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The Strange Case of Dr. Jekyll and Mr. Hyde: Psychological Thriller
The Strange Case of Dr. Jekyll and Mr. Hyde: Psychological Thriller
The Strange Case of Dr. Jekyll and Mr. Hyde: Psychological Thriller
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The Strange Case of Dr. Jekyll and Mr. Hyde: Psychological Thriller

Rating: 3.5 out of 5 stars

3.5/5

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Strange Case of Dr. Jekyll and Mr. Hyde is the original title of a novella written by the Scottish author Robert Louis Stevenson that was first published in 1886. The work is commonly known today as Dr. Jekyll and Mr. Hyde or simply Jekyll & Hyde. It is about a London lawyer named Gabriel John Utterson, who investigates strange occurrences between his old friend, Dr. Henry Jekyll and the evil Edward Hyde. The work is commonly associated with the rare mental condition often called "split personality" where, within the same body, there exists more than one distinct personality.
Robert Louis Stevenson (1850–1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world.
LanguageEnglish
Release dateNov 15, 2017
ISBN9788027229772
The Strange Case of Dr. Jekyll and Mr. Hyde: Psychological Thriller
Author

Robert Louis Stevenson

Robert Louis Stevenson was born in Edinburgh in 1850, the only son of an engineer, Thomas Stevenson. Despite a lifetime of poor health, Stevenson was a keen traveller, and his first book An Inland Voyage (1878) recounted a canoe tour of France and Belgium. In 1880, he married an American divorcee, Fanny Osbourne, and there followed Stevenson's most productive period, in which he wrote, amongst other books, Treasure Island (1883), The Strange Case of Dr Jekyll and Mr Hyde, and Kidnapped (both 1886). In 1888, Stevenson left Britain in search of a more salubrious climate, settling in Samoa, where he died in 1894.

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Rating: 3.7363874412565448 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    A strange, deformed man haunts the streets, trampling over fallen children and seemingly wresting money from the good Dr. Jekyll to escape the consequences of his misdeeds. Jekyll has even gone so far as to make this mysterious Mr. Hyde the sole benefactor of his will, against all advice from Mr. Utterson, his lawyer. Utterson suspects blackmail, and he's determined not to rest until he's helped his dear friend and client escape with his life. For surely, he thinks, Hyde must be tempted to murder Jekyll in order to usurp him. Utterson doesn't know how right he is, though not at all in the way that he suspects.The Strange Case of Dr. Jekyll and Mr. Hyde is a classic horror novel, and one that has been referenced so often in modern culture that I knew its biggest secret going in. For me, the surprises and the appeal were in discovering the way in which the story was told. Much of the plot involves watching Mr. Utterson and others slowly uncovering the mystery, and, for me, this resulted in a very interesting dramatic irony. I knew exactly what the characters were missing, but I didn't know all the twists and turns of the plot, how the characters would react to them, or how the story would reach its end. For me, this was enough to maintain interest, and I think other readers would have a similar experience if they have only a surface-level knowledge of the plot.This is a short book, certainly a quick read, and I found it to be a good example of British literature of the nineteenth century. Characters’ physical descriptions are meant to signify aspects of their personalities, houses and the weather are likewise described with obvious symbolism, the omniscient narrator tells you what the characters are like, and the characters have over-the-top reactions whenever anything remotely horrifying happens. Because of this, combined with how easy it is to read, I think it would make a great introductory book for anyone looking to get into British classics from the same time period without immediately jumping in the deep end.I also found it interesting as a window into the past, seeing how people lived and spoke and how they told their stories. I would recommend it if you have a similar interest, or if, somehow, you actually don't know the secret behind this particular mystery. If that's the case, I recommend you go out and read it right now. You're sure to have an experience worth talking about.
  • Rating: 3 out of 5 stars
    3/5
    I read this using my Serial reader app and I was really happy with it!

    I knew it was a classic, and, much like classics, it was a book that I'd always meant to read, or intended to read but never actually read.

