The Vikings at Helgeland by Henrik Ibsen - Delphi Classics (Illustrated)
By Henrik Ibsen
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Henrik Ibsen
Born in 1828, Henrik Ibsen was a Norwegian playwright and poet, often associated with the early Modernist movement in theatre. Determined to become a playwright from a young age, Ibsen began writing while working as an apprentice pharmacist to help support his family. Though his early plays were largely unsuccessful, Ibsen was able to take employment at a theatre where he worked as a writer, director, and producer. Ibsen’s first success came with Brand and Peter Gynt, and with later plays like A Doll’s House, Ghosts, and The Master Builder he became one of the most performed playwrights in the world, second only to William Shakespeare. Ibsen died in his home in Norway in 1906 at the age of 78.
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The Vikings at Helgeland by Henrik Ibsen - Delphi Classics (Illustrated) - Henrik Ibsen
The Complete Works of
HENRIK IBSEN
VOLUME 6 OF 29
The Vikings at Helgeland
Parts Edition
By Delphi Classics, 2013
Version 1
COPYRIGHT
‘The Vikings at Helgeland’
Henrik Ibsen: Parts Edition (in 29 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78877 576 2
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
Henrik Ibsen: Parts Edition
This eBook is Part 6 of the Delphi Classics edition of Henrik Ibsen in 29 Parts. It features the unabridged text of The Vikings at Helgeland from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Henrik Ibsen, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of Henrik Ibsen or the Complete Works of Henrik Ibsen in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
HENRIK IBSEN
IN 29 VOLUMES
Parts Edition Contents
The Plays
1, Catiline
2, The Burial Mound
3, Lady Inger of Oestraat
4, The Feast at Solhaug
5, Olaf Liljekrans
6, The Vikings at Helgeland
7, Love’s Comedy
8, The Pretenders
9, Brand
10, Peer Gynt
11, The League of Youth
12, Emperor and Galilean
13, Pillars of Society
14, A Doll’s House
15, Ghosts
16, An Enemy of the People
17, The Wild Duck
18, Rosmersholm
19, The Lady from the Sea
20, Hedda Gabler
21, The Master Builder
22, Little Eyolf
23, John Gabriel Borkman
24, When We Dead Awaken
The Poems
25, The Poetry
The Norwegian Texts (De norske tekster)
26, The Original Texts
The Non-Fiction
27, Speeches and New Letters
The Criticism
28, The Criticism
The Biography
29, The Life of Henrik Ibsen by Edmund Gosse
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The Vikings at Helgeland
Translated by William Archer
In the middle of July 1857, Ibsen went to Christiania to explore a possible offer of a post as artistic Director
at Kristiania Norske Theater. On July 23rd he sent a letter to the management of Det norske Theater in Bergen, in which he confirmed that he had received the offer, asking to be released from his contract with the theatre. This was agreed to, and on September 3rd 1857, Ibsen took up his new position at Kristiania Norske Theater.
However, Ibsen handed in his seventh play to the nearby Christiania Norske Theater, instead of his own, as he believed it was too demanding for the staff of Kristiania Norske Theater. Ibsen was then informed by the management of the Christiania that the financial situation of the theatre did not allow for fees to be paid for original work, and therefore the play could not be staged at the time. Ibsen was angered by this, believing it was an excuse for shelving the production and in Aftenbladet of March 10th 1858 he published an article with the title Et Træk af Christiania danske Theaters Bestyrelse
(A Feature of Christiania Danish Theatre’s Management). He accused the theatre of failing to promote the interests of Norwegian dramatic literature, giving rise to a heated debate in the press. The Vikings at Helgeland was first performed in Oslo on 24 November 1858 in Ibsen’s own theatre. The newspaper debate helped to inspire public interest in the play and there was a full house. The play was well received by both audiences and critics, but was given only a few performances.
The plot takes place in the time of Erik Blood-axe (c. 930–934) in the north of Norway, in the historic Helgeland region. At this time Norwegian society was adjusting from the tradition of Old Norse Sagas to the new era of Christianity. The play concerns the arrival of Ornulf, who with his seven sons is seeking his daughter, Dagny, and foster-daughter, Hjordis, who were abducted and married by Sigurd and Gunnar. Interestingly, the plot is reminiscent of the Germanic myth of Sigmund and Brynhilde.
Helgeland is the most southerly district in Northern Norway and refers to the part of Nordland county that is located south of the Arctic Circle, famed for its Norse mythology and Viking tales.
CONTENTS
Characters.
Act First.
Act Second.
Act Third.
Act Fourth.
Characters.
Örnulf of the Fiords, an Icelandic Chieftain.
Sigurd the Strong, a Sea–King.
Gunnar Headman,¹ a rich yeoman of Helgeland.
Dagny, Örnulf’s daughter.
Hiördis, his foster-daughter.
Kåre the Peasant, a Helgeland-man.
Egil, Gunnar’s son, four years old.
Örnulf’s six older sons.
Örnulf’s and Sigurd’s men.
Guests, house-carls, serving-maids, outlaws, etc.
The action takes place in the time of Erik Blood-axe (about A.D. 933) at, and in the neighbourhood of, Gunnar’s house on the island of Helgeland, in the north of Norway.
¹ Failing to find a better equivalent for the Norwegian Herse,
I have used the word Headman
wherever it seemed necessary to give Gunnar a title or designation. He is generally spoken of as Gunnar Herse
in the Norwegian text; but where it could be done without inconvenience, the designation has here been omitted.
Pronunciation of Names:
Helgeland = Helgheland;
Örnulf = Ornoolf;
Sigurd = Sigoord;
Gunnar = Goonar;
Thorolf = Toorolf;
Hiördis = Yordeess;
Kåre = Koarë;