Classic Short Story Collections: Paranormal Series

The book is named after a fictional play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book is described by S.T. Joshi as a classic in the field of the supernatural. There are 10 stories, the first four of which, "The Repairer of Reputations", "The Mask", "In the Court of the Dragon" and "The Yellow Sign", mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.THE REPAIRER OF REPUTATIONS (Excerpt)In the city of New York the summer of 1899 was signalized by the dismantling of the Elevated Railroads. The summer of 1900 will live in the memories of New York people for many a cycle; the Dodge Statue was removed in that year. In the following winter began that agitation for the repeal of the laws prohibiting suicide which bore its final fruit in the month of April, 1920, when the first Government Lethal Chamber was opened on Washington Square.I had walked down that day from Dr. Archer's house on Madison Avenue, where I had been as a mere formality. Ever since that fall from my horse, four years before, I had been troubled at times with pains in the back of my head and neck, but now for months they had been absent, and the doctor sent me away that day saying there was nothing more to be cured in me. It was hardly worth his fee to be told that; I knew it myself. Still I did not grudge him the money. What I minded was the mistake which he made at first. When they picked me up from the pavement where I lay unconscious, and somebody had mercifully sent a bullet through my horse's head, I was carried to Dr. Archer, and he, pronouncing my brain affected, placed me in his private asylum where I was obliged to endure treatment for insanity. At last he decided that I was well, and I, knowing that my mind had always been as sound as his, if not sounder, "paid my tuition" as he jokingly called it, and left. I told him, smiling, that I would get even with him for his mistake, and he laughed heartily, and asked me to call once in a while. I did so, hoping for a chance to even up accounts, but he gave me none, and I told him I would wait.The fall from my horse had fortunately left no evil results; on the contrary it had changed my whole character for the better. From a lazy young man about town, I had become active, energetic, temperate, and above all—oh, above all else—ambitious. There was only one thing which troubled me, I laughed at my own uneasiness, and yet it troubled me.During my convalescence I had bought and read for the first time, The King in Yellow. I remember after finishing the first act that it occurred to me that I had better stop. I started up and flung the book into the fireplace; the volume struck the barred grate and fell open on the hearth in the firelight. If I had not caught a glimpse of the opening words in the second act I should never have finished it, but as I stooped to pick it up, my eyes became riveted to the open page, and with a cry of terror, or perhaps it was of joy so poignant that I suffered in every nerve, I snatched the thing out of the coals and crept shaking to my bedroom, where I read it and reread it, and wept and laughed and trembled with a horror which at times assails me yet...Robert William Chambers (May 26, 1865 – December 16, 1933) was anAmerican artist and fiction writer, best known for his book of short stories entitled The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane. E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction. It was also strongly admired by H. P. Lovecraft and his circle.Chambers returned to the weird genre in his later short

Ghost Stories of an Antiquary is the title of M. R. James' first collection of ghost stories, published in 1904 (some had previously appeared in magazines). Some later editions under this title contain both the original collection and its successor, More Ghost Stories (1911), combined in one volume. There are eight classics by great Edwardian scholar and storyteller. "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre.  Montague Rhodes James (1862–1936) was a medieval scholar; Provost of King's College, Cambridge. He wrote many of his ghost stories to be read aloud in the long tradition of spooky Christmas Eve tales. His stories often use rural settings, with a quiet, scholarly protagonist getting caught up in the activities of supernatural forces. The details of horror are almost never explicit, the stories relying on a gentle, bucolic background to emphasise the awfulness of the otherworldly intrusions. LOST HEARTS (excerpt) It was, as far as I can ascertain, in September of the year 1811 that a post-chaise drew up before the door of Aswarby Hall, in the heart of Lincolnshire. The little boy who was the only passenger in the chaise, and who jumped out as soon as it had stopped, looked about him with the keenest curiosity during the short interval that elapsed between the ringing of the bell and the opening of the hall door. He saw a tall, square, red-brick house, built in the reign of Anne; a stone-pillared porch had been added in the purer classical style of 1790; the windows of the house were many, tall and narrow, with small panes and thick white woodwork. A pediment, pierced with a round window, crowned the front. There were wings to right and left, connected by curious glazed galleries, supported