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Elsewhere Stories
Elsewhere Stories
Elsewhere Stories
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Elsewhere Stories

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This collection of fantasy stories contains tales of magic and might, as well as tales of invention and compassion. Also part of this collection are two novellas, one expressing concern for the future of the land while other portrays hope for another.

These stories have been previous published in magazines and in self-published collections, as have both novellas. All are gathered in a single volume for the first time.

LanguageEnglish
Release dateSep 1, 2017
ISBN9781370889488
Elsewhere Stories
Author

Robert Collins

Two people with different cultural backgrounds and ethnicities met at a European and Balkan music and dance ensemble named Koroyar and their lives became intertwined, combining their gifts to continue exploring life as an avenue of creative expression. Robert Collins has a Bachelor of Arts in Anthropology, and has been an educator in the Los Angeles area for thirty years. He studied writing with Joan Oppenheimer in San Diego, with Cork Millner privately, and also in the Santa Barbara Writer's Conferences. Elizabeth Herrera Sabido, at the age of sixteen years, began working as a secretary at the Secretaria de Industria y Comercio in Mexico City where she was born, then she was an educator for twenty-six years, and a teacher of international dance for The Los Angeles Unified School District. She has also studied Traditional Chinese Medicine, and is a Reiki Master Teacher. Attracted by the Unknown, the Forces of the Universe, and the human psyche, during their lives they have studied several different philosophies. Elizabeth has been involved with various religions, Asian studies, and Gnosticism with SamaelAun Weor, and Robert has explored spiritual healing practices in Mexico, and studied with Carlos Castaneda's Cleargreen and Tensegrity. Elizabeth and Robert start their day at four-thirty in the morning. They enjoy playing volleyball and tennis, and in the afternoons play music, alternating between seven different instruments each. Their philosophy of Personal Evolution has led them to explore over 110 countries between the two of them such as Japan, Nepal, Egypt, Bosnia- Herzegovina, the Philippines, Turkey,Russia, etc.

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    Elsewhere Stories - Robert Collins

    ELSEWHERE STORIES:

    A FANTASY COLLECTION

    by

    Robert Collins

    Ebook Edition

    Copyright © 2017 by Robert Collins

    License Notes, Ebook Edition

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.

    TABLE OF CONTENTS

    Publication Credits

    Introduction

    Aileen’s Choice

    Everett Bailey’s Death

    Myths & Truths

    Protection for a New Age

    Something to Be Proud Of

    Use Your Head

    First Things First

    Raymond Finch’s New Service

    Trent Tinker, Magic Man

    Change Magic

    A Somber Tale

    The Trail to Better Days

    About the Author

    PUBLICATION CREDITS

    Below is a list of where the stories in this collection have appeared; please note that the list is in chronological order, and that some of these are (or were) online web periodicals:

    Aileen’s Choice: Tiger Moon Press Catalog, September 1991; Story Rules, Number 4, Fall 1996.

    Everett Bailey’s Death: Writer’s Workshop Review, Volume 3, Number 10, January 1996.

    Myths & Truths: Of Unicorns & Space Stations, Number 2, 1994.

    Protection for a New Age: Roswell Literary Review, Volume 2, Number 5, Winter 1998.

    Something to be Proud Of: Aphelion, Volume 7, Issue 67, February 2003.

    Use Your Head: Weird Stories, Number 16, January 1998.

    First Things First: Weird Stories, Number 10, July 1997.

    Raymond Finch’s New Service: Moonletters, Number 3, October 1995.

    Trent Tinker:

    Casting Light: Tales of the Talisman, Volume 2, Issue 4, 2007.

    Making Scenes: Sorcerous Signals, February, 2008.

    Accounting for Change: Sorcerous Signals, November, 2008.

    Figuring Sums: Sorcerous Signals, February, 2010.

    License to Spell: Mystic Signals, Issue 8, November 2010.

    Power For All: Sorcerous Signals, November 2011; Mystic Signals, Issue 11, January 2012.

    Safety in Sharing: Sorcerous Signals, August 2012.