    I loved the atmosphere that Stevenson created. His somehow empty, foggy, cacophonous London was brought to life. I didn't find the language too hard or difficult to follow at all, which surprised me. I liked the tension for the majority of the novel -- Stevenson crafted tension through letters, confessionals and those late-night walks around London where all sorts of horrors happen.

    I didn't care too much for the characters, but I definitely admired the author's writing, his language and how accessible the book is after all this time.

    Even though I knew the ending, I still found it readable and hope you do too. c:
  • Rating: 4 out of 5 stars
    4/5
    I last read this book for a university assignment and visited it again for a Library Thing reading challenge. On this reading, I did not enjoy the style and structure nearly as much as previously. But I come away considering the imprint this work has had on our society. I am struck by its origins in a dream and its historical position as a precursor to Sigmund Freud's conceptualization of unconscious, socially unacceptable urges as drives of the id. And I consider Stevenson's warning as, in this century, we embrace an ever-increasing pace of scientific and technological advancement:But the temptation of a discovery so singular and profound at last overcame the suggestions of alarm.I will maintain my previous rating of 8 out of 10 stars, not for reading pleasure or literary structure, but as acknowledgment of its continuing legacy and provocative portrait of man's duality.
  • Rating: 4 out of 5 stars
    4/5
    A classic later surpassed by many but at the time, very original and quite good.
  • Rating: 3 out of 5 stars
    3/5
    Bet this was a blitz before everyone and their kid knew the secret twist. A fine gothic novella, proceeding on railroad towards the ending you already knew was coming.
  • Rating: 5 out of 5 stars
    5/5
    It's not called a classic without good reason. It's an almost perfectly plotted short novel, all the parts complementing each other, all serving to build tension and anticipation. The good doctor is suitably tragic, Hyde is suitably degenerate and, despite having seen the multitude of adaptations over the years, it still feels remarkably fresh and modern. All of Stevenson's stylistic flourishes are on show, as well as his rarely bettered storytelling ability. I'd give it six stars if I could.
  • Rating: 3 out of 5 stars
    3/5
    “... that man is not truly one, but truly two.”The idea that we all have a dark side? Well, certainly the main character of this story does! Dr. Henry Jekyll meets/creates/releases Edward Hyde, “The evil side of my nature,...”, and is not the same for it! It's a quick read, well except for the last chapter that draaaaags on, and an important story in the history of "horror" literature, so I'm glad I read it! Not scary by today's standards, but still a freaky idea and one that has been repeated often! I wonder which of my two halves would be the dominant one? Or do I have more than two? Hmm...
  • Rating: 5 out of 5 stars
    5/5
    This is a re-read of this classic 19th century novella which has been the inspiration behind so many spin-offs since. It is a taut and atmospheric piece of writing, and the conclusion that Jekyll and Hyde are one and the same, two sides of the same being, only becomes evident near the end - it is hard for us to understand how this would have shocked and thrilled the reader in 1886, so familiar has the Jekyll and Hyde motif become.
  • Rating: 4 out of 5 stars
    4/5
    interesting... not what I remember from 15 yrs ago. that's what happens with memory and Hollywood influence.
  • Rating: 4 out of 5 stars
    4/5
    Small but incredibly effective. Like, I know Jekyll and Hyde are the same person. Everyone knows that. I still felt actually horrified at the reveal of that fact, because Stevenson did such a good job drawing the main characters and the people surrounding them. Like The Picture of Dorian Gray, (Wilde was an admirer of the book), it explores inner and outer natures by dividing them, showing what people might do if it would never be found out and never physically affect them, and it's all the more compelling because their flaws start out so small and relatable. Jekyll didn't suffer from a deep dark secret at first, he just didn't want anyone to know about his small flaws. Excellent for the Halloween season, and especially good read in company with Dorian Gray, because both are so complete, so layered, and so subtle where it counts.
