Sean O'Casey, Writer at Work: The Definitive Biography of the Last Great Writer of the Irish Literary Revival
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Christopher Murray’s definitive study of Seán O’Casey, the last great writer of the Irish literary revival, provides a strong interpretative context for his life.
Murray looks afresh at the Dublin of the 1880s and 1890s in order to provide an authoritative background to O’Casey’s childhood. He pays particular attention to the political situation from 1880 to 1922, setting it against O’Casey’s own treatment in his autobiographies in an attempt to establish ‘O’Casey’s Ireland’.
But O’Casey was an international as well as a national figure: half his life was spent away from Ireland and his annual income came mainly from the USA. Murray considers O’Casey’s career up to the controversial premiere of The Plough and the Stars in 1926 in the light of W.B. Yeats and Lady Gregory and their dream of a national theatre. Thereafter he interprets it in a much wider, equally contentious, international context, chronicling his subsequent projects, which included The Silver Tassie and his Marxist play The Star Turns Red.
Murray establishes O’Casey as a self-made man of letters, an irrepressible fighter, a man who combined political courage and innocence, an individual torn between a humanist vision of life rooted in his Dublin childhood and a utopian but blinkered loyalty to the Soviet Union. Murray contends that while much of O’Casey’s work was uneven, flawed and overambitious, at its best it was infused with a passion and generosity that place it among the best bodies of drama in the twentieth century.
Rich in original material, Murray’s biography reconstructs a life committed to the act of writing as a moral endeavour. There was something profoundly religious in O’Casey’s psyche, which was at war with the communism he embraced, just as there was something profoundly romantic in a sensibility that retained the image of his first love throughout his years in exile. He was a man of many contradictions, a complex, combative public figure and yet a warm and intimate family man.
If Seán O’Casey’s life was in the end a failure, it was a noble one which reveals that, to quote a Jacobean playwright he admired, ‘Integrity of life is fame’s best friend’. That integrity shines through in this biography more brightly and engagingly than ever before.
- Preconception(s)
- Beginnings
- Seeing Things
- ‘Give Me That Old Style Religion!’
- ‘To Make Eternal Silence Speak’
- Under Which Flag?
- Love Among the Ruins
- Going Through the Mill
- Telling It Like It Is
- ‘I Banish You!’
- London Lights and The Silver Tassie
- Trapped Inside the Gates?
- ‘Beside the Golden Door’
- O’Casey’s Good War
- Oak Leaves and Lavender
- Cock-a-Doodle Dandy
- The Road to Torquay
- The Writer’s Not for Burning
- A Death in the Family
- The Drums of Archbishop McQuaid
- Something of a Renaissance
- Talking to God
PART 1 First Things
PART 2 The Dublin Plays
PART 3 London – New York – London
PART 4 Toughing It Out In Devon
PART 5 Last Things
Afterlife
Christopher Murray
Professor Christopher Murray is professor of Comics Studies and English Literature in the School of Humanities, University of Dundee, UK. He coordinates the master’s in comics and graphic novels and is director of the Scottish Centre for Comics Studies and Dundee Comics Creative Space. He researches British comics, and has published on authors such as Grant Morrison and Alan Moore. His most recent monograph The British Superhero (2017) is available from the University Press of Mississippi. He also creates comics based on his research and has led several projects to produce educational and public information comics. Contact: School of Humanities, University of Dundee, Tower Building, Dundee, DD1 4HN, UK.
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