    The Real Magic: Sorcerous Signals, November 2012.

    Change Magic:

    The Barony of West River: Tales of the Talisman, Volume 8, Issue 3, 2013.

    Duke Edwin: Mystic Signals, Issue 16, November 2012.

    The Templar Conspiracy: Sorcerous Signals, May 2013.

    INTRODUCTION

    Over the years I sold over 100 short stories to various publications. About a decade ago, I began publishing collections of these short stories. Recently I’ve been consolidating some of my fictional series into single-volume ebooks. I thought I’d do something similar with my various short story collections and novellas.

    This collection contains the fantasy stories I’ve written, outside of the lighter ones that are in the Fun Tales! collection. Also included are two of the fantasy novellas I wrote and self-published. The digital and print editions of this collection contain the same stories.

    I hope you’ll enjoy these works.

    Robert Collins

    Summer, 2017

    AILEEN’S CHOICE

    Aileen stared at the waves striking the shore, waiting for Calum to return. She’d been there for untold minutes; she’d been going there for untold days. Her face was as still as the dry sand she stood on, but her heart moved like the sea.

    Calum had said he was only going to be gone a year. He’d promised to return quickly, with enough treasure to make the both of the comfortable for life. They were young then, deeply in love, and on the verge of adulthood.

    Four years had passed since then, and Calum hadn’t come back. Adventuring in foreign lands wasn’t like going to the market; you couldn’t predict how long the journey would take. Get hurried, and bad things could happen. Aileen was sure, was certain, that he wasn’t dead. Alas, no one agreed with her, except for one friend, Beatrice. Not one other soul, not even...

    Aileen! a deep male voice called. She knew the voice belonged to a tall, light man with dark face. It was her father. Time to meet Lord Ross. His Lordship wants to meet his new bride before his wedding! Let’s go, girl!

    Aileen sighed. It was pointless to argue; she’d tried many times before. Fighting now would only provoke her father. She tied her black hair back, and walked sadly towards him.

    No argument?

    She held her tongue. She knew that her father had worked long and hard to arrange this marriage. He was losing patience with her, and getting angrier with each dispute. She took a tentative step closer to him.

    Good. His Lordship’s man is waiting with a carriage. I don’t want to hear about you giving him any trouble.

    No, Father. She drifted in the direction of the waiting carriage. She didn’t feel very presentable, but then again, that hardly matter now.

    Hello, Miss, the servant said. My name’s Drummond. If you need anything at all, just ask.

    Aileen managed a nod. Her father helped her into the carriage, said a few words to the servant, then told her, Be a good young lass, Aileen. And then she was off to Lord Ross’ manor.

    If her heart hadn’t been broken before, her first sight of the manor house shattered it. The house was small and plain. The grounds did appear clear, but she assumed all manors were supposed to be. There was a stable; perhaps Lord Ross was richer than everyone said.

    Drummond helped her out of the carriage and escorted her inside the manor house. They were met by an attractive older woman, the maid. His Lordship is in his writing room, the maid reported. At Drummond’s nod, she left.

    Follow me, Miss, Drummond said; Aileen followed him up the stairs. The inside comforted her somewhat, as it wasn’t vast and imposing like the insides of castles she and Calum had heard of when they were young. It almost looked like a two-story version of an ordinary home. At the top of the stairs was a short hall: she followed Drummond down it. Drummond stopped at a closed door, tapped on it, and opened it, waving her in while introducing them. The brown-haired man at the desk put down his quill and turned. Thank you, Drummond. As Drummond left, Lord Ross rose and approached her.

    The young lord was a plain fellow, pale and quiet. He wasn’t fat, but his body didn’t speak of physical feats. His clothing belied his station. An ordinary boy with a title was all he looked. He was no Calum. He could be worse, though, Aileen assured herself.

    Greetings, my Lord. Aileen bowed, careful not to avoid his eyes. She didn’t want him angry at her.

    Hello, Aileen. Lord Ross motioned to a chair across from his desk. Would you like to sit? She nodded and did. He stood and looked her over. You’re quite pretty.