by colonnades, with the central block. These wings plainly contained the stables and offices of the house. Each was surmounted by an ornamental cupola with a gilded vane. An evening light shone on the building, making the window-panes glow like so many fires. Away from the Hall in front stretched a flat park studded with oaks and fringed with firs, which stood out against the sky. The clock in the church-tower, buried in trees on the edge of the park, only its golden weather-cock catching the light, was striking six, and the sound came gently beating down the wind. It was altogether a pleasant impression, though tinged with the sort of melancholy appropriate to an evening in early autumn, that was conveyed to the mind of the boy who was standing in the porch waiting for the door to open to him. The post-chaise had brought him from Warwickshire, where, some six months before, he had been left an orphan. Now, owing to the generous offer of his elderly cousin, Mr Abney, he had come to live at Aswarby. The offer was unexpected, because all who knew anything of Mr Abney looked upon him as a somewhat austere recluse, into whose steady-going household the advent of a small boy would import a new and, it seemed, incongruous element. The truth is that very little was known of Mr Abney’s pursuits or temper. The Professor of Greek at Cambridge had been heard to say that no one knew more of the religious beliefs of the later pagans than did the owner of Aswarby. Certainly his library contained all the then available books bearing on the Mysteries, the Orphic poems, the worship of Mithras, and the Neo-Platonists. In the marble-paved hall stood a fine group of Mithras slaying a bull, which had been imported from the Levant at great expense by the owner. He had contributed a description of it to the 

The Phantom 'Rickshaw and Other Tales, also known as The Phantom 'Rickshaw & other Eerie Tales, is a collection of short stories by Rudyard Kipling, first published in 1888.The Phantom 'RickshawAfter an affair with a Mrs. Agnes Keith-Wessington in Simla,the narrator, Jack, repudiates her and eventually becomes engaged to Miss Kitty Mannering. Yet Mrs. Wessington continually reappears in Jack's life, begging him to reconsider, insisting that it was all just amistake. But Jack wants nothing to do with her and continues to spurn her. Eventually Mrs. Wessington dies, much to Jack's relief. However, some time thereafter he sees her old rickshawand assumes that someone has bought it. Then, to his astonishment, the rickshaw and the men pulling it pass through a horse, revealing themselves to be phantoms, bearing the departed ghost of Mrs. Wessington. This leads Jack into increasingly erratic behavior which he tries to cover up by concocting increasingly elaborate lies to assuage Kitty's suspicions. Eventually a Dr. Heatherlegh takes him in, supposingthe visions to be the result of disease or madness. Despite their efforts, Kitty and her family become increasingly suspicious and eventually call off the engagement. Jack loses hope and begins wanderingthe city aimlessly, accompanied by the ghost of Mrs. Wessington.My Own True Ghost StoryThe narrator, while staying at a dâk-bungalow in Katmal, India,hears someone in the next room playing billiards. He assumes that it isa group of doolie-bearers who've just arrived. The next morning he complains, only to learn that there were no coolies in the dâk-bungalow the night before. The owner then tells him that ten years ago it was a billiard-hall. An engineer who'd been fond of the billiard hall had diedsomewhere far from it and they suspected that it was his ghost that occasionally came to visit it.The Strange Ride of Morrowbie JukesOneevening Morrowbie Jukes, an Englishman, is feeling a bit feverish and the barking of the dogs outside his tent is upsetting him. So he mounts his horse in order to pursue them. The horse bolts and they eventually fall into a sandy ravine on the edge of a river. He awakens the next morning to find himself in a village of the living dead, where people who appear to have died of, for instance, cholera, but who revived when their bodies were about to be burned, are imprisoned. He quickly learns that it is impossible to climb out because of the sandy slope. And the river is doubly treacherous with quicksand and a rifleman who will try to pick them off. He recognizes one man there, a Brahmin named Gunga Dass. Gunga has become ruthless, but he does feed Jukes with dead crow.Eventually Jukes discovered that another Englishman had been there and died. On his corpse Jukes finds a note explaining how to safely get through the quicksand. After Jukes explains it to Gunga, Gunga confessesto murdering the Englishman for fear of being left behind. They plan their escape for that evening, when the rifleman will be unable to see them in the dark. When the time to escape arrives, Gunga knocks Jukes unconscious and escapes alone. When Jukes awakes he is found by the boy who kept his dogs and is helped to escape by means of a rope.The Man Who Would Be KingThe narrator, a journalist, meets two colorful characters, Daniel Dravot and Peachey Carnahan, while on a train. Later they seek him out at his printing press in Lahore, for books or maps of Kafiristan.He then plays witness to their vow to each other to become kings of Kafiristan, a venture which he sees as ill-advised. Two years later Peachey returns and informs the narrator that they indeed reached Kafiristan. While there, were seen as gods and eventually Daniel is madeking. They taught the Kafiristanis how to use rifles and military tactics. Eventually Dravot decides to take a Kafiristani woman to wife. In her terror she bites him. Upon seeing him bleed, the priests declare him not to be a god and the Kafiristanis immediately see

