctant Dragon.While still a young man in his 20s, Grahame began to publish light stories in London periodicals such as the St. James Gazette. Some of these stories were collected and published as Pagan Papers in 1893, and, two years later, The Golden Age. These were followed by Dream Days in 1898, which contains The Reluctant Dragon.There is a ten-year gap between Grahame's penultimate book and the publication of his triumph, The Wind in the Willows.During this decade, Grahame became a father. The wayward, headstrong nature he saw in his little son Alastair he transformed into the swaggering Mr. Toad,one of its four principal characters. The character in the book known as Ratty was inspired by his good friend, and writer, Sir Arthur Quiller-Couch. Grahame mentions this in a signed copy he gave to Quiller-Couch's daughter, Foy Felicia. Despite its success, he never attempted a sequel. The book is still widely enjoyed by adults and children today, also in films, while Toad remains one of the most celebrated and beloved characters. (Wikipedia)

Grahame’s reminiscences are notable for their conception “of a world where children are locked in perpetual warfare with the adult ‘Olympians’ who have wholly forgotten how it feels to be young”--a theme later explored by J. M. Barrie and other authors. The Golden Age is a collection of reminiscences of childhood, written by Kenneth Grahame and first published in book form in 1895, by The Bodley Head in London and by Stone & Kimball in Chicago. The Prologue and six of the stories had previously appeared in the National Observer, the journal then edited by William Ernest Henley. Widely praised upon its first appearance – Algernon Charles Swinburne, writing in the Daily Chronicle, called it "one of the few books which are well-nigh too praiseworthy for praise" – the book has come to be regarded as a classic in its genre. Typical of his culture and his era, Grahame casts his reminiscences in imagery and metaphor rooted in the culture of Ancient Greece; to the children whose impressions are recorded in the book, the adults in their lives are "Olympians", while the chapter titled "The Argonauts" refers to Perseus, Apollo, Psyche, and similar figures of Greek mythology. Grahame's reminiscences, in The Golden Age and in the later Dream Days (1898), were notable for their conception "of a world where children are locked in perpetual warfare with the adult 'Olympians' who have wholly forgotten how it feels to be young" – a theme later explored by J.M. Barrie and other authors. (Wikipedia) Kenneth Grahame (8 March 1859 – 6 July 1932) was a Scottish writer, most famous for The Wind in the Willows (1908), one of the classics of children's literature. He also wrote The Reluctant Dragon; both books were later adapted into Disney films, which are The Adventures of Ichabod and Mr. Toad and The Reluctant Dragon. While still a young man in his 20s, Grahame began to publish light stories in London periodicals such as the St. James Gazette. Some of these stories were collected and published as Pagan Papers in 1893, and, two years later, The Golden Age. These were followed by Dream Days in 1898, which contains The Reluctant Dragon. There is a ten-year

