The No-Gun Man: A Frontier Tale of Outlaws, Lawlessness, and One Man's Code of Honor
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About this ebook
As a young man Monte Calhoun was as wild as they come, thinking the measure of a man was how hard he could drink and how straight he can shoot. But several years of schooling back East have changed him. Now, as steadfast and principled as a young Jimmy Stewart, Monte has become The No-Gun Man.
The East Coast has civilized him, and he’s bringing some of that civilization home to Superstition, Arizona … even if it means refusing to avenge the murder of his own father. Monte’s come back for one reason—to rescue his younger brother from this lawless land and take him back East.
But out here in a land of frauds and outlaws and ambushes, a man’s principles have a way of folding under pressure—especially in the face of gunfire. And Monte’s no different. It’s only a question of how far he’ll be pushed before he starts pushing back … with a vengeance.
Hailing from the western states of Nebraska, Oklahoma and Montana, Hubbard grew up surrounded by grizzled frontiersmen and leather-tough cowboys, counting a Native American medicine man as one of his closest friends. When he chose to write stories of the Old West, Hubbard didn’t have to go far to do his research, drawing on his own memories of a youth steeped in the life and legends of the American frontier.
Also includes the Western adventure, Man for Breakfast, in which the victim of a robbery will leave no stone unturned and no outlaw alive in his search for justice—even as he faces bullets, a hanging rope, and a startling revelation.
L. Ron Hubbard
With 19 New York Times bestsellers and more than 350 million copies of his works in circulation, L. Ron Hubbard is among the most enduring and widely read authors of our time. As a leading light of American Pulp Fiction through the 1930s and '40s, he is further among the most influential authors of the modern age. Indeed, from Ray Bradbury to Stephen King, there is scarcely a master of imaginative tales who has not paid tribute to L. Ron Hubbard. Then too, of course, there is all L. Ron Hubbard represents as the Founder of Dianetics and Scientology and thus the only major religion born in the 20th century.
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Reviews for The No-Gun Man
3 ratings1 review
- Rating: 5 out of 5 stars5/5The No-Gun Man by L. Ron Hubbard is a good example of Hubbard’s clever plotting, realistic dialogue, strong characters and brisk action. I think Hubbard’s westerns are underrated. All of them are fun to read, and he did try different stylistic approaches from time to time. The No-Gun Man is about Monte Calhoun who returns home to help his brother. But meanwhile the mystery of his father’s death still plagues him, and Monte has decided to avoid violence if possible. Hubbard makes Monte’s plight resonate and the ending is quite satisfactory. This edition includes the short story “Man for Breakfast” which has a slightly darker feel to it but remains entertaining nonetheless. Overall, all of Hubbard’s westerns make for some fun reading.
Book preview
The No-Gun Man - L. Ron Hubbard
SELECTED FICTION WORKS
BY L. RON HUBBARD
FANTASY
The Case of the Friendly Corpse
Death’s Deputy
Fear
The Ghoul
The Indigestible Triton
Slaves of Sleep & The Masters of Sleep
Typewriter in the Sky
The Ultimate Adventure
SCIENCE FICTION
Battlefield Earth
The Conquest of Space
The End Is Not Yet
Final Blackout
The Kilkenny Cats
The Kingslayer
The Mission Earth Dekalogy*
Ole Doc Methuselah
To the Stars
ADVENTURE
The Hell Job series
WESTERN
Buckskin Brigades
Empty Saddles
Guns of Mark Jardine
Hot Lead Payoff
A full list of L. Ron Hubbard’s
novellas and short stories is provided at the back.
*Dekalogy: a group of ten volumes
Illustration of the book cover.Published by
Galaxy Press, LLC
7051 Hollywood Boulevard, Suite 200
Hollywood, CA 90028
© 2014 L. Ron Hubbard Library. All rights reserved.
Any unauthorized copying, translation, duplication, importation or distribution, in whole or in part, by any means, including electronic copying, storage or transmission, is a violation of applicable laws.
Mission Earth is a trademark owned by L. Ron Hubbard Library and is used with permission. Battlefield Earth is a trademark owned by Author Services, Inc. and is used with permission.
Horsemen illustration and Glossary Illustration from Western Story Magazine is © and ™ Condé Nast Publications and are used with their permission. Fantasy, Far-Flung Adventure and Science Fiction illustrations: Unknown and Astounding Science Fiction copyright © by Street & Smith Publications, Inc. Reprinted with permission of Penny Publications, LLC. Man for Breakfast
story illustration © 1949 Better Publications, Inc. Reprinted with permission of Hachette Filipacchi Media.
ISBN 978-1-59212-598-2 EPUB version
ISBN 978-1-59212-775-7 Kindle version
ISBN 978-1-59212-325-4 print version
ISBN 978-1-59212-383-4 audiobook version
Library of Congress Control Number: 2007903621
Contents
FOREWORD
THE NO-GUN MAN
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
MAN FOR BREAKFAST
STORY PREVIEW
TINHORN’S DAUGHTER
L. RON HUBBARD IN THE
GOLDEN AGE OF
PULP FICTION
THE STORIES FROM THE
GOLDEN AGE
GLOSSARY
FOREWORD
Stories from
Pulp Fiction’s
Golden Age
AND it was a golden age.
The 1930s and 1940s were a vibrant, seminal time for a gigantic audience of eager readers, probably the largest per capita audience of readers in American history. The magazine racks were chock-full of publications with ragged trims, garish cover art, cheap brown pulp paper, low cover prices—and the most excitement you could hold in your hands.
