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    The Anarchist
    The Anarchist
    The Anarchist
    Ebook79 pages1 hour

    The Anarchist

    By David Mamet

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    About this ebook

  • Mamet’s most recent work set to premiere in London’s West End this Fall
  • Awaiting word on the casting of the two leading female roles
  • to be directed by Rupert Goold, associate artistic director of the Royal Shakespeare Company
  • Spring Broadway transfer in the works
    • LanguageEnglish
    PublisherTheatre Communications Group
    Release dateJan 18, 2013
    ISBN9781559364287
    The Anarchist
    Author

    David Mamet

    David Mamet is one of the foremost American playwrights. He has won a Pulitzer prize and received Tony nominations for his plays, Glengarry Glen Ross and Speed-the-Plow. His screenwriting credits include The Verdict and The Untouchables.

    Read more from David Mamet

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      Book preview

      The Anarchist - David Mamet

      BOOKS BY DAVID MAMET AVAILABLE FBOM TCG

      The Anarchist

      Keep Your Pantheon (and School)

      Race

      A PLAY BY DAVID MAMET

      THEATRE COMMUNICATIONS GROUPNEW YORK2012

      The Anarchist is copyright © 2012 by David Mamet

      The Anarchist is published by Theatre Communications Group, Inc., 520 Eighth Avenue, 24th Floor, New York, NY 10018-4156

      All Rights Reserved. Except for brief passages quoted in newspaper, magazine, radio or television reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher. Professionals and amateurs are hereby warned that this material, being fully protected under the Copyright Laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. All rights, including but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Particular emphasis is placed on the question of readings and all uses of this book by educational institutions, permission for which must be secured from the author’s representative: Ron Gwiazda, Abrams Artists Agency, 275 Seventh Avenue, 26th Floor, New York, NY 10001, 646-461-9325.

      The publication of The Anarchist by David Mamet, through TCG’s Book Program, is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

      TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution.

      Cataloging-in-Publication Data is on file at the Library of Congress, Washington, D.C.

      ISBN: 978-1-55936-428-7

      Book design and composition by Lisa Govan Cover art and design by aka

      First Edition, December 2012

      This play is dedicated to Patti and Debra

      Contents

      The Anarchist

      Chaque génération doit dans une relative opacité

      découvrir sa mission, la remplir ou trahir.

      — Frantz Fanon

      Les damnés de la terre

      PRODUCTION HISTORY

      The Anarchist premiered on Broadway on December 2, 2012, at the John Golden Theatre (Producers: Jeffrey Richards; Jerry Frankel; Howard and Janet Kagan; Catherine Schreiber; Jam Theatricals; Luigi and Rose Caiola; Gutterman Chernoff MXKC; Kit Seidel; Broadway Across America; Amy and Phil Mickelson; James Fuld, Jr.; Carlos Arana/Bard Theatricals; Will Trice). The production was directed by David Mamet, with scenic and costume design by Patrizia Von Brandenstein, lighting design by Jeff Croiter and sound design by Peter Fitzgerald; the production stage manager was William Joseph Barnes. The cast was:

      CHARACTERS

      Cathy and Ann, two women

      SCENE

      An office

      Ann, seated at a desk. A telephone is on the desk. An intercom sits on a conference table. Also on the desk are several files, a loosely bound manuscript and several books. A briefcase sits on the floor. Cathy is standing.

      ANN: Will you sit down? How are you?

      CATHY: No, I think I’m well. Thank you for asking.

      ANN: What have you been doing?

      CATHY: I’ve been studying. As usual.

      ANN: And what have you learned?

      CATHY: In the larger sense . . .

      ANN: . . . all right.

      CATHY: I hope that I’ve learned to be reasonable. At least I have studied it. Most importantly.

      ANN: Most importantly.

      CATHY: Yes.

      ANN: Reason more than patience?

      CATHY: One might think the pressing study would be patience. But patience, of course, implies an end.

      ANN: Patience implies an end.

      CATHY: Well, yes.

      ANN: As?

      CATHY: One may be patient only for something.

      ANN: Such as?

      CATHY: A deferred desire, or the cessation of discomfort . . .

      ANN: Revenge?

      CATHY: Well, that would fall within the rubric of desire deferred.

      ANN: And Reason teaches?

      CATHY: Reason would teach the abandonment of the unfulfillable wish; and, so, of the need for patience. It therefore may be said to be the higher study.

      (Cathy gestures back, toward upstage. Pause.)

      Lovely girl.

      ANN: Yes?

      CATHY: In the anteroom. (Pause) I find when conversation stalls it never indicates a want of subject—one may always talk about the weather—but rather some subject’s repression. What

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