The Magic World is an influential collection of twelve short stories by E. Nesbit. It was first published in book form in 1912 by Macmillan and Co. Ltd., with illustrations by H. R. Millar and Gerald Spencer Pryse. The stories, previously printed in magazines (like Blackie's Children's Annual), are typical of Nesbit's arch, ironic, clever fantasies for children.Some of the twelve stories in the collection are:"The Cat-hood of Maurice" — a boy abuses the family cat, and learns to see things from the feline point of view. "The Mixed Mine" — two boys find a magic spyglass, and use it to make their fortunes. "Accidental Magic" — Quentin falls asleep on the altarstone at Stonehenge, and wakes in Atlantis. "The Princess and the Hedge-pig" — King Ozymandias and Queen Eliza plan a secret christening for their Princess Ozyliza, to avoid a wicked fairy's curse. Things go awry. "Septimus Septimusson" — he is the seventh son of a seventh son, whocan see fairies and hear the beasts speak; and he must seek his fortune. "The White Cat" — a boy finds a china ornament in the attic; it proves to be a magic talisman. "Belinda and Bellamant" — they are a princess and prince suffering curses; a talking bat helps resolve their problems. "Justnowland" — Elsie visits a magic land of giant crows, and a dragon. "The Related Muff" — a sensitive boy, dismissed as a "muff" by his cousins, proves himself a hero in a crisis. "The Aunt and Amabel" — a girl enters a magic world through a wardrobe. "Kenneth and the Carp" — unjustly accused, a boy transforms into a fish and redeems his honor. "The Magician's Heart" — an evil magician distributes curses at royal christenings. Complications ensue. The story "The Aunt and Amabel" has received attention as a precursor of C. S. Lewis's first Narnia novel, The Lion, the Witch, and the Wardrobe."Accidental Magic" has been seen as exerting an influence on J. R. R. Tolkien. Conversely, Nesbit's "Justnowland" displays the influence of Lewis Carroll's Alice in Wonderland.Elisabeth Beresford's 1964 book Awkward Magic was published in the United States under the title The Magic World. Beresford has been identified as an imitator of Nesbit.Nesbit's little girls tend to get in trouble over their efforts at gardening. Elsie in "Justnowland" uproots turnip plants she mistakes forweeds; Amabel cuts chrysanthemum blossoms from a greenhouse and tries to plant them in a flower bed. Stories in the collection feature talkinganimals and human/animal transformation, with implications regarding animal welfare and avoidance of mistreatment. The opening story is the most explicit in its message against cruelty to animals. (Wikipedia)About Edith Nesbitt:Edith Nesbit (married name Edith Bland; 15 August 1858 – 4 May 1924) was an English author and poet; she published her books for children under the name of E. Nesbit.Nesbit published approximately 40 books for children, including novels, collections of stories and picture books. Collaborating with others, she published almost as many more.According to her biographer, Julia Briggs, Nesbit was "the first modern writer for children": Nesbit "helped to reverse the great tradition of children's literature inaugurated by Lewis Carroll, George MacDonald and Kenneth Grahame, in turning away from their secondary worldsto the tough truths to be won from encounters with things-as-they-are, previously the province of adult novels." Briggs also credits Nesbit with having invented the children's adventure story. Noël Coward was a great admirer of hers and, in a letter to an early biographer Noel Streatfeild, wrote "she had an economy of phrase, and an unparalleled talent for evoking hot summer days in the English countryside."Among Nesbit's best-known books are The Story of the Treasure Seekers (1898) and The Wouldbegoods (1899), which both recount stories about the Bastables, a middle-class family that has fallen on (relatively) hard times. The Railway Children is also known from its adaptation into a 1

The treasury starts out with the infamous Peter Rabbit, who trespasses in Mr McGregor's garden and gets his pants caught in the fence on the way out. For years, children have felt a stab of sympathy as Peter, punished by his mama, watches his brothers and sisters enjoy dinner without him. Children are also delighted by Two Bad Mice, naughty mice who wreak havoc in poor Jane's room. Other classic Potter characters make their appearance in the treasury as well, including Benjamin Bunny, Mr Jeremy Fisher, Jemima PuddleDuck, and Mrs Tittlemouse Contains: The tale of Peter Rabbit -- The tailor of Gloucester -- The tale of Squirrel Nutkin -- The tale of Benjamin Bunny -- The tale two bad mice -- The tale of Mrs. Tiggy-Winkle -- The pie and the patty-pan -- The tale of Mr. Jeremy Fisher -- The story of a fierce bad rabbit -- The story of Miss Moppet -- The tale of Tom Kitten -- The tale of Jemima Puddle-Duck -- The roly-poly pudding -- The tale of the Flopsy bunnies -- The tale of Mrs. Tittlemouse -- The tale of Timmy Tiptoes -- The tale of Mr. Tod -- The tale of Pigling Bland -- Ginger and Pickles. Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English writer, illustrator, natural scientist, and conservationist best known for her children's books featuring animals, such as those in The Tale of Peter Rabbit. Born into a privileged household, Potter was educated by governesses and grew up isolated from other children. She had numerous pets and spent holidays in Scotland and the Lake District, developing a love of landscape, flora, and fauna, all of which she closely observed and painted. Potter had frogs and newts, and even a pet bat. The basis of her many projects and stories were the small animals that she smuggled into the house or observed during family holidays in Scotland and the Lake District. She was encouraged to publish her story, The Tale of Peter Rabbit (1902), but she struggled to find a publisher until it was accepted when she was 36, by Frederick Warne & Co. The small book and her following works were extremely well received and she gained an independent income from the sales. Potter eventually wrote 23 books. These were published in a small format, easy for a child to hold and read. In her thirties, Potter published the highly successful children's book, The Tale of Peter Rabbit. Potter began writing and illustrating children's books full-time. Potter wrote about 30 books; the best known being her 24 children's tales.

