Sorrows and Rejoicings
By Athol Fugard
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About this ebook
"If there is a more urgent and indispensible playwright in world theatre than South Africa's Athol Fugard, I don't know who it could be."—Jack Kroll, Newsweek
One of the true contemporary masters of the stage, South African playwright Athol Fugard has written one of his most stunning works. Sorrows and Rejoicings explores the legacy of Apartheid on two women—one white, the other black—who on the surface seem to have little in common except for their love of one man, a white poet who is attached to the Karoo land of South Africa. The drama moves between past and present, reliving the poet's despondent years in exile and his eventual return to a new South Africa. With lyrical grace, Fugard once again demonstrates the human struggle to transcend the treacherous injustices of history.
South African playwright, actor and director, Athol Fugard is one of the world's leading theatre artists, of whom The New Yorker has said, "A rare playwright, who could be a primary candidate for either the Nobel Prize on Literature or the Nobel Peace Prize."
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Athol Fugard
Athol Fugard is a South African playwright and occasional director and actor who actively critized the Apartheid system through his work. He worked with actors such as Zakes Mokae and John Kani and soon gained international recognition for his plays. His fifty years of playwriting include The Blood Knot, Boesman and Lena, Master Harold ... and the Boys, The Road to Mecca and The Train Driver. He was awarded a Lifetime Achievement Tony Award in 2011. The film based on his novel, Tsotsi, won an Oscar for best foreign film.
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Book preview
Sorrows and Rejoicings - Athol Fugard
SORROWS and REJOICINGS
BOOKS BY ATHOL FUGARD
AVAILABLE FROM TCG
Blood Knot and Other Plays
The Captain’s Tiger
Cousins (a memoir)
A Lesson from Aloes
Marigolds in August and The Guest
My Children! My Africa!
Notebooks: 1960–1977
Playland and A Place with the Pigs
The Road to Mecca
Statements
Valley Song
SORROWS and
REJOICINGS
ATHOL FUGARD
THEATRE COMMUNICATIONS GROUP
NEW YORK
Sorrows and Rejoicings is copyright © 2002 by Athol Fugard
Sorrows and Rejoicings is published by Theatre Communications Group, Inc. 355 Lexington Ave., New York, NY 10017-6603
All rights reserved. Except for brief passages quoted in newspaper, magazine, radio of television reviews, no part of this book may be reproduced in any form of by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher.
Professionals and amateurs are hereby warned that this material, being fully protected under the Copyright Laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. All rights including, but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Particular emphasis is places on the question of readings and all uses of these plays by educational institutions, permission for which must be secured from the author’s representative: Samuel Liff, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019, (212) 586-5100
The author would like to acknowledge Professor Marianne McDonald of the University of California, San Diego, for her fine Ovid translations.
Karoo photograph is reprinted by permission of Satour.
This publication is made possible in part with public funds from the New York State Council on the Arts, a State Agency.
TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution, 1045 Westgate Dr., St. Paul, MN 55114.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Fugard, Athol.
Sorrows and rejoicings / by Athol Fugard. — 1st ed.
p. cm.
eISBN 978-1-55936-693-9
1. Triangles (Interpersonal relations)—Drama. 2. Women—South Africa—Drama. 3. Karoo (South Africa)—Drama. 4. Women, Black—Drama. 5. White women—Drama. 6. Exiles—Drama. 7. Poets—Drama. I. Title.
PR 9369.3.F8 S67 2001
CIP
Cover photo by T. Charles Erickson
Cover and text design by Lisa Govan
First Edition, February 2002
For my sisters
Mary, Katrina and Dudu
Contents
Sorrows and Rejoicings
Glossary
PRODUCTION HISTORY
Sorrows and Rejoicings received its world premiere in May 2001, at the McCarter Theatre Center, Princeton, NJ (Emily Mann, Artistic Director; Jeffrey Woodward, Managing Director). The production was directed by the playwright. Associate direction, set design and costume design was by Susan Hilferty and lighting design was by Dennis Parichy. The cast was as follows:
In August 2001, Sorrows and Rejoicings was produced at the Baxter Theatre Centre (Mannie Manim, Director) at the University of Cape Town in South Africa. The production was directed by the playwright. Associate direction, set design and costume design was by Susan Hilferty and lighting design was by Mannie Manim. The cast was as follows:
In February 2002, Sorrows and Rejoicings was produced at Second Stage Theatre in New York City (Carole Rothman, Artistic Director; Carol Fishman, Managing Director). The production was directed by the playwright. Associate direction, set design and costume design was by Susan Hilferty and lighting design was by Dennis Parichy. The cast was as follows:
SORROWS and REJOICINGS
CHARACTERS
ALLISON OLIVIER, a white woman, forties
MARTA BARENDS, a colored woman, forties
REBECCA, Marta’s daughter, eighteen
DAWID OLIVIER, the writer, a white man, fifties, and then younger
TIME
The present.
SETTING
The living room of a large and comfortable house in a Karoo village in the heartland of South Africa.
I feared I’d forget my Latin language
Forget how to use my dear mother tongue.
I thought it would clot and dry in my veins
And never again its sweet song be sung.
Now I talk to myself and speak the words
Savoring each syllable so long unused.
I speak and practice my verbal art,
Those skills they say in Rome I abused.
So I eke out my life and pass my time
Trying to erase my loss and my