    Thank you, M’Lord.

    He looked somehow ashamed. I suppose you’ve been told that before. She shrugged. You may call me Edmund, if you like. She nodded. Thank you for coming.

    I didn’t want to, she blurted out.

    Yes. Calum, isn’t it? Where did he go?

    The eastern frontiers. He was only supposed to be gone a year. I know he’s not dead. I know it, she assured him.

    He snorted gently and smiled. "Aileen, let me tell you something. I’ve been introduced to several young ladies, all of class and status. Plenty of prospective wives, some I thought I loved, others I didn’t. But none of them loved me.

    I knew, when you first saw me, you didn’t think I looked very handsome. What you may not know is, I’m not much of a gentleman either. I can’t fence, I’m not very bold, I don’t like sports. I’d much rather read a book, or write things than hunt or dash around.

    Aileen didn’t show it, but she was crushed. She would have to give up her one great love, the only boy she had ever loved, for a Lord who wasn’t even good enough for his own class. She felt she was being condemned to a long, slow humiliating death. Death by marriage to a homely lord.

    ***

    Someone to see you, Your Ladyship, Drummond said from the doorway of her bedroom. Aileen nodded, indifferent until Drummond opened the door wider to admit a cinnamon-haired girl, then left.

    Beatrice! Aileen leapt up from her chair and ran to her friend and the two women hugged. So nice o see you, Bea. I missed you at the wedding.

    I’ve missed you, too. Less than a fortnight, and it seems like a year. How’re you doing?

    Aileen led her friend to the bed and they sat down. It’s not been easy, Bea. She pursed her lips. I’ve been able to ... to ... stay out of his bed.

    And what has he said about that?

    She shrugged. He hasn’t argued it, and I don’t think he’s sent any messages to Father. She paused. Any news from the village?

    Beatrice smiled. Indeed there is, Aileen. She caught Aileen’s hands hard, and gushed, Calum’s back! He’s returned!

    Aileen gasped. Does he know... about all...?

    Aye, but he’s keeping low to the ground. That’s why I’m here. He wants to know what he can do. You want him to come here, save you from all this?

    The young bride rose slowly, walked to the window and looked across the manor ground. Carefully collecting her thoughts, she said, "I’m not guarded. I can’t quite go out the front door, mind you, but I could slip out one night. Bea, does he... Did he...?

    Yes, he did find treasure while adventuring. I don’t know how much. She moved closer to Aileen. You planning to run away then? Run off with Calum?

    Aileen nodded. Would you be willing to help us?

    Anything to make you happy, Aileen. What can I do?

    Just tell Calum to be ready, Bea. Aileen glanced around the room. See if he has any ideas, and come back and let me know. We’ll take our time and do this right.

    I’ll return as soon as I can, Beatrice promised as she rose to leave. The two exchanged hugs, and Aileen was alone again. She heard her heart beating hard. At last, Calum was back, and soon she’d be free of this prison.

    Something halted her glee: Lord Ross. He hadn’t told her father she’d not slept with him because he didn’t want to lose her she realized then. Running off would hurt him. And yet, he know her staying would hurt her as much. She would have to say something before she left.

    She would leave him a note, but for now, she composed it in her head:

    Edmund, you may know that Calum is back. You do know that as long as he lives I’m his one true love. I don’t love you. I appreciate the kindness you’ve shown me, and I do want to repay you someday. But I’ve been missing my heart since Calum left, and I don’t wish to live without it anymore. Please understand, and forgive me. You’re a good man, Edmund, don’t despair.

    She brushed a tear out of her eye. That’ll do for now, she assured herself, that’ll do.

    ***

    Aileen moved the broom mechanically across the floor. Sometimes she thought she swept over an area she’d already passed through. That wouldn’t be hard in such a cramped, three-room spit of a home. But her mind wasn’t on the work; it was on Calum.

    A knock at the door brought her back to the present. Stopping, Aileen called out, Come in, door’s open. It was Beatrice. Without a word the two friends hugged.