This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore....In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West.Y. T. O.Tokio, 1908.MYLORD BAG OF RICE (Excerpt)Long, long ago there lived, in Japan a brave warrior known to all as Tawara Toda, or "My Lord Bag of Rice." His true name was Fujiwara Hidesato, and there is a very interesting story of how he came to change his name.One day he sallied forth in search of adventures, for he had the nature of a warrior and could not bear to be idle. So he buckled on his two swords, took his huge bow, much taller than himself, in his hand, and slinging his quiver on his back started out. He had not gone far when he came to the bridge of Seta-no-Karashi spanning one end of the beautiful Lake Biwa. No sooner had he set foot on the bridge than he saw lying right across his path a huge serpent-dragon. Its body was so big that it looked like the trunk of a large pine tree and it took up the whole width of the bridge. One of its huge claws rested on the parapet of one side of the bridge, while its tail lay right against the other. The monster seemed to be asleep, and as it breathed, fire and smoke came out of its nostrils.At first Hidesato could not help feeling alarmed at the sight of this horrible reptile lying in his path, for he must either turn back or walk right over its body. He was a brave man, however, and putting aside all fear went forward dauntlessly. Crunch, crunch! he stepped now on the dragon's body, now between its coils, and without even one glance backward he went on his way.He had only gone a few steps when he heard some one calling him from behind. On turning back he was much surprised to see that the monster dragon had entirely disappeared and in its place was a strange-looking man, who was bowing most ceremoniously to the ground. His red hair streamed over his shoulders and was surmounted by a crown in the shape of a dragon's head, and his sea-green dress was patterned with shells. Hidesato knew at once that this was no ordinary mortal and he wondered much at the strange occurrence. Where had the dragon gone in such a short space of time? Or had it transformed itself into this man, and what did the whole thing mean? While these thoughts passed through his mind he had come up to the man on the bridge and now addressed him:"Was it you that called me just now?""Yes, it was I," answered the man: "I have an earnest request to make to you. Do you think you can grant it to me?""If it is in my power to do so I will," answered Hidesato, "but first tell me who you are?""I am the Dragon King of the Lake, and my home is in these waters just under this bridge.""And what is it you have to ask of me!" said Hidesato."I want you to kill my mortal enemy the centipede, who lives on the mountain beyond," and the Dragon King pointed to a high peak on the opposite shore of the lake...Yei Theodora Ozaki (Eiko Seodora Ozaki, 1871 – December 28, 1932) was an early 20th-century translator of Japanese short stories and fairy tales. Her translations were fairly liberal but have been popular, and were repri

Eight madcap tales of unpredictable dragons — including one made of ice, another that takes refuge in the General Post Office, and a fire-breathing monster that flies out of an enchanted book and eats an entire soccer team!TheBook of Beasts (Excerpt)He happened to be building a Palace when the news came, and he left all the bricks kicking about the floor for Nurse to clear up—but then the news was rather remarkable news. You see, there was a knock at the front door and voices talking downstairs, and Lionel thought it was the man come to see about the gas, which had not been allowed to be lighted since the day when Lionel made a swing by tying his skipping rope to the gas bracket.And then, quite suddenly, Nurse came in and said, "Master Lionel, dear, they've come to fetch you to go and be King."Then she made haste to change his smock and to wash his face and hands and brush his hair, and all the time she was doing it Lionel kept wriggling and fidgeting and saying, "Oh, don't, Nurse," and, "I'm sure my ears are quite clean," or, "Never mind my hair, it's all right," and, "That'll do.""You're going on as if you was going to be an eel instead of a King," said Nurse.The minute Nurse let go for a moment Lionel bolted off without waiting for his clean handkerchief, and in the drawing room there were two very grave-looking gentlemen in red robes with fur, and gold coronets with velvet sticking up out of the middle like the cream in the very expensive jam tarts.They bowed low to Lionel, and the gravest one said: "Sire, your great-great-great-great-great-grandfather, the King of this country, is dead, and now you have got to come and be King.""Yes, please, sir," said Lionel, "when does it begin?""You will be crowned this afternoon," said the grave gentleman who was not quite so grave-looking as the other."Would you like me to bring Nurse, or what time would you like me to be fetched, and hadn't I better put on my velvet suit with the lace collar?" said Lionel, who had often been out to tea."Your Nurse will be removed to the Palace later. No, never mind about changing your suit; the Royal robes will cover all that up."...About Edith Nesbitt:Edith Nesbit (married name Edith Bland; 15 August 1858 – 4 May 1924) was an English author and poet; she published her books for children under the name of E. Nesbit.Nesbit published approximately 40 books for children, including novels, collections of stories and picture books. Collaborating with others, she published almost as many more.According to her biographer, Julia Briggs, Nesbit was "the first modern writer for children": Nesbit "helped to reverse the great tradition of children's literature inaugurated by Lewis Carroll, George MacDonald and Kenneth Grahame, in turning away from their secondary worlds to the tough truths to be won from encounters with things-as-they-are, previously the province of adult novels." Briggs also credits Nesbit with having invented the children'sadventure story. Noël Coward was a great admirer of hers and, in a letter to an early biographer Noel Streatfeild, wrote "she had an economy of phrase, and an unparalleled talent for evoking hot summer days in the English countryside."Among Nesbit's best-known books are The Story of the Treasure Seekers(1898) and The Wouldbegoods (1899), which both recount stories about the Bastables, a middle-class family that has fallen on (relatively) hard times.The Railway Children is also known from its adaptation into a 1970 film version. Gore Vidal called the time-travel book, The Story of the Amulet one in which "Nesbit's powers of invention are at their best." Her children's writing also included numerous plays and collections of verse.She created an innovative body of work that combined realistic, contemporary children in real-world settings with magical objects – what would now be classed as contemporary fantasy – and adventures and sometimes travel to fantastic worlds. In doing so, she was a direct or indirect influence on many

