Some Say the Lark
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About this ebook
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imaginationthe familiar world rendered strange." Natasha Trethewey
Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history.
From "The Winter's Wife":
I want wild roots to prosper
an invention of blooms, each unknown
to every wise gardener. If I could be
a color. If I could be a question
of tender regard. I know crabgrass
and thistle. I know one algorithm:
it has nothing to do with repetition
or rhythm. It is the route from number
to number (less to more, more
to less), a map drawn by proof
not faith. Unlike twilight, I do not
conclude with darkness. I conclude.
Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
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Book preview
Some Say the Lark - Jennifer Chang
1
A HORSE NAMED NEVER
At the stables, each stall was labeled with a name.
Biscuit stood aloof—I faced always, invariably, his clockwork tail.
Crab knew the salt lick too well.
Trapezoid mastered stillness: a midnight mare, she was sternest and
tallest, her chest stretched against the edges of her stall.
I was not afraid of Never, the chestnut gelding, so rode his iron
haunches as far as Panther Gap.
Never and I lived in Virginia then.
We could neither flee nor be kept.
Seldom did I reach the little mountain without him, the easy crests
making valleys of indifferent grasses.
What was that low sound I heard, alone with Never?
A lone horse, a lodestar, a habit of fear.
We think of a horse less as the history of one man and his sorrows than as the
history of a whole evil time.
I fed him odd lettuce, abundant bitterness.
Who wore the bit and harness, who was the ready steed.
Or: I think there be six Nevers in the field.
He took the carrot, words by my own reckoning, an account of creeks
and oyster catchers.
I named my account "Notes on the State of