Danger in the Dark
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About this ebook
Fortune hunter Billy Newman is not a man of great strength or physical courage. Like a young Johnny Depp, he gets by on his wit, wiles and good looks. And he's had quite a good run—striking gold in the Philippines and buying his very own island in the South Seas….
But there's trouble in paradise, and Billy's in the thick of it; The island's crops are failing; The island's people are dying; And the island's owner—Billy—is taking the heat; Why? Because he's angered the 75-foot-tall big-boss god of the island.
75-foot tall? To Billy, it's a laughable superstition—until he finds out just how serious the islanders are. They're out to sacrifice a beautiful young woman to the supposed god. The only way Billy can save her is to humor the locals and pretend to take the spirit on. But the joke may be on Billy, as he has to screw up some very real courage to face the very real Danger in the Dark.
Hubbard lived on Guam in 1927, while his father was assigned to the US naval station there. In his journals he describes a local superstition: the great cheese ghost named Tadamona. He wrote that the devil had the shape of a man, attained the height of coconut trees and was the cause behind all sickness and disease. To dispel the superstition, Ron descended into Tadamona's supposed abode, a great underground stream—an encounter reflected in Danger in the Dark.
Includes the fantasy adventures “The Room”, in which Uncle Toby goes to his room, never to return, leaving it to his nephew to explore the magic and mystery of the place, and “He Didn't Like Cats”, the story of one man's feline phobia and the hauntingly high price he pays for it.
L. Ron Hubbard
With 19 New York Times bestsellers and more than 350 million copies of his works in circulation, L. Ron Hubbard is among the most enduring and widely read authors of our time. As a leading light of American Pulp Fiction through the 1930s and '40s, he is further among the most influential authors of the modern age. Indeed, from Ray Bradbury to Stephen King, there is scarcely a master of imaginative tales who has not paid tribute to L. Ron Hubbard. Then too, of course, there is all L. Ron Hubbard represents as the Founder of Dianetics and Scientology and thus the only major religion born in the 20th century.
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Reviews for Danger in the Dark
4 ratings1 review
- Rating: 3 out of 5 stars3/5*I received a free copy of this audiobook from the publisher*I enjoy pulp fiction and appreciate its significance and influence in the science fiction and fantasy genres today. Danger in the Dark is a collection of three stories, and it is pulp at its finest -- just plain, good fun. As with any collection of short stories, there were some stories that I liked better than others, but there weren't any that I really disliked or hated, so that's a good thing. This was a quick listen and was simply a fun, entertaining collection of stories. The sequence of these stories also worked very well, since my least favorite was the first story, and my favorite was the last.The stories included in Danger in the Dark are short and sweet -- the best kind, in my opinion. A lot of action, drama, and suspense without having too much exposition to bog it all down. It's not a huge time investment, but it's good entertainment, which I appreciated.Galaxy Audio really went all-out for this production. I loved the full-cast performance and the added sound effects. I'm not the kind of person who generally likes sound effects in my audiobooks, but these were incredibly well done. They really added to the story and helped create drama and tension in all the right places. This is one short story collection that I don't think I would have liked as much in print. I would definitely recommend the audiobook version of this one.
Book preview
Danger in the Dark - L. Ron Hubbard
SELECTED FICTION WORKS
BY L. RON HUBBARD
FANTASY
The Case of the Friendly Corpse
Death’s Deputy
Fear
The Ghoul
The Indigestible Triton
Slaves of Sleep & The Masters of Sleep
Typewriter in the Sky
The Ultimate Adventure
SCIENCE FICTION
Battlefield Earth
The Conquest of Space
The End Is Not Yet
Final Blackout
The Kilkenny Cats
The Kingslayer
The Mission Earth Dekalogy*
Ole Doc Methuselah
To the Stars
ADVENTURE
The Hell Job series
WESTERN
Buckskin Brigades
Empty Saddles
Guns of Mark Jardine
Hot Lead Payoff
A full list of L. Ron Hubbard’s
novellas and short stories is provided at the back.
*Dekalogy—a group of ten volumes
TitlePgArt.jpgPublished by
Galaxy Press, LLC
7051 Hollywood Boulevard, Suite 200
Hollywood, CA 90028
© 2008 L. Ron Hubbard Library. All Rights Reserved.
Any unauthorized copying, translation, duplication, importation or distribution, in whole or in part, by any means, including electronic copying, storage or transmission, is a violation of applicable laws.
Mission Earth is a trademark owned by L. Ron Hubbard Library and is used with permission. Battlefield Earth is a trademark owned by Author Services, Inc. and is used with permission.
Horsemen illustration from Western Story Magazine is © and ™ Condé Nast Publications and is used with their permission. Cover art and story illustrations; Fantasy, Far-Flung Adventure and Science Fiction illustrations; Story Preview and Glossary illustrations and The Crossroads cover art: Unknown and Astounding Science Fiction copyright © by Street & Smith Publications, Inc. Reprinted with permission of Penny Publications, LLC.
ISBN 978-1-59212-540-1 ePub version
ISBN 978-1-59212-655-2 Kindle version
ISBN 978-1-59212-367-4 print version
ISBN 978-1-59212-240-0 audiobook version
Library of Congress Control Number: 2007927517
Contents
FOREWORD
DANGER IN THE DARK
THE ROOM
HE DIDN’T LIKE CATS
STORY PREVIEW:
THE CROSSROADS
GLOSSARY
L. RON HUBBARD
IN THE GOLDEN AGE
OF PULP FICTION
THE STORIES FROM THE
GOLDEN AGE
FOREWORD
Stories from Pulp Fiction’s Golden Age
AND it was a golden age.
