A Dream of John Ball by William Morris - Delphi Classics (Illustrated)
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Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Morris includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
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William Morris
William Morris (1834-1896) was an accomplished writer, textile designer and artist. A utopian socialist, he was associated with the Pre-Raphaelite Brotherhood and the English Arts and Craft Movement, and was a founding member of the Socialist League in Britain. Greatly influenced by the medieval period, Morris helped establish the modern fantasy genre though his works The Defence of Guenevere and Other Poems, A Dream of John Ball, and The Well at the World’s End. Authors like J.R.R. Tolkien and C.S. Lewis were greatly influenced by works like The House of the Wolfings, The Roots of the Mountains, and The Wood Beyond the World. Morris was also an accomplished publisher, founding the Kelmscott Press in 1891, whose 1896 edition of the Works of Geoffrey Chaucer is considered a masterpiece of book design.
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A Dream of John Ball by William Morris - Delphi Classics (Illustrated) - William Morris
The Complete Works of
WILLIAM MORRIS
VOLUME 1 OF 45
A Dream of John Ball
Parts Edition
By Delphi Classics, 2015
Version 1
COPYRIGHT
‘A Dream of John Ball’
William Morris: Parts Edition (in 45 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78877 693 6
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
William Morris: Parts Edition
This eBook is Part 1 of the Delphi Classics edition of William Morris in 45 Parts. It features the unabridged text of A Dream of John Ball from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of William Morris, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of William Morris or the Complete Works of William Morris in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
WILLIAM MORRIS
IN 45 VOLUMES
Parts Edition Contents
The Novels
1, A Dream of John Ball
2, The House of the Wolfings
3, The Roots of the Mountains
4, News from Nowhere
5, The Story of the Glittering Plain
6, The Wood Beyond the World
7, Child Christopher and Goldilind the Fair
8, The Well at the World’s End
9, The Water of the Wondrous Isles
10, The Sundering Flood
11, The Novel on Blue Paper
The Shorter Fiction
12, Introduction to the Fantasy Short Stories of Morris
13, The Hollow Land
14, A King’s Lesson
15, Golden Wings and Other Stories
16, The Folk of the Mountain Door
The Play
17, The Tables Turned; Or, Nupkins Awakened
The Poetry Collections
18, The Defence of Guenevere, and Other Poems
19, The Life and Death of Jason
20, The Earthly Paradise
21, Love Is Enough
22, The Story of Sigurd the Volsung and the Fall of the Niblungs
23, The Pilgrims of Hope
24, Chants for Socialists
25, Alfred Linnell, Killed in Trafalgar Square. a Death Song
26, Poems by the Way
27, Unpublished Poems and Fragments
The Translations
28, Grettis Saga
29, The Saga of Gunnlaug the Worm-Tongue and Rafn the Skald
30, Völsung Saga
31, Three Northern Love Stories, and Other Tales
32, The Odyssey of Homer Done Into English Verse
33, The Aeneids of Virgil Done Into English
34, The Tale of Beowulf Done Out of the Old English Tongue
35, The Ordination of Knighthood
36, Old French Romances Done Into English
The Non-Fiction
37, Signs of Change
38, Preface to ‘Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society’
39, Hopes and Fears for Art
40, Preface to ‘Mediaeval Lore from Bartholomew Anglicus’
41, The Art and Craft of Printing
Designs
42, Morris & Co. Textile Designs
43, Morris & Co. Stained Glass Designs
44, Oil Painting
The Biography
45, The Life of William Morris by John William Mackail
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A Dream of John Ball
Originally serialised in The Commonweal from November 1886 to January 1887, this novel was first published in book form in 1888. It concerns the peasants’ revolt of 1381. The novel presents the real historical figure of John Ball, a rebel priest, as an early follower of the socialist principles that were hotly debated in the late nineteenth century, and to which Morris was deeply committed. Ball is famous for posing the question: When Adam delved and Eve span, who was then the gentleman?
As with Morris’ more famous News from Nowhere, the book employs an encounter across time as a device for political commentary. In this case, a time traveller, in a dream, tells Ball of the demise of feudalism and the rise of the Industrial Revolution – yet Ball realises that the nineteenth-century’s dreams of a more egalitarian society have not yet been fulfilled. Although denouncing feudalism, the novel is in keeping with Morris’ (and the nineteenth century’s) depiction of mediaeval England as a golden age in which peasants could work for themselves in peace and contentment, enjoying protection from guilds – a contrast to the division of labour and consequent mechanisation of the workforce characteristic of industrial societies.
The first edition
Title page of the first book edition
Portrait of William Morris by George Frederic Watts, 1870
CONTENTS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
Frontispiece of the first book edition
Medieval illustration of John Ball encouraging Wat Tyler's rebels
CHAPTER I
THE MEN OF KENT
Sometimes I am rewarded for fretting myself so much about present matters by a quite unasked-for pleasant dream. I mean when I am asleep. This dream is as it were a present of an architectural peep-show. I see some beautiful and noble building new made, as it were for the occasion, as clearly as if I were awake; not vaguely or absurdly, as often happens in dreams, but with all the detail clear and reasonable. Some Elizabethan house with its scrap of earlier fourteenth-century building, and its later degradations of Queen Anne and Silly Billy and Victoria, marring but not destroying it, in an old village once a clearing amid the sandy woodlands of Sussex. Or an old and unusually curious church, much churchwardened, and beside it a fragment of fifteenth-century domestic architecture amongst the not unpicturesque lath and plaster of an Essex farm, and looking natural enough among the sleepy elms and the meditative hens scratching about in the litter of the farmyard, whose trodden yellow straw comes up to the very jambs of the richly carved Norman doorway of the church. Or sometimes ’tis a splendid collegiate church, untouched by restoring parson and architect, standing amid an island of shapely trees and flower-beset cottages of thatched grey stone and cob, amidst the narrow stretch of bright green water-meadows that wind between the sweeping Wiltshire downs, so well beloved of William Cobbett. Or some new-seen and yet familiar cluster of houses in a grey village of the upper Thames overtopped by the delicate tracery of a fourteenth-century church; or even sometimes the very buildings of the past untouched by the degradation of the sordid utilitarianism that cares not and knows not of beauty and history: as once, when I was journeying (in a dream of the night) down the well-remembered reaches of the Thames betwixt Streatley and Wallingford, where the foothills of the White Horse fall back from the broad stream, I came upon a clear-seen mediaeval town standing up with roof and tower and spire within its walls, grey and ancient, but untouched from the days of its builders of old. All this I have seen in the dreams of the night clearer than I can force myself to see them in dreams of the day. So that it would have been nothing new to me the other night to fall into an architectural dream if that were all, and yet I have to tell of things strange and new that befell me after I had fallen asleep. I had begun my sojourn in the Land of Nod by a very confused attempt to conclude that it was all right for me to have an engagement to lecture at Manchester and Mitcham Fair Green at half-past eleven at night on one and the same Sunday, and that I could manage pretty well. And then I had gone on to try to make the best of addressing a large open-air audience in the costume I was really then wearing — to wit, my night-shirt, reinforced for the dream occasion by a pair of braceless trousers. The consciousness of this fact so bothered me, that the earnest faces of