  • Rating: 3 out of 5 stars
    3/5
    I was expecting more. Why? Because everyone knows the tale, I just assumed the writing would be better.
  • Rating: 4 out of 5 stars
    4/5
    This is one of those classic stories it would be almost impossible to not be aware of on some level. The basic concept of the book is deeply ingrained in pop culture, but a lot of people probably haven't read the origin of what has become a legend of sorts.Reading the classics isn't always easy; the writing style being of a previous era. But it gives a new and interesting perspective to read the original texts that have spawned so many echoes through to the modern day.This book is a good place to start if you're wanting to start dipping into the classics. The older style might take some getting used to, but it's short. It would be easy enough to read the whole thing in a single quiet afternoon, but if read in smaller doses, still wouldn't take a terribly long time to get through.As with other classic works I've read, such as Frankenstein, the nuances and details were not quite what I expected. It has a much deeper reflection on human nature, for one.This is well worth reading, if only to see how the tale was originally portrayed.
  • Rating: 3 out of 5 stars
    3/5
    I love the story. However, since nearly 98% of the population is familiar with this story, it is kind of a drag to read this since you know how everything unfolds. I also didn't find the way in which the story was told very captivating. It is such a thin book, and I had a terrible time getting through it. I actually skipped parts in this book because they were so dreadfully boring.
  • Rating: 4 out of 5 stars
    4/5
    might be the best crafted short story I've ever read
  • Rating: 3 out of 5 stars
    3/5
    I honestly don't remember if I ever read Dr. Jekyll and Mr. Hyde when I was younger. Of course, I knew the tale (in passing), though what I "knew" was always tinted through the lens of pop culture references to the character. Stevenson's tale, and his description of Mr. Hyde, is very different from many of the more "monstrous" characterizations of the character, and honestly I think that these retellings do an injustice to Stevenson's work. Hyde is a monster for sure, an purely evil man, but having him be a shriveled, gnarled man who can illicit fear and revulsion by his mere presence, but who can speak as a gentleman is a much more compelling take than as a rampaging hulk. (I'm glaring at you, The League of Extraordinary Gentlemen.) I picked up this copy through my library to listen on my daily commute. The story was very good, and is befitting its place as a classic of story-telling. Robert Louis Stevenson does a great job of setting the scenes and letting the reader explore the strange case of Dr. Jekyll and his alter ego. The method that Stevenson uses is one that probably wouldn't work in today's market - with most of the story told through the exposition of letters and confessions that are read, as opposed to the readers experiencing the shock of "seeing" the strange transformation from Utterson's perspective. My enjoyment of this particular telling of the story was a bit diminished by the pronunciation of the title's namesake - Dr. Henry Jekyll. I am an American, and I have always heard the name pronounced as "Jeh-kill". The narrator, the amazingly talented Sir Ian Holm, pronounced it as "Jee-kil" - a long "E" sound, rather than the soft "E" I am familiar with. Everything else about Holm's reading was wonderful, and I really enjoyed it, but every time he said Dr. Jekyll's name I would go "who? oh, he means the main character". Overall I liked the book and I am glad that I have read it. If you have never read the original story, and like me are only aware of the tale through second and third-hand pop culture references, then I highly recommend you pick it up.
  • Rating: 4 out of 5 stars
    4/5
    Like most folks, I knew the broad outline of this story, but hadn't actually read it. I'm very glad I did. It's both simpler, and more complex, than a tale of one man split between his higher and his baser selves.