    So where’s Ca... Beatrice began, and suddenly pulled back. Aileen! You’re... pregnant aren’t you?

    That I am. Five months to go.

    Oh, I wish I could come more often, but of course with you so far from the village and all. So, what’s Calum hoping for, a boy or a girl?

    Aileen’s face fell. He doesn’t know. In fact, he left before I found out.

    He left? Why, for God’s sake? Where’d he go?

    South. A man was hiring, so he said, for another treasure search. Anyway, Calum didn’t think he’d be gone very long, so he joined. She patted her belly. I found out a few weeks later.

    You poor dear. How’re you holding up?

    Fine, I suppose. Aileen sighed. Truthfully, Bea, it’s terrible. Calum’s only supposed to be gone a year, but I’m not sure the money he left will last that long. And, if he’s gone longer, like last time, well,... I don’t want to give up the baby, and I don’t want to go to the poorhouse. She toyed with the broomstick. Y’know, he promised me this would be the last time we’d ever be apart.

    I’m sure he still loves you, Aileen.

    I’m sure, too. But he also said, our first night together, that we’d never be apart again. She sat down on the edge of her small bed. I keep hearing stories from the neighbor ladies about what happens to adventurers. How they die, the serving wenches, how the next quest’s always the last. She sighed. Bea, have you heard anything new about Lord Ross?

    He hasn’t changed. Why do you care?

    No reason, Bea, no reason. She put the broom aside. So, are you staying in town?

    The redhead shook her curls. No. Mother sent me here to pick up a few things. I wish I could stay.

    Well, it’s the visit that matters. I’ll be fine. Aileen got through the rest of Beatrice’s visit. As soon as her friend was gone, she decided to stop doing the housework she’d done a few times that day. She decided to write a letter to her legal husband. She composed it on her way to the market.

    Lord Ross, I am writing to let you know that I am well. Wait; could I afford a courier? I’ll have to ask him to. Edmund, things have happened since I left you, things that have me asking questions. How should I phrase this? If you still have some care in your heart for me, would you help me to answer them? I don’t wish for charity. I will understand if you’re bitter. I only ask for your forgiveness, and for some of the wisdom you have in all your books? Will you grant me that?

    ***

    Once again her mind was elsewhere when the knock came. This time Aileen put aside her broom and went to the door. It was Drummond. She greeted him and invited him in.

    Thank you, he said, and stepped inside. Not like the manor, ma’am?

    Like one of the rooms, perhaps. The library, I think.

    The library doesn’t have as much personal effects. Or, for that matter, private facilities, Drummond observed. Ma’am, His Lordship apologizes that his reply to your latest letter took more than a week. He also bids to request your presence at the manor, for at least one night, to discuss the situation with you. He has further instructed me to aid in your packing, if you are free to depart presently.

    Presently will not be fast enough, she replied.

    The time spent packing flew by, even though they packed her for more than a single night’s stay. The trip took longer than her first to the manor, but it did not seem so to Aileen. She remembered that the first trip had felt so horribly long, and had been terribly uncomfortable. The weight on her heart on that trip was now gone.

    I hope it never returns.

    Lord Ross’ manor hadn’t changed at all in the months since she’d fled in the night. The stables appeared more crowded, perhaps, but the house had remained small and plain. Drummond led her in through the same way. He’d hinted that Edmund, too, had not changed. Edmund was reading when she entered his book-lined, neatly kept study. Drummond did not announce her; he merely ushered her in, then quickly left.

    Edmund look up and smiled. Good to see you in person, Aileen.

    Her heart rose an inch. Thank you, Edmund. May I sit?

    Oh, yes.

    He rose to help her. Her first impulse was to shoo him away. But she caught herself, and allowed him to assist her.

    I was worried when you said that you were expecting. I didn’t know how you’d be handling it. You appear to be doing well. Are you? Physically, I mean?

    I am. She glanced at the floor. You don’t have to stand on my account.

    I don’t have any choice, he said with a shrug. There are no other chairs in the room.

    Her heart leapt. He truly has not changed.

