Millennium Babies
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About this ebook
From the moment of her birth, Brooke Cross was a loser. Conceived to win a First Baby of the Millennium contest