    The telling is a combination of memior, and epistilary. Dr. Jeckyll's solicitor tells the story, including reading out some documents, including Dr. Jeckyll's final confession. Through the narrative, we meet a group of wholely believeable characters, through a beautifully structured tale. The writing is lovely and engaging. And the more I think about the plot, the more impressed I become. Generally, I can find a hole or two, but I don't mind in a well-told tale, or a story about really good characters. In this case, I can't find any. Nothing happens purely out of narrative imperative. Even at the end, it makes perfect sense that Edward Hyde not only wants, but needs to return to being Dr. Jeckyll, for all that he hates him.

    This is a wonderful example of Sciene Fiction, and hard s/f at that. It is a chemical compound that allows him to seperate himself into two identities. The author very neatly keeps the experiment from being duplicated - the effect was caused by an unkown impurity in an indgredient. Dr. Jeckyll himself tries desperately to recreate the compound, but cannot. I simple makes sense that no one else is able to, either.

    The story says volumes about the morals and philosopy of morals of the time. Dr. Jeckyll is trying to divorce himself from what he considers his baser urges. Those urges become a seperate identity, which takes on an outer shape reflecting his inner nature. It's taken for granted that morality or lack thereof would be obvious on someone's face.

    Dr. Jeckyll may have been, originally, trying to put aside his baser urges. His chemical compound, however, gave him a way to indulge those urges, without consequence to himself. If Edward Hyde indulged in reprehensible acts, no one would think it had anything to do with Dr. Jeckyll. Even those who knew there was a connection, assumed that Hyde was blackmailing Jeckyll.

    I find myself comparing this to the Orginal Series Star Trek Episode, "The Enemy Within". (Yes, everything in the world is connected to Star Trek. Hush.) In this episode, a transporter accident splits Captain Kirk into two men. They're physically identical, but one has all of Kirk's higher, gentler aspects, and the other has all of his baser, more violent aspects. The acting (Yes, there was so acting. Didn't I tell you to hush?) was the only difference between the two Kirks. And, unlike the good Dr. Jeckyll, Kirk found his salvation not in repression, but in integration. To be his best self, he needed both his angel and his devil.

    Dr. Jeckyll, however, found that give way to his darker side gave that side power. To him and his contemporaries, Kirk's solution was unthinkable. The baser part of man was a thing to be fought, suppressed, ideally to be killed entirely. Dr. Jeckyll and Mr. Hyde is a dramatic lesson in the dangers of giving way to your baser urges. At the end, it was just thinking like Hyde that brought on the transformation; that part of him had become that strong.

    I don't, personally, subscribe to that philosophy. But you don't have to agree with the underlying philosophy to be moved by the tale. Dr. Jeckyll let something dangerous into his life. Once he realized just how dangerous, he stopped using the compound, and put Hyde out of his mind entirely. But he gave into temptation. You could imagine him thinking, "It'll be okay just this one time." Who hasn't thought that? But that one more time was his undoing.
  • Rating: 5 out of 5 stars
    5/5
    Great story. Should have been a bit longer. But all things considered I can really respect the writer for keeping it short. In many cases writers from this period tend to go on and on. If Stoker would have penned this it would have never ended and rolled over into the realm of politics. The story was very effective in showing the division between the personalities. This was a relief from Prince Otto which I read in the same day.
  • Rating: 5 out of 5 stars
    5/5
    I had read this book many years back, and read it again. It is indeed one of the more fascinating books that I have read. It's been a while since I read some of the old classics ( I started with Bertie Wooster!), and it took one or two pages before I got back into the swing of it allThe concept is incredible, and does indeed hark to the present when we are trying all sorts of brain and other experiments. It does teach us the dangers of meddling too much with biology, and playing God. Beautiful book, Needs to be widely read again
  • Rating: 4 out of 5 stars
    4/5
    Another classic that I surprisingly enjoyed. This story is well known to anyone who has followed anything to do with pop-culture, but as is often the case, the original was not all that similar to the many different adaptations. The story is basically about Dr. Jeckyll and his journey into becoming two people. Mr. Hyde is obviously his evil side, and the story simply goes through how it came to be and the torments of the Dr. in dealing with the transition. A good story that looks into the human mind and its through process. It does not evolve into any comic book type of story and Mr. Hyde is not a tragic character.