    As I told you in my note, Calum is off questing. Again. She sighed sadly. I don’t plan to give the child away. But I’m not asking for money.

    Then what can I do for you?

    I’ve done some thinking since... She patted her stomach. I still love Calum. But what if he doesn’t come back in a year? What if he never comes back? Or what if he takes up with a wench that he doesn’t have to... fret over? She calmed her tone.

    What if something happens, not because of malice, but because of bad luck, and I never see him again? I don’t want my baby to grow up in a poorhouse. I don’t want the child ignorant of his parents. I’m going to have this baby, and I plan to raise it.

    Edmund opened his palms. Again, how may I help?

    She lowered her eyes to avoid meeting his. I was wrong to leave you. I was wrong, not because I didn’t love you, but because it was a cruel thing to do. I was very foolish. I should not have treated you so. Your only sin was that you were willing to enter into an arranged marriage with a lovestruck common girl. She looked up slowly. Can you find it possible to forgive me?

    Of course I can. You acted out of love. You were caught up in your passion. Tell me, Aileen, why you’ve returned? What’s moving your heart now?

    She took in a breath. During our first night together, Calum said he’d never leave me alone again. We would never be apart. I know he loves me, but I fear he loves adventuring much more. I’m afraid that he won’t live out his years with me, that he’ll spend his days questing instead.

    Edmund nodded. I know Lords and Knights like that. Forever running off hither and thither, only taking enough time at their estates for a night of passion. I would always wonder how their ladies feel.

    It’s curse I wouldn’t wish even on my own father.

    Edmund knelt down, and took her hands in his. "I do know how you feel, and how your heart aches. When a Knight or a Lord comes here, on some journey to war, or to slay a dragon, they ask me to come along. I refuse, and they wonder why. They don’t understand that I don’t have their reckless abandon. I don’t feel it’s proper to go racing off without a very good, very strong reason.

    "If you told one of them how you feel, right now, they’d be puzzled. Why should you be so sad and tearful, if Calum were to return with glory and treasure?

    I think I know why you’re so sad, Aileen. You’ve grown up. You’ve come to realize that glory doesn’t always bring in food. Treasures can’t replace a caring parent and husband. Passion without compassion only brings more babies. Adventures don’t always bring the good life.

    He squeezed her hands tight. Aileen, I would consider it a high honor if you would choose to renew our marriage vows. If that it what you want.

    It won’t matter that the child is Calum’s?

    He shook his head. As long as it’s your child, and you are my wife, I will care for it. He let go of her hands. I hope you like me more than you did when we first married. I know I like you more. I respect you more.

    Why?

    You’re willing to admit that you hurt me... a little. That takes courage. He smiled. Maybe one day you’ll have the courage to love me. A little.

    In this world of knights and adventurers, Lady Aileen replied, I’m sure that’s more than possible.

    EVERETT BAILEY’S DEATH

    I was assigned to write a report for WorldNet about the fiftieth anniversary of Crazed New World, the first film screenwriter Everett Bailey penned. Contrary to rumors that still float around the Net, it was highly praised when it came out. After all, it was the first sci-fi movie to win an Oscar, and reviewers since have kept it near the top of their All Time Best lists.

    It also had a phenomenal commercial impact. It wasn’t a monster hit, but it made money in theaters, on tape, and on compudisc, with a budget just shy of fifteen million dollars. In an era of ever-rising costs and the twin devils of sci-fi takes big bucks to shoot and great stories don’t make money, it broke the mold. Crazed New World is one of those rare works of film art that’s both popular with viewers and respected by critics.

    Much of the cast and crew were still alive, and I had no trouble getting them to talk. They related anecdotes about the production, and told tales about how it made some careers and killed others. I learned that some of the legends that grew up around it were false, and that some were actually true.

    However, not one person had much to say about Everett Bailey.

    I tried contacting him through every media possible. I hunted down people who I thought were his friends, but none were close enough to Bailey to be of any help. I sent messages to his agent on several BBS’s; none were answered. I was stunned when I realized that over his whole career, Everett Bailey had never given an interview, or approved of a profile.