The Pursuit of the House-Boat is an 1897 novel by John Kendrick Bangs, and the second one to feature his Associated Shades take on the afterlife. The original full title was The Pursuit of the House-Boat: Being Some Further Account of the Divers Doings of the Associated Shades, Under the Leadership of Sherlock Holmes, Esq. and it has also been titled In Pursuit of the House-Boat and Pursuit of the House-Boat. There are 12 chapters in the book. They were first published as a serial, under the full-title and including the Newell illustrations, in Harper's Weekly from February 6 to April 24, 1897. After the House-Boat was hijacked by Captain Kidd at the end of A House-Boat on the Styx, the various members of its club decided that in order to track it down, a detective would have to be called in. So they hired Sherlock Holmes, who, at the time of the book's publication, had indeed been declared dead by his creator. The premise of the book is that everyone who has ever died (up until the time in which the book is set, which seems to be about the time of its publication) has gone to Styx. This does not appear to be the conventional Hell described by Dante in The Inferno, but rather the Hades described in Greek myth (both of which had Styxes): a universal collecting pot for dead souls, regardless of their deeds in life. (Excerpt:) CHAPTER I: THE ASSOCIATED SHADES TAKE ACTION  The House-boat of the Associated Shades, formerly located upon the River Styx, as the reader may possibly remember, had been torn from its moorings and navigated out into unknown seas by that vengeful pirate Captain Kidd, aided and abetted by some of the most ruffianly inhabitants of Hades. Like a thief in the night had they come, and for no better reason than that the Captain had been unanimously voted a shade too shady to associate with self-respecting spirits had they made off with the happy floating club-house of their betters; and worst of all, with them, by force of circumstances over which they had no control, had sailed also the fair Queen Elizabeth, the spirited Xanthippe, and every other strong-minded and beautiful woman of Erebean society, whereby the men thereof were rendered desolate. "I can't stand it!" cried Raleigh, desperately, as with his accustomed grace he presided over a special meeting of the club, called on the bank of the inky Stygian stream, at the point where the missing boat had been moored. "Think of it, gentlemen, Elizabeth of England, Calpurnia of Rome, Ophelia of Denmark, and every precious jewel in our social diadem gone, vanished completely; and with whom? Kidd, of all men in the universe! Kidd, the pirate, the ruffian—" "Don't take on so, my dear Sir Walter," said Socrates, cheerfully. "What's the use of going into hysterics? You are not a woman, and should eschew that luxury. Xanthippe is with them, and I'll warrant you that when that cherished spouse of mine has recovered from the effects of the sea, say the third day out, Kidd and his crew will be walking the plank, and voluntarily at that." "But the House-boat itself," murmured Noah, sadly. "That was my delight. It reminded me in some respects of the Ark." "The law of co

Flower Fables was the first work published by Louisa May Alcott and appeared on December 9, 1854. The book was a compilation of fanciful stories first written six years earlier for Ellen Emerson (daughter of Ralph Waldo Emerson). The book was published in an edition of 1600 and though Alcott thought it "sold very well," she received only about $35 from the Boston publisher, George Briggs Old-Fashioned Girl is a novel by Louisa May Alcott. It was first serialised in the Merry's Museum magazine between July and August in 1869 and consisted of only six chapters. For the finished product, however, Alcott continued the story from the chapter "Six Years Afterwards" and so it ended up with nineteen chapters in all. The book revolves around Polly Milton, the old-fashioned girl who titles the story. Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised by her transcendentalist parents, Abigail May and Amos Bronson Alcott in New England, she also grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Alcott's family suffered financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults. Published in 1868, Little Women is set in the Alcott family home, Hillside, later called the Wayside, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters.