The Brown Owl by Ford Madox Ford - Delphi Classics (Illustrated)
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Ford Madox Ford
Ford Madox Ford was an English novelist, poet, critic, and editor whose journals The English Review and The Transatlantic Review were instrumental in the development of early twentieth-century English literature. Today, Ford is best known for The Good Soldier, the Parade’s End Tetralogy, and the Fifth Queen Trilogy.
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The Brown Owl by Ford Madox Ford - Delphi Classics (Illustrated) - Ford Madox Ford
The Complete Works of
FORD MADOX FORD
VOLUME 1 OF 46
The Brown Owl
Parts Edition
By Delphi Classics, 2013
Version 2
COPYRIGHT
‘The Brown Owl’
Ford Madox Ford: Parts Edition (in 46 parts)
First published in the United Kingdom in 2017 by Delphi Classics.
© Delphi Classics, 2017.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.
ISBN: 978 1 78877 752 0
Delphi Classics
is an imprint of
Delphi Publishing Ltd
Hastings, East Sussex
United Kingdom
Contact: sales@delphiclassics.com
www.delphiclassics.com
Ford Madox Ford: Parts Edition
This eBook is Part 1 of the Delphi Classics edition of Ford Madox Ford in 46 Parts. It features the unabridged text of The Brown Owl from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Ford Madox Ford, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.
Visit here to buy the entire Parts Edition of Ford Madox Ford or the Complete Works of Ford Madox Ford in a single eBook.
Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.
FORD MADOX FORD
IN 46 VOLUMES
Parts Edition Contents
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The Children’s Fiction
1, The Brown Owl
2, The Feather
3, The Queen Who Flew
The Novels
4, The Shifting of the Fire
5, The Inheritors
6, Romance
7, The Benefactor
8, The Fifth Queen
9, The Privy Seal
10, An English Girl
11, The Fifth Queen Crowned
12, Mr. Apollo
13, The ‘Half Moon’
14, A Call
15, The Portrait
16, The Simple Life Limited
17, Ladies Whose Bright Eyes
18, The Panel
19, The New Humpty-Dumpty
20, Mr. Fleight
21, The Young Lovell
22, The Good Soldier
23, The Marsden Case
24, Some Do Not…
25, The Nature of a Crime
26, No More Parades
27, A Man Could Stand Up
28, Last Post
29, A Little Less Than Gods
30, No Enemy
31, When the Wicked Man
32, The Rash Act
33, Henry for Hugh
34, Vive Le Roy
The Poetry
35, The Collected Poems
Non-Fiction
36, The Soul of London
37, The Heart of the Country
38, Rossetti: A Critical Essay on His Art
39, The Spirit of the People
40, Henry James: A Critical Study
41, Joseph Conrad: A Personal Remembrance
The Memoirs
42, Ancient Lights and Certain New Reflections
43, Return to Yesterday
44, It Was the Nightingale
45, Provence
46, Great Trade Route
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The Brown Owl
Ford Madox Ford was born on 17 December, 1873, at 5 Fair Lawn Villas, Merton, Surrey. He was the first of three children and his father, Francis Hueffer, was a German émigré, musicologist and author, whilst his mother Catherine was a painter and daughter of the famous Pre-Raphaelite artist Ford Madox Brown. Christened as Ford Hermann Hueffer, he would not change his name to Ford Madox Ford until much later when he was forty-six years old.
Due to his father’s influence, Ford had considered becoming a composer in his youth and song manuscripts still survive in his hand. Nevertheless, Ford was destined to embark on a literary career from a young age. In 1891, aged only seventeen, he published the delightful 180-page fairy tale The Brown Owl, which was illustrated by his grandfather. Although it enjoyed moderate success, it was the first of what would be many books throughout a long literary life.
Ford Madox Brown (1821-1893) the famous Pre-Raphaelite artist, was the grandfather of the author Ford Madox Ford. The artist often liked to paint his grandchildren, who served as fitting models in his work.
Ford at a young age, depicted by his grandfather as William Tell’s son, c.1880.
The first edition of Ford’s first book
The original frontispiece image accompanying the children’s story
THE BROWN OWL
ONCE upon a time, a long while ago — in fact long before Egypt had risen to power and before Rome or Greece had ever been heard of — and that was some time before you were born, you know — there was a king who reigned over a very large and powerful kingdom.
Now this king was rather old, he had founded his kingdom himself, and he had reigned over it nine hundred and ninety-nine and a half years already. As I have said before, it was a very large kingdom, for it contained, among other things, the whole of the western half of the world. The rest of the world was divided into smaller kingdoms, and each kingdom was ruled over by separate princes, who, however, were none of them so old as Intafernes, as he was called.
Now King Intafernes was an exceedingly powerful magician — that was why he had remained so long on the throne; for you must know that in this country the people were divided into two classes — those who were magicians, and those who weren’t. The magicians called themselves Aristocrats, and the others called themselves what they liked; also in this country, as in all other countries, the rich magicians had the upper hand over the rest, but still the others did not grumble, for they were not badly treated on the whole. Now of all the magicians in the country the King was the greatest, and no one approached him in magic power but the Chancellor, who was called Merrymineral, and he even was no match for the King.
Among other things King Intafernes had a daughter, who was exceedingly beautiful — as indeed all princesses are or ought to be. She had a very fair face, and a wealth of golden hair that fell over her shoulders, like a shining waterfall falling in ripples to her waist.
Now in the thousandth year of her father’s reign the Princess was eighteen, and in that country she was already of age. Three days before her nineteenth birthday, however, her father fell sick and gradually weakened, until at last he had only strength left to lie in his royal bed. Still, however, he retained his faculties, and on the Princess’s birthday he made all the magicians file before his bed and swear to be faithful for ever to the Princess. Last of all came the Chancellor, the pious Merrymineral, and as he took the oath the King looked at him with a loving glance and said:
‘Ah! my dear Merrymineral, in truth there was no need for thee to have taken the oath, for it is thy nature to be faithful; and it being thy nature, thou couldst not but be faithful.’
To which the pious Merrymineral answered:
‘To such a master and to such a mistress how could I but be faithful?’ and to this noble sentiment the three hundred and forty-seven magicians could not help according unanimous applause.
When they were quiet again the King said:
‘So be it, good Merrymineral, do thou always act up to thy words. But now leave, good men all, for I am near my end, and would fain spend my last moments with my daughter here.’
Sorrowfully, one by one, the courtiers left, wishing him their last adieux. He had been a good king to all, all through his long reign, and they