    It wasn’t like he was a recluse in a tiny villa on an isolated mountain. He was on the set of most of the films he’d written. He’d attended many premieres. But not one nanosecond of him giving a quip at the opening night party. Not one byte with him revealing something on the set.

    He lived to work, one actor told me, and it seemed like he worked to live.

    I wrote my piece, but I wasn’t satisfied. The man most responsible for that classic had nothing to say? I decided to do whatever I had to do get an interview with Everett Bailey.

    I began by looking into his past. He was born in the mid-1960’s in Iowa, and he grew up in Nebraska. Star Wars and Star Trek lured him into science fiction, both as fan and writer. He sold his first short story in 1990, and by the time Crazed went into production he’d sold over two dozen stories and two novels.

    But then I happened across something unusual. A couple of years after that first sale, he published seven small humor books over a four-year period. Yes, published; he was writer, editor, distributor, and marketer of all seven books. The books contained funny short stories, historical anecdotes, essays, and poems, and each book was fully illustrated.

    How could it be? Hollywood’s lonesome Shakespeare out peddling humor books across the prairie?

    Then came the weirdest thing: the books just stopped coming. After the seventh came out he mentioned an eighth, but it didn’t happen. One day he’s talking about how he always finds something to write about, the next he shuts up. I was baffled for a long time.

    I went back to an early article. He spent a good part of it praising the man who illustrated his books. It wasn’t a matter of him saying, Good, isn’t he? Bailey was giving this guy credit for the book’s existence. He even said, If I didn’t have good artwork to go with this stuff, I wouldn’t be publishing it.

    I found the artist’s name. I searched every news-file I could get access to. Every time his name cropped up, though, was when Bailey was prattling on about his books. I did come across a few small pieces that were solely about the artist, mainly notices of gallery showings.

    And the obituary. Peter Troughtman, 24, was killed in a traffic accident, and a few words about his work. Guess what? Bailey’s sudden silence about his books coincided to the day with Troughtman’s funeral. Four months later he sold Crazed New World.

    It was too simple. His pal dies, and a few months later Bailey’s getting crowned the next Bard of Avon?

    I managed to track down a couple friends of Bailey’s from his pre-Crazed days. They told me that he stopped calling and writing them after that point. It pointed to one depressing conclusion: Bailey shut himself away from the world after his friend died, and promptly became the greatest screenwriter we will ever know.

    I tried again to connect with his agent. I made sure she knew that I knew about Bailey’s past. I pointed out that he had a new video-film coming out, and I suggested that this might be a chance for him to clear the air and make himself known. Two weeks later, I found a short message waiting on my computer. There was a day, a time, and directions to Bailey’s Oregon ranch.

    It was small and isolated, but within twenty minutes of a fair-sized city. The house itself was also small, a moderate split-level not much bigger than an average suburban spread. One car was parked in the two-car garage.

    To look at him, Everett Bailey hardly looked like a great writer. He came in at just a tad under medium in height, and he had a thin build. His gray hair covered only part of his head. He walked slowly yet precisely, as if each step was a dignified effort. His voice was soft and vacant of any distinctive accent.

    The first thing we did was take a brief tour of the home. It had to be brief; there was almost nothing to see. The rooms were sparsely furnished. Magazines and books of seemingly random types were scattered around, like an old-fashioned library in the process of moving. His office had the latest gear, and he did have a full-blown entertainment system, but none of the components were any different than what any well-off individual might own. After the tour I asked if there was a place we could sit down and start the interview.

    No, he answered. We returned to the living room. This won’t take long. I don’t mind standing.

    What won’t take long? I thought...

    Be patient. Listen. I nodded, and let him continue. You’ve looked into my past. You found out about those humor books I wrote and published all those years ago. I wanted to tell you why I stopped doing them.

    Something to do with Troughtman’s death, I gather?

    Oh, yes. His eyes went distant, and his voice grew even softer. Pete was more than just an artist who did illustrations for me. He was my closest friend.