The 1930s and 1940s were a vibrant, seminal time for a gigantic audience of eager readers, probably the largest per capita audience of readers in American history. The magazine racks were chock-full of publications with ragged trims, garish cover art, cheap brown pulp paper, low cover prices—and the most excitement you could hold in your hands.
Pulp
magazines, named for their rough-cut, pulpwood paper, were a vehicle for more amazing tales than Scheherazade could have told in a million and one nights. Set apart from higher-class slick
magazines, printed on fancy glossy paper with quality artwork and superior production values, the pulps were for the rest of us,
adventure story after adventure story for people who liked to read. Pulp fiction authors were no-holds-barred entertainers—real storytellers. They were more interested in a thrilling plot twist, a horrific villain or a white-knuckle adventure than they were in lavish prose or convoluted metaphors.
The sheer volume of tales released during this wondrous golden age remains unmatched in any other period of literary history—hundreds of thousands of published stories in over nine hundred different magazines. Some titles lasted only an issue or two; many magazines succumbed to paper shortages during World War II, while others endured for decades yet. Pulp fiction remains as a treasure trove of stories you can read, stories you can love, stories you can remember. The stories were driven by plot and character, with grand heroes, terrible villains, beautiful damsels (often in distress), diabolical plots, amazing places, breathless romances. The readers wanted to be taken beyond the mundane, to live adventures far removed from their ordinary lives—and the pulps rarely failed to deliver.
In that regard, pulp fiction stands in the tradition of all memorable literature. For as history has shown, good stories are much more than fancy prose. William Shakespeare, Charles Dickens, Jules Verne, Alexandre Dumas—many of the greatest literary figures wrote their fiction for the readers, not simply literary colleagues and academic admirers. And writers for pulp magazines were no exception. These publications reached an audience that dwarfed the circulations of today’s short story magazines. Issues of the pulps were scooped up and read by over thirty million avid readers each month.
Because pulp fiction writers were often paid no more than a cent a word, they had to become prolific or starve. They also had to write aggressively. As Richard Kyle, publisher and editor of Argosy, the first and most long-lived of the pulps, so pointedly explained: The pulp magazine writers, the best of them, worked for markets that did not write for critics or attempt to satisfy timid advertisers. Not having to answer to anyone other than their readers, they wrote about human beings on the edges of the unknown, in those new lands the future would explore. They wrote for what we would become, not for what we had already been.
Some of the more lasting names that graced the pulps include H. P. Lovecraft, Edgar Rice Burroughs, Robert E. Howard, Max Brand, Louis L’Amour, Elmore Leonard, Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, John D. MacDonald, Ray Bradbury, Isaac Asimov, Robert Heinlein—and, of course, L. Ron Hubbard.
In a word, he was among the most prolific and popular writers of the era. He was also the most enduring—hence this series—and certainly among the most legendary. It all began only months after he first tried his hand at fiction, with L. Ron Hubbard tales appearing in Thrilling Adventures, Argosy, Five-Novels Monthly, Detective Fiction Weekly, Top-Notch, Texas Ranger, War Birds, Western Stories, even Romantic Range. He could write on any subject, in any genre, from jungle explorers to deep-sea divers, from G-men and gangsters, cowboys and flying aces to mountain climbers, hard-boiled detectives and spies. But he really began to shine when he turned his talent to science fiction and fantasy of which he authored nearly fifty novels or novelettes to forever change the shape of those genres.
Following in the tradition of such famed authors as Herman Melville, Mark Twain, Jack London and Ernest Hemingway, Ron Hubbard actually lived adventures that his own characters would have admired—as an ethnologist among primitive tribes, as prospector and engineer in hostile climes, as a captain of vessels on four oceans. He even wrote a series of articles for Argosy, called Hell Job,
in which he lived and told of the most dangerous professions a man could put his hand to.
Finally, and just for good measure, he was also an accomplished photographer, artist, filmmaker, musician and educator. But he was first and foremost a writer, and that’s the L. Ron Hubbard we come to know through the pages of this volume.
This library of Stories from the Golden Age presents the best of L. Ron Hubbard’s fiction from the heyday of storytelling, the Golden Age of the pulp magazines. In these eighty volumes, readers are treated to a full banquet of 153 stories, a kaleidoscope of tales representing every imaginable genre: science fiction, fantasy, western, mystery, thriller, horror, even romance—action of all kinds and in all places.
Because the pulps themselves were printed on such inexpensive paper with high acid content, issues were not meant to endure. As the years go by, the original issues of every pulp from Argosy through Zeppelin Stories continue crumbling into brittle, brown dust. This library preserves the L. Ron Hubbard tales from that era, presented with a distinctive look that brings back the nostalgic flavor of those times.
L. Ron Hubbard’s Stories from the Golden Age has something for every taste, every reader. These tales will return you to a time when fiction was good clean entertainment and the most fun a kid could have on a rainy afternoon or the best thing an adult could enjoy after a long day at work.
Pick up a volume, and remember what reading is supposed to be all about. Remember curling up with a great story.
—Kevin J. Anderson
KEVIN J. ANDERSON is the author of more than ninety critically acclaimed works of speculative fiction, including The Saga of Seven Suns, the continuation of the Dune