    This was a super-quick read and I would recommend it to any fans of literature.
  • Rating: 4 out of 5 stars
    4/5
    It would have been a treat to read Robert Louis Stevenson's classic horror tale Strange Case of Dr. Jekyll and Mr. Hyde without the foreknowledge of the now familiar story or having seeen its multiple film adaptations. A well deserved sensation when first published, it remains a sturdy tale of terror, psychological conflict, and the frightening duality of human nature. Stevenson artfully lays out clues for the reader to guess the identity of Mr. Hyde, and the final chapter, recasting the events from Dr. Jekyll's viewpoint, provides a chilling conclusion.
  • Rating: 5 out of 5 stars
    5/5
    This book would have shocked me more if only I didn't know what the real mystery was. But Stevenson's novella (I actually think it's more like a short story) is such a masterpiece that it's inevitably being referred to a lot of times. In my case I first heard of it through Van Helsing, and I was really fascinated by the thought of having dual identities. I even went so far as to name my two sim cards (my phone's dual-sim) after Dr Jekyll and Mr Hyde. #deadserious

    So now, at least I know what the story behind the two famous characters really is. It sounded more like a mandatory thing to me, reading this book. (Though I hoped it wasn't! If only I read this before getting wind of the cultural references) :)
  • Rating: 5 out of 5 stars
    5/5
    Elegantly told and suspenseful, this classic story certainly stands the test of time. I read the Keynotes Classics edition. I especially appreciated the introductory key written by Michelle M. White. She provides interesting information about the author and offers valuable suggestions about what to look for in the story. As a result, I believe I got much more from this reading than I did when I first read it. Highly recommended.
  • Rating: 3 out of 5 stars
    3/5
    One of those 'classics' on everyones to be read lists.
    It's alright.
  • Rating: 3 out of 5 stars
    3/5
    Behold: the regal and mystery that is The Strange Case of Dr. Jekyll & Mr. Hyde, if only I found it regaling and mysterious. A notable classic whose references still hold widely popular, the mystery has been stripped away—even for someone such as myself, who has never watched a film adaption. I am, however, familiar with the story and duality Jekyll and Hyde represent. Although far from a purely angelic being, Jekyll is neither good nor bad. What Dr. Jekyll equates to is an ambitious scientist who incidentally unleashes an evil from within himself. Now released, to be contained and muted beneath Jekyll’s morals and persona doesn’t appeal to the conscienceless Mr. Hyde. Confined in one body, a great struggle for dominance between two entities ensues, and what Jekyll might’ve hoped would be his success threatens his very life and reputation.

    My devil had long been caged, he came out roaring.

    This much I knew, as should everyone else. The puzzle piece is continually exploited and its references bomb pop culture. The mystery, then, is no longer a mystery. The shock value is nulled, but I didn’t read The Strange Case of Dr. Jekyll & Mr. Hyde to hitch a ride on supposed thrill. Of course I liked the idea of knocking out another classic from my to-read list, but I also sought horror and hoped to be a first-hand witness to Jekyll’s torment. What I read, unfortunately, does not match up to what I had hoped to read. Where is the fright? The anguish in Jekyll’s eyes? Hyde’s fear and pursuit for control?

    I found that it’s impossible to observe any of this because Stevenson denies his readers access. Some may disagree with my statement, but we—the readers—find ourselves strapped to Mr. Utterson’s side, hearing the story mostly through his account. (And in past tense no less.) Trapped in an outsider’s perspective, I, too—like Mr. Utterson—become a third party to the events of Jekyll and Hyde. I cannot observe the one most intriguing aspect, and everything I looked forward to reading about was crushed by Robert Louis Stevenson. Or, depending on how you look at it, Hollywood excelled in raising the standards of my expectations.

    Mr. Hyde, as it turns out, is not the monster I expected. Stevenson only provides rare glimpses of the man, which does nothing to indulge my fantasy of an incorrigible evil that stalks nighttime streets. More importantly: rather than the individual of Jekyll or Hyde, what gives this novella power is the interrelationship between the two forces. Hyde begins as a dormant entity that emerges as a ruthless tyrant, growing to completely replace Dr. Jekyll. I am left in a disappointed state, because I believe the split individual(s)—the doctor and his freed cruelty—deserves spotlight. Had Stevenson wrote The Strange Case of Dr. Jekyll & Mr. Hyde differently, the duality of human nature could have been more deeply explored.