    You worked that closely...?

    I knew him long before I started on those books. He returned to the present. "I am not an unfocused person, this clutter around my home notwithstanding. My greatest fault has always been that one thing. I’ve been more than willing to define myself in terms of my writing, and nothing more.

    "Pete knew that was no way for an artist, or any kind of person, to live his life. He was always prodding me into doing things that had absolutely nothing to do with writing.

    "When I learned that he was dead, I knew that I couldn’t stand to write any more of those books. It was just too painful. I tried to do other things, but everything reminded me of him. My only escape was to finish up a dozen scripts I was working on at the time. I had completed six, but I hadn’t sold any.

    Then Crazed was bought. I thought I could get over my depression. I thought I could produce more material. I thought I could resume writing. He exhaled slowly.

    Everything that I’ve sold was written many years ago. He motioned to me. Follow me. I want you to be a witness.

    We headed out the back door. He had an enclosed porch with a hard plastic floor made to resemble wood. Two chairs rested to one side, while the center was occupied by a steel table. Stacked on the table were stapled sheets of paper: his scripts, in hard copy form. It was not a very tall stack.

    I printed these yesterday, so don’t worry about their value.

    Why should I? I was very nervous and very scared.

    He smiled. These scripts are the sum total of my work over the last fifty years. It is all I am. His voice abruptly dropped. All that I ever was. Time to face reality. Time to face up to the truth.

    He reached into his shirt pocket. He took out a small box; I had to squint to see that it was box of matches. He carefully took out a match, lit it, and slowly put the lit match onto the pile of papers. They caught fire at once; he must have soaked them in something before I came.

    As soon as the matches caught fire, I saw Bailey wince. But it wasn’t in regret; he acted like he was in real, physical pain. The brighter the fire burned, the more he appeared wracked by agony. He was on his knees fairly soon, and within a minute and a half he’d fallen to the porch floor, his skinny arms wrapped tightly around his body.

    I stood there staring out of shock. I had no idea what I was seeing. What should I do? What could I do? I stood there, frozen in horror, amazement, and sadness.

    The scene took a mere handful of minutes. Towards then end, when I could tell that Bailey was starting to pass away, he whispered to me. Call my doctor, he told me, she’ll know what to do. I turned to go inside, but a second later the fire died out. Bailey’s face was a blank mask of peace.

    The doctor arrived within fifteen minutes. When she arrived I led her to the body. She gave him a brief, cursory examination.

    What was the cause of death? I ventured tentatively.

    Cancer, she replied without missing a beat.

    Cancer? Of what? I thought all cancers were curable.

    They are, if the patient requests treatment.

    Oh, come on! There wasn’t anything wrong with him before I came out here. No cancer could possibly work that fast, or be that predictable.

    She finally looked at me. Who cares about the cause of death? Everett Bailey is dead, that’s all.

    If I asked to see his medical records, would I find any evidence of cancer? Be truthful, doctor; would I?

    She stared at me for some time before shaking her head. His last checkup was two months ago, and for a man of his age, he was in perfect health.

    So what killed him? Like the doctor said, who cares how he died? Natural causes is what the reports have been listing, but I know that isn’t even close to the truth. The truth is far more unpleasant. Everett Bailey lived only to write, and he died when he realized that he’d stopped writing five decades ago.

    MYTHS & TRUTHS

    She eagerly looked over the bard as he stepped close to the fireplace to speak. His features were soft and round. He was neither short nor tall, fat nor thin, muscular nor scrawny. But he did have brown eyes that gleamed intelligence, and an easy, happy smile. Unless he has absolutely no ability, she mused, he’d make a fine traveling companion.

    He began by telling the crowd that this night he would sing the songs of the great Alfred. She leaned forward. Her father had told her about Alfred from birth. She’d heard many a bard tell his story and sing his songs, and few could compare to her father. Now we’ll see how good you truly are, she thought.