The Jungle Book (1894) is a collection of stories written by Rudyard Kipling.The tales in the book (and also those in The Second Jungle Book which followed in 1895, and which includes five further stories about Mowgli) are fables, using animals in an anthropomorphic manner to give moral lessons. The verses of The Law of the Jungle, for example, lay down rules for the safety of individuals, families and communities. Kipling put in them nearly everything he knew or "heard or dreamed about the Indian jungle." The stories were first published in magazines in 1893–94. The original publications contain illustrations, some by the author's father, John Lockwood Kipling. Rudyard Kipling was born in India and spent the first six years of his childhood there. After about ten years in England, he went back to India and worked there for about six-and-a-half years. These stories were written when Kipling lived in Naulakha, the home he built in Dummerston, Vermont, in the United States. Joseph Rudyard Kipling (30 December 1865 – 18 January 1936) was an English journalist, short-story writer, poet, and novelist. Kipling's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including "The Man Who Would Be King" (1888). His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature, and one critic described his work as exhibiting "a versatile and luminous narrative gift". Kipling was one of the most popular writers in the United Kingdom, in both prose and verse, in the late 19th and early 20th centuries. Henry James said: "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known."In 1907, at the age of 42, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize and its youngest recipient to date. He was also sounded out for the British Poet Laureateship and on several occasions for a knighthood, both of which he declined.

Just So Stories for Little Children is a 1902 collection of origin stories by the British author Rudyard Kipling. Considered a classic of children's literature, the book is among Kipling's best known works. Kipling began working on the book by telling the first three chaptersas bedtime stories to his daughter Josephine. These had to be told "just so" (exactly in the words she was used to) or she would complain. The stories describe how one animal or another acquired its most distinctive features, such as how the Leopard got his spots. For the book, Kipling illustrated the stories himself. The stories have appeared in a variety of adaptations including a musical and animated films. Evolutionary biologists have noted that whatKipling did in fiction, they have done in reality, providing explanations for the evolutionary development of animal features.The Just So Stories each tell how a particular animal was modified from an original form to its current form by the acts of man, or some magical being. For example, the Whale has a tiny throat because he swallowed a mariner, who tied a raft inside to block the whale from swallowing other men. The Camel has a hump given to him by a djinnas punishment for the camel's refusing to work (the hump allows the camel to work longer between times of eating). The Leopard's spots were painted by an Ethiopian(after the Ethiopian painted himself black). The Kangaroo gets its powerful hind legs, long tail, and hopping gait after being chased all day by a dingo, sent by a minor god responding to the Kangaroo's request to be made different from all other animals.The Just So Stories began as bedtime stories told to his daughter "Effie" [Josephine, Kipling's firstborn]; when the first three were published in a children’s magazine, a year before her death, Kipling explained: "in the evening there were stories meant to put Effieto sleep, and you were not allowed to alter those by one single little word. They had to be told just so; or Effie would wake up and put back the missing sentence. So at last they came to be like charms, all three of them,—the whale tale, the camel tale, and the rhinoceros tale."Joseph Rudyard Kipling (30 December 1865 – 18 January 1936) was an English journalist, short-story writer, poet, and novelist.Kipling's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including "The Man Who Would Be King" (1888). His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature, and one critic described his work as exhibiting "a versatile and luminous narrative gift".Kipling was one of the most popular writers in the United Kingdom, in both prose and verse, in the late 19th and early 20th centuries. Henry James said: "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known."In 1907, at the age of 42, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize and its youngest recipient to date. He was also sounded out for the British Poet Laureateship and on several occasions for a knighthood, both of which he declined.