    This is not to say I don’t enjoy or appreciate the theme. I did, in fact, take pleasure in reading this despite frustrations. The idea that people contain an alter ego, or two opposite forces, skulking beneath the public display of themselves is an interesting thought to tamper with. Although I had obvious disappointment—almost an anticlimactic experience—this literary work is long-standing and continues to see success. It remains a classic, and I feel that its references in popular culture will outlive many of us, which I think is enough reason to read The Strange Case of Dr. Jekyll & Mr. Hyde at least once. I certainly don’t regret the short little while it took me to finish Stevenson’s story, and I’m quite glad I set aside the time.

    This, as I take it, was because all human beings, as we meet them, are commingled out of good and evil: and Edward Hyde, alone in the ranks of mankind, was pure evil.

    This review and more can be read at Midnight Coffee Monster.
  • Rating: 3 out of 5 stars
    3/5
    I am watching the new season of Penny Dreadful and they are featuring Dr. Jekyll this year. I realized I have never read this book, so I decided to pick it up in preparation for the show.

    The writing feels very dense, and the pacing is slow. The reader slowly gets a feeling of dread, rather than outright scares. This is common with many of the horror stories of the period that I have read.

    The story is interesting, with much musing on the nature of good and evil. It was a bit slower paced than I like, but this is a short book and easy to read in a day.
  • Rating: 4 out of 5 stars
    4/5
    Along with FRANKENSTEIN and DRACULA, this short novel makes up the holy triumvirate of early horror. It asks the question: What is the nature of man's soul? The answer is that we all have a dark side, a side without a conscience, that lives only for its own pleasure without regard for anyone else. This is the Mr. Hyde that emerges when Jekyll drinks his magic potion, and he repulses everyone he meets. As Jekyll discovers, if we give free reign to the Hyde imprisoned within us, he grows stronger and asserts himself more and more, until he threatens to take over entirely. Despite being afflicted by the usual Victorian floridness of language (some skimming required), DR. JEKYLL AND MR. HYDE is a highly readable, if rather circuitous, story. I would recommend it to anyone interested in the evolution of the horror genre.
  • Rating: 3 out of 5 stars
    3/5
    RLS's long short story (or short novella) telling the tale of the good doctor and his evil alter ego. There are shades of early sci-fi here, with the drug made up of "volatile salts" that allow Jeckyll to switch personas. Supposedly inspired by the case of an 18th century Edinburgh society figure who dabbled in organised burglary in the evenings, the title has become the accepted phrase for the duality of human nature. Read November 2011.
  • Rating: 3 out of 5 stars
    3/5
    two and a half stars--the plot was great, and it is such an original idea that is so often warped today, but the writing style overall had trouble captivating me.
  • Rating: 3 out of 5 stars
    3/5
    a fun read, best read at halloween time
  • Rating: 5 out of 5 stars
    5/5
    A heck of a lot more philosophical than the Bugs Bunny rendition with which I was familiar.

Book preview

The Strange Case of Dr. Jekyll and Mr. Hyde - Robert Louis Stevenson

Story of the Door

Table of Contents

Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theater, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. I incline to Cain’s heresy, he used to say quaintly: I let my brother go to the devil in his own way. In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of downgoing men. And to such as these, so long as they came about his chambers, he never marked a shade of change in his demeanour.

No doubt the feat was easy to Mr. Utterson; for he was undemonstrative at the best, and even his friendship seemed to be founded in a similar catholicity of good-nature. It is the mark of a modest man to accept his friendly circle ready-made from the hands of opportunity; and that was the lawyer’s way. His friends were those of his own blood or those whom he had known the longest; his affections, like ivy, were the growth of time, they implied no aptness in the object. Hence, no doubt the bond that united him to Mr. Richard Enfield, his distant kinsman, the well-known man about town. It was a nut to crack for many, what these two could see in each other, or what subject they could find in common. It was reported by those who encountered them in their Sunday walks, that they said nothing, looked singularly dull and would hail with obvious relief the appearance of a friend. For all that, the two men put the greatest store by these excursions, counted them the chief jewel of each week, and not only set aside occasions of pleasure, but even resisted the calls of business, that they might enjoy them uninterrupted.