Pulp
magazines, named for their rough-cut, pulpwood paper, were a vehicle for more amazing tales than Scheherazade could have told in a million and one nights. Set apart from higher-class slick
magazines, printed on fancy glossy paper with quality artwork and superior production values, the pulps were for the rest of us,
adventure story after adventure story for people who liked to read. Pulp fiction authors were no-holds-barred entertainers—real storytellers. They were more interested in a thrilling plot twist, a horrific villain or a white-knuckle adventure than they were in lavish prose or convoluted metaphors.
The sheer volume of tales released during this wondrous golden age remains unmatched in any other period of literary history—hundreds of thousands of published stories in over nine hundred different magazines. Some titles lasted only an issue or two; many magazines succumbed to paper shortages during World War II, while others endured for decades yet. Pulp fiction remains as a treasure trove of stories you can read, stories you can love, stories you can remember. The stories were driven by plot and character, with grand heroes, terrible villains, beautiful damsels (often in distress), diabolical plots, amazing places, breathless romances. The readers wanted to be taken beyond the mundane, to live adventures far removed from their ordinary lives—and the pulps rarely failed to deliver.
In that regard, pulp fiction stands in the tradition of all memorable literature. For as history has shown, good stories are much more than fancy prose. William Shakespeare, Charles Dickens, Jules Verne, Alexandre Dumas—many of the greatest literary figures wrote their fiction for the readers, not simply literary colleagues and academic admirers. And writers for pulp magazines were no exception. These publications reached an audience that dwarfed the circulations of today’s short story magazines. Issues of the pulps were scooped up and read by over thirty million avid readers each month.
Because pulp fiction writers were often paid no more than a cent a word, they had to become prolific or starve. They also had to write aggressively. As Richard Kyle, publisher and editor of Argosy, the first and most long-lived of the pulps, so pointedly explained: The pulp magazine writers, the best of them, worked for markets that did not write for critics or attempt to satisfy timid advertisers. Not having to answer to anyone other than their readers, they wrote about human beings on the edges of the unknown, in those new lands the future would explore. They wrote for what we would become, not for what we had already been.
Some of the more lasting names that graced the pulps include H. P. Lovecraft, Edgar Rice Burroughs, Robert E. Howard, Max Brand, Louis L’Amour, Elmore Leonard, Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, John D. MacDonald, Ray Bradbury, Isaac Asimov, Robert Heinlein—and, of course, L. Ron Hubbard.
In a word, he was among the most prolific and popular writers of the era. He was also the most enduring—hence this series—and certainly among the most legendary. It all began only months after he first tried his hand at fiction, with L. Ron Hubbard tales appearing in Thrilling Adventures, Argosy, Five-Novels Monthly, Detective Fiction Weekly, Top-Notch, Texas Ranger, War Birds, Western Stories, even Romantic Range. He could write on any subject, in any genre, from jungle explorers to deep-sea divers, from G-men and gangsters, cowboys and flying aces to mountain climbers, hard-boiled detectives and spies. But he really began to shine when he turned his talent to science fiction and fantasy of which he authored nearly fifty novels or novelettes to forever change the shape of those genres.
Following in the tradition of such famed authors as Herman Melville, Mark Twain, Jack London and Ernest Hemingway, Ron Hubbard actually lived adventures that his own characters would have admired—as an ethnologist among primitive tribes, as prospector and engineer in hostile climes, as a captain of vessels on four oceans. He even wrote a series of articles for Argosy, called Hell Job,
in which he lived and told of the most dangerous professions a man could put his hand to.
Finally, and just for good measure, he was also an accomplished photographer, artist, filmmaker, musician and educator. But he was first and foremost a writer, and that’s the L. Ron Hubbard we come to know through the pages of this volume.
This library of Stories from the Golden Age presents the best of L. Ron Hubbard’s fiction from the heyday of storytelling, the Golden Age of the pulp magazines. In these eighty volumes, readers are treated to a full banquet of 153 stories, a kaleidoscope of tales representing every imaginable genre: science fiction, fantasy, western, mystery, thriller, horror, even romance—action of all kinds and in all places.
Because the pulps themselves were printed on such inexpensive paper with high acid content, issues were not meant to endure. As the years go by, the original issues of every pulp from Argosy through Zeppelin Stories continue crumbling into brittle, brown dust. This library preserves the L. Ron Hubbard tales from that era, presented with a distinctive look that brings back the nostalgic flavor of those times.
L. Ron Hubbard’s Stories from the Golden Age has something for every taste, every reader. These tales will return you to a time when fiction was good clean entertainment and the most fun a kid could have on a rainy afternoon or the best thing an adult could enjoy after a long day at work.
Pick up a volume, and remember what reading is supposed to be all about. Remember curling up with a great story.
—Kevin J. Anderson
KEVIN J. ANDERSON is the author of more than ninety critically acclaimed works of speculative fiction, including The Saga of Seven Suns, the continuation of the Dune Chronicles with Brian Herbert, and his New York Times bestselling novelization of L. Ron Hubbard’s Ai! Pedrito!
The No-Gun Man
CHAPTER ONE
Blood Feud
THE stage whirled across the dusty plain, leaving towers of yellow dust hanging from the intense sky. Flattened into a straight line by speed, the six horses tore through gullies and over knolls, past red pinnacles and around gray boulders. Across sagebrush flats and alkali sinks they raced, urged on by the curling, talking whip of the driver who seemed, with each pop of it, personally to throw the stage forward