Delightful classic stories from ancient India. Includes questions after each chapter to enhance understanding and help readers apply the lessons learned.  Hindu mythology is large body of traditional narratives related to Hinduism as contained in Sanskrit literature Ancient Tamil literature several other works, most notably the Bhagavata Purana, claiming the status of a Fifth Veda and other religious regional literature of South Asia. As such, it is a subset of mainstream Indian and Nepali culture. Rather than one consistent, monolithic structure, it is a range of diverse traditions, developed by different sects, people and philosophical schools, in different regions and at different times, which are not necessarily held by all Hindus to be literal accounts of historical events, but are taken to have deeper, often symbolic, meaning, and which have been given a complex range of interpretations. ** (Excerpt) Thanks to Mr. S. M. Mitra, the well-known Hindu psychologist and politician, who has done so much to draw more closely together the land of his birth and that of his adoption, I am able to bring within reach of English children a number of typical Hindu Tales, translated by him from the Sanskrit, some of them culled from the ancient classics of India, others from widely separated sources. The latter have hitherto been quite inaccessible to western students, as they are not yet embodied in literature, but have been transmitted orally from generation to generation for many centuries. These tales are not only of a kind to enchain the attention of children. They also illustrate well the close affinity between the two chief branches of the great Aryan race, and are of considerable ethical value, reflecting, as they do, the philosophy of self-realisation which lies at the root of Hindu culture. They have been used from time immemorial by the best teachers of India as a means of building up the personalities of the young and maintaining the efficiency of the adult. They serve in fact as text-books of the unique system of Mind-Training which has been in use in India from remote Vedic times, the root principle of which is as simple as it is effective. Hindu children become familiar at their mothers' knees with these stories, and are trained to answer questions on them, subtly chosen to suit their ages and call into action their mental faculties. Appealing to them as an amusing game, in which they vie with each other in trying to solve the problems presented for their consideration, the boys and girls, who are educated together till they are ten or twelve years old, early learn to concentrate their attention; whilst the simultaneous development of all their powers is encouraged and they are, imperceptibly to themselves led to control their thoughts and emotions from within, instead of having to obey orders which they do not understand from without. They realize indeed, whilst still in the nursery, the ideal suggested by the sage Vidura in the Mahabharata: "Seek to know thyself by means of thyself, keeping thy mind, intellect and senses, under control; for self is thy friend as it is also thy foe." About the Author: Siddha Mohana Mitra born in 1856 and died in 1925 Siddha Mohana Mitra was born in 1856 and died in 1925. He was of Hindu-Bengali origin and had lived in Hyderabad for a number of years. Mitra had been editor of the Deccan Post. From the begining of the twentieth century, Mitra wrote a number of books, published in London, on India. He was a regular contributor to the Asiatic Quarterly Review. He was a member of the Royal Asiatic Society and met a number of high-ranking Anglo-Indian officials.