It chanced on one of these rambles that their way led them down a bystreet in a busy quarter of London. The street was small and what is called quiet, but it drove a thriving trade on the weekdays. The inhabitants were all doing well, it seemed and all emulously hoping to do better still, and laying out the surplus of their grains in coquetry; so that the shop fronts stood along that thoroughfare with an air of invitation, like rows of smiling saleswomen. Even on Sunday, when it veiled its more florid charms and lay comparatively empty of passage, the street shone out in contrast to its dingy neighbourhood, like a fire in a forest; and with its freshly painted shutters, well-polished brasses, and general cleanliness and gaiety of note, instantly caught and pleased the eye of the passenger.

Two doors from one corner, on the left hand going east the line was broken by the entry of a court; and just at that point a certain sinister block of building thrust forward its gable on the street. It was two storeys high; showed no window, nothing but a door on the lower storey and a blind forehead of discoloured wall on the upper; and bore in every feature, the marks of prolonged and sordid negligence. The door, which was equipped with neither bell nor knocker, was blistered and distained. Tramps slouched into the recess and struck matches on the panels; children kept shop upon the steps; the schoolboy had tried his knife on the mouldings; and for close on a generation, no one had appeared to drive away these random visitors or to repair their ravages.

Mr. Enfield and the lawyer were on the other side of the bystreet; but when they came abreast of the entry, the former lifted up his cane and pointed.

Did you ever remark that door? he asked; and when his companion had replied in the affirmative. It is connected in my mind, added he, with a very odd story.

Indeed? said Mr. Utterson, with a slight change of voice, and what was that?

Well, it was this way, returned Mr. Enfield: "I was coming home from some place at the end of the world, about three o’clock of a black winter morning, and my way lay through a part of town where there was literally nothing to be seen but lamps. Street after street and all the folks asleep — street after street, all lighted up as if for a procession and all as empty as a church — till at last I got into that state of mind when a man listens and listens and begins to long for the sight of a policeman. All at once, I saw two figures: one a little man who was stumping along eastward at a good walk, and the other a girl of maybe eight or ten who was running as hard as she was able down a cross street. Well, sir, the two ran into one another naturally enough at the corner; and then came the horrible part of the thing; for the man trampled calmly over the child’s body and left her screaming on the ground. It sounds nothing to hear, but it was hellish to see. It wasn’t like a man; it was like some damned Juggernaut. I gave a few halloa, took to my heels, collared my gentleman, and brought him back to where there was already quite a group about the screaming child. He was perfectly cool and made no resistance, but gave me one look, so ugly that it brought out the sweat on me like running. The people who had turned out were the girl’s own family; and pretty soon, the doctor, for whom she had been sent put in his appearance. Well, the child was not much the worse, more frightened, according to the Sawbones; and there you might have supposed would be an end to it. But there was one curious circumstance. I had taken a loathing to my gentleman at first sight. So had the child’s family, which was only natural. But the doctor’s case was what struck me. He was the usual cut and dry apothecary, of no particular age and colour, with a strong Edinburgh accent and about as emotional as a bagpipe. Well, sir, he was like the rest of us; every time he looked at my prisoner, I saw that Sawbones turn sick and white with desire to kill him. I knew what was in his mind, just as he knew what was in mine; and killing being out of the question, we did the next best. We told the man we could and would make such a scandal out of this as should make his name stink from one end of London to the other. If he had any friends or any credit, we undertook that he should lose them. And all the time, as we were pitching it in red hot, we were keeping the women off him as best we could for they were as wild as harpies. I never saw a circle of such hateful faces; and

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