    The young man sang about Alfred and the ice-troll he wrestled to gain the magic talisman to save his village’s crops. He told of Alfred’s tricking the storm god into giving a kingdom a good harvest. He sang Alfred’s great epic of his war against an evil sorcerer and the kings the wizard had under his control. He concluded with Alfred’s final song, about his mission to stop the people of the south sacrificing their young women to the Wyrm of the Warm Waters, and to destroy that hideous beast.

    She was impressed. His voice was quiet, but very firm, forcing his audience to listen. He paused, talked slowly, and sped up the pace at all the right moments. His face masked every emotion and character. Best of all, he radiated love of his craft, and that infected his listeners. Waiting until he was finished with the crowd, she beckoned him to her table.

    You were very good, she told him.

    Why, thank you.

    Teresa. She waved at the chair across from hers, then waved to the barmaid. Two wines.

    Thank you again, the young man said. Why so gracious?

    I love stories about Alfred. If a bard can impress me with his songs, I must give him his due. The maid returned with the drinks. Is this your home, this village?

    Oh, no. I’m a long ways from my home.

    So am I. And you may pleased to also know that I am an adventurer, of sorts.

    Indeed? He arched an eyebrow. What a pleasant surprise.

    Well, I know a bit of magic, and my father was one of the village’s guardsmen. It was either this, or kill vermin and make love potions.

    Someone cleared their throat. They saw a grizzled, stooped old man standing next to the table. Yes? Teresa asked.

    I wanted to say something to you, young man, he told the bard.

    Yes?

    You have no idea what you were singing about.

    Teresa was stunned; the bard offended. What are you talking about? he snapped.

    Well, for one thing, if you knew anything about ice-trolls, you’d know that no one in right mind ‘d wrestle one. And then there’s your description of the Wyrm...

    And how would you know so much about ice-trolls? Teresa asked.

    Because I am Alfred.

    She shook her head; the bard laughed. Come, now, old man. My father told me Alfred’s tales when I was an infant, she replied, and his father told him when he was small.

    That may be, the old man said, but I’m still Alfred.

    The younger man looked up at him. So how is it that you’re still alive? Is that a tale that no one has heard yet?

    I wouldn’t know. Perhaps it’s some curse. I’ve surely offended enough in my time to warrant a few. His eyes narrowed. Nevertheless, I am Alfred.

    The bard started to speak, but Teresa put a hand on his arm. Wait. She looked up at the wizened old man. His body was stooped, he moved slowly, but his voice was strong, and his eyes seemed to indicate some zest. She decided to test him. Have some way of verifying your claim? Where are your children?

    Dead, of old age.

    Then what of your grandchildren? Surely, they could vouch for you, if you are who you say you are.

    He frowned, his attention wandered. I only saw them when they were small. They knew me as ‘Grandfather Alfred,’ not as ‘Alfred the Mighty’ or ‘Alfred, Savior of Lands and Kings.’ I always thought... He returned to the present. Oh, what do you care? I could swear an unbreakable oath, and you’d still think me a fool.

    Teresa stared at him. For a moment she thought she could believe him. Then she decided that no man, not even Alfred, could live so long. The stories were too old, so he must be after something. She reached into her money-pouch and tossed the old man a coin. Why don’t you get yourself a drink and leave us in peace?

    He looked over the coin, then looked over her. You’re a pretty girl. He noticed the short-sword at her left hip. And well-armed. An adventuress? Or just aspiring to that pinnacle?

    I am an adventurer.

    He snorted and shook his head. Don’t be too eager to hear your sagas, girl. They’ll never sound pleasing. He nodded at the bard. They always claim it’s for ‘dramatics.’ He looked down at the lad. Your kind are never worth anything. You take a man’s life, and reduce it to an easy melody and pretty poetry. You bards should toss away your lutes and become scribes, or take up some other honest profession.

    I think you should leave, the young man said tightly.

    Take the coin and go, Teresa added.

    The old man scowled. You both think I’m a crazy old fool, don’t you? Well, you’re not the first, and unless I’m blessed tonight, you won’t be the last. He tossed Teresa’s coin back to her, and shuffled away from their table. He said nothing more, and stalked out into the

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