Conversations with Percival Everett
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Interviews collected in this volume—several of which appear in print or in English translation for the first time—display Everett's abundant wit as well as the independence of thought that has led to his work being described as “characteristically uncharacteristic.” At one moment he speaks with great sophistication about the fact that African American authors are forced to overcome constraining expectations about their subject matter that white writers are not. And in the next he talks about training mules or quips about “Jim Crow,” a pet bird Everett had on his ranch outside Los Angeles. Everett discusses race and gender, his ecological interests, the real and mythic American West, the eclectic nature of his work, the craft of writing, language and linguistic theory, and much more.
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- Rating: 5 out of 5 stars5/5Good read into the insight of a private average joe author.
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Conversations with Percival Everett - Joe Weixlmann
On Writing: Visiting Author Brings a Love of Craft to Classroom
Fred Kirsch / 1994
From The Virginian-Pilot (Norfolk, VA), 26 February 1994, B1. Copyright © 2012. The Virginian-Pilot. Reprinted with permission.
They’d been reading his short stories and novels for weeks, but they didn’t quite know what to expect when Percival Everett came to Virginia Wesleyan College.
They thought he’d be, well, older. And serious. His writing was so spare and lean and to the point.
And probably a white guy. They were white, those doctors and hunters and guys hanging around Carlton’s garage and that huge three-hundred-pound woman he wrote about, weren’t they?
But when Everett arrived on campus to spend two weeks as a Lila Wallace–Reader’s Digest writing fellow, students discovered you can’t judge a book by its cover. Or a writer by his subjects.
Everett turned out to be a thirty-seven-year-old black man who not only, according to one student, is an awesome writer
but also a guy who talked their language. A guy who knew all about staring at blank computer screens.
To be able to actually sit down and talk to an author you’ve been reading is just an incredible opportunity,
said Melody Budzina, a sophomore who sat in on one of the many classes Everett spoke to.
You get so much more out of something like this. Even though we’re students, he said a lot of things we could identify with.
He should have.
Everett wasn’t much older than the two dozen students sitting in front of him on a recent morning in an English 112 class when he wrote his first novel, Suder, about a baseball player who falls into a horrendous slump that brings on a constellation of off-field problems.
It was published when he was twenty-four. Now he’s at work on his sixth and seventh novels, writing short stories in between.
Writing is more than putting words on paper. It’s a way of life,
Everett says.
Everett will return to Virginia Wesleyan in the fall as part of the national Writing Fellows Program, whose purpose is to stimulate greater appreciation for the written word on campuses.
Virginia Wesleyan is one of eighteen colleges selected this year (there will be sixty over the next four years) for the program, which is administered by the Woodrow Wilson National Fellowship Foundation and is the largest of its kind in the country.
If you have to write and you don’t, you’re going to be miserable,
he tells the students. You’ve got to write. That’s the way it was for me. If it’s in you, let it out. But keep the day job.
By day, Everett, a lean, immaculate man, is a professor of creative writing at the University of California–Riverside. But by night and at heart, he’s a writer. A writer’s writer.
You have to love the craft first
is one of the messages he brought to a class of students the other day. "The work is more important than you. And if it’s good it will last a lot longer. It has the potential to endure. You