A House of Pomegranates is a collection of fairy tales, written by Oscar Wilde, that was published in 1891 as a second collection for The Happy Prince and Other Tales (1888). Wilde once said that this collection was "intended neither for the British child nor the British public."The stories included in this collection are as follows:The Young King The Birthday of the Infanta The Fisherman and his Soul The Star-ChildTHE YOUNG KING (excerpt)It was the night before the day fixed for his coronation, and the young King was sitting alone in his beautiful chamber.  His courtiers had all taken their leave of him, bowing their heads to the ground, according to the ceremonious usage of the day, and had retired to the Great Hall of the Palace, to receive a few last lessons from the Professor of Etiquette; there being some of them who had still quite natural manners, which in a courtier is, I need hardly say, a very grave offence. The lad - for he was only a lad, being but sixteen years of age - was not sorry at their departure, and had flung himself back with a deep sigh of relief on the soft cushions of his embroidered couch, lying there, wild-eyed and open-mouthed, like a brown woodland Faun, or some young animal of the forest newly snared by the hunters. And, indeed, it was the hunters who had found him, coming upon him almost by chance as, bare-limbed and pipe in hand, he was following the flock of the poor goatherd who had brought him up, and whose son he had always fancied himself to be.  The child of the old King’s only daughter by a secret marriage with one much beneath her in station - a stranger, some said, who, by the wonderful magic of his lute-playing, had made the young Princess love him; while others spoke of an artist from Rimini, to whom the Princess had shown much, perhaps too much honour, and who had suddenly disappeared from the city, leaving his work in the Cathedral unfinished - he had been, when but a week old, stolen away from his mother’s side, as she slept, and given into the charge of a common peasant and his wife, who were without children of their own, and lived in a remote part of the forest, more than a day’s ride from the town.  Grief, or the plague, as the court physician stated, or, as some suggested, a swift Italian poison administered in a cup of spiced wine, slew, within an hour of her wakening, the white girl who had given him birth, and as the trusty messenger who bare the child across his saddle-bow stooped from his weary horse and knocked at the rude door of the goatherd’s hut, the body of the Princess was being lowered into an open grave that had been dug in a deserted churchyard, beyond the city gates, a grave where it was said that another body was also lying, that of a young man of marvellous and foreign beauty, whose hands were tied behind him with a knotted cord, and whose breast was stabbed with many red wounds...Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish playwright, novelist, essayist, and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death.Wilde's parents were successful Anglo-Irish, Dublin intellectuals. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art", and then returned to London where h

This book is a representative collection of twenty-nine Fairy Tales of India. Take a literary tour through India's rich folk tale tradition in this comprehensive volume by historian and folklorist Joseph Jacobs.These Indian tales resemble the stories that flourished in Europe, such as the tales by the Brothers Grimm and by Aesop, although they have an Indian flavor. The collector of these stories contends that they are very old, older than the legends and folk-tales that later flourished in Europe. He believes that India was the originator of this genre and the stories were possibly brought to Europe by the crusaders or other travelers that passed through India.  In this book feature 30 stories taken from popular South Asian oral history.  How the Raja's Son won the Princess Labam (excerpt) In a country there was a Raja who had an only son who every day went out to hunt. One day the Rani, his mother, said to him, "You can hunt wherever you like on these three sides; but you must never go to the fourth side." This she said because she knew if he went on the fourth side he would hear of the beautiful Princess Labam, and that then he would leave his father and mother and seek for the princess. The young prince listened to his mother, and obeyed her for some time; but one day, when he was hunting on the three sides where he was allowed to go, he remembered what she had said to him about the fourth side, and he determined to go and see why she had forbidden him to hunt on that side. When he got there, he found himself in a jungle, and nothing in the jungle but a quantity of parrots, who lived in it. The young Raja shot at some of them, and at once they all flew away up to the sky. All, that is, but one, and this was their Raja, who was called Hiraman parrot. When Hiraman parrot found himself left alone, he called out to the other parrots, "Don't fly away and leave me alone when the Raja's son shoots. If you desert me like this, I will tell the Princess Labam." Then the parrots all flew back to their Raja, chattering. The prince was greatly surprised, and said, "Why, these birds can talk!" Then he said to the parrots, "Who is the Princess Labam? Where does she live?" But the parrots would not tell him where she lived. "You can never get to the Princess Labam's country." That is all they would say. The prince grew very sad when they would not tell him anything more; and he threw his gun away, and went home. When he got home, he would not speak or eat, but lay on his bed for four or five days, and seemed very ill. At last he told his father and mother that he wanted to go and see the Princess Labam. "I must go," he said; "I must see what she is like. Tell me where her country is." "We do not know where it is," answered his father and mother. "Then I must go and look for it," said the prince...