Of Covenants
By C. Kubasta
3.5/5
()
About this ebook
The earnest voice misspeaks, as does the speaker of these poems—often. All things made of language "are interactive objects discolored by the touch of people's hands." Of Covenants considers the ways we name and structure experience, creating contracts through our legal, religious, and linguistic systems until we are caught in a web of shifting signification, a system in which we "submit to consensus" but "did not participate in the building of this consensus."
C. Kubasta
Originally from Wautoma, a small town in central Wisconsin, C. Kubasta graduated from Wells College, when it was still a women's college, and the University of Notre Dame with an MFA in Creative Writing. She is the author of several chapbooks, the poetry collection All Beautiful & Useless, and the novella Girling. She lives, teaches, and writes in Wisconsin where she is often inspired by the rural, the bodies we inhabit, the subtexts of relationships & our selves.
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Reviews for Of Covenants
15 ratings5 reviews
- Rating: 4 out of 5 stars4/5I liked it and I think it neat how it was formatted on the page. I thought her poems were interesting. If she comes out with another collection I will probably check it out.
- Rating: 5 out of 5 stars5/5Kubasta has written a dense, sometimes inaccessible little volume of "poetry," flipping our definition of the phrase "free-form verse" on its head. Like music, Kubasta samples phrases or ideas from other sources, but still makes the words her own, or at least the thought and messages she is trying to convey. Legal and scientific jargon mix with emotional outpouring, as if the two hemispheres of her brain were fighting for the page.Page placement is another interesting aspect of the book. I don't think the words and their location are happenstance, I would love to hear the thought process about filling some pages with paragraphs, while others feature a cube of letters or a small verse."Of Covenants" is unorthodox and deep, but never dry or boring. Reading it feels like stumbling upon the secret diary or journal of a stranger, accidentally getting into the writer's head, and seeing mutual feelings and confessions that the reader could have come up with. Very impressive.
- Rating: 4 out of 5 stars4/5Kubasta fills Of Covenants with pithy statements about actions in the world, mixed with comments about speech, language, and natural law. This is ambitious stuff and it is beyond me to completely understand the whole or follow its structure even though I admire many parts.Like much contemporary poetry, the references are many and varied and often private and unaccessible. The four appendices may be helpful, or they may be poems themselves; I can only guess.But this work keeps me reading. I blame myself, not the poet, for my failures to understand. Everywhere I find crystal statements, as in "This Fall and Its Signifiers," where I find: "In the night, her feet shed their socks./...She stays awake to enjoy her pink-winter-skin."
- Rating: 3 out of 5 stars3/5It is hard to review poetry like Kubasta wrote. One day I read a poem and love it. The next day I don't. This is the power of the authors work. It feels forced often and fluid at other times. It is a work of art that begs to be looked at.
- Rating: 4 out of 5 stars4/5I found much of this difficult to understand and relate to (probably a fault of youthful inexperience), but there were definitely some segments that were powerful and made me think about topics in new ways. I was particularly struck by Kubasta's treatment of salt and sand and their uses, strengths, and weaknesses, although my favorite was probably The Covenant of User Agreements. I generally prefer metered poetry, but there were parts of Of Covenants that I was able to appreciate and enjoy.
Book preview
Of Covenants - C. Kubasta
Praise for Of Covenants
C. Kubasta, please don’t take offense as we make reference to, ahem, country music in reviewing your fantastic new collection, Of Covenants. The plainspoken, country-road cadence and homespun themes lean to AM, not FM, and yet the words, sounds, and rhythms are high-beam, A-team poetry.
—Matt Sutherland, Foreword Reviews
That Kubasta’s poems break the contracts they make—stealing instead of citing source material, for instance—is, as Eliot might quip, pure genius! Tradition, move over and make room for a brilliant new talent.
—Cynthia Hogue, author of Revenance
The poems are experienced; they are in fact assemblages of experience; of autobiography, of research, of citation—or the effacement of such accounting, and thereby reminds us that every memory is also a system of forgetting. Every confession a potential excuse.
—Jeffrey Pethybridge, author of Striven, The Bright Treatise
***
Of Covenants
poems
C. Kubasta
Whitepoint Press
San Pedro, California
***
Copyright © 2017 by C. Kubasta
All rights reserved.
Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher:
editors@whitepointpress.com
Whitepoint Press First Edition 2017
Cover by Mollie Oblinger
ISBN - 978-1-944856-13-7
Published by Whitepoint Press
Distributed by Smashwords
***
For Dylan & Ethan, who helped their bookish aunt finish these poems—
***
CONTENTS
Interactive Objects
Language as Legislating Fabric
[Sand requires the interstitial]
Central Dogmas
Broken Sonnet: Being born a woman
Architecture
The Fire
Folly
Eco called Love A Devastating Unhappy Happiness
Marriage
Scattering [Remix]
Dreamscape: Such Wealth Brings
Lattice
The Map
The Poet & The Thylacine
Correspondences
Trafficking in Books
The Covenants
The Covenant of Irrigation
The Central Sands
The Covenant of Language
The Uses of Salt
The Covenant of Topiramate
The Covenant of the Pangolin
The (Mis)uses of Salt
The Covenant of Puncture Wounds
The Covenant of Mouths
The Covenant of Traffic Laws
Beneath Lies What
The Covenant of User Agreements
Antecedents
The Covenant of Pronouns
Autumn Song
The Mutable Us
No Lonely Tree; The Problem with Natural Imagery
Love is Mostly Obligation, Like Breathing
[It outlasts]
Autumn Song (II)
A Plenty of Fish Profile if You Were Rachel Harrison
Broken so Beloved
Scene One: Minneapolis, Minnesota, April, a Conference Room with Too-Patterned Carpeting
Scene Two: Aarhus, Denmark, December, before Lunch and the Afternoon Sessions
Scene Three: Any 7th Grade Language Arts Classroom, when the Blackboards are still Green
Them & Us & We
This Fall & Its Signifiers
A Mercy
Appendix A
Appendix B
Appendix C
Appendix D
Acknowledgments
About the Author
***
Interactive Objects
Both place-based and place-less, these are poems of great disloyalty. These are interactive objects discolored by the touch of people’s hands.
It is time to look at the concentric rings of once-whole wood. Here is the drought that starved us out. Here, the fire that barely killed us.
We contract the disease that killed him — remember which salad dressing to order, but not the man we cherished like a vow.
***
Language as Legislating Fabric
To sense the composite nature of frames of reference, think of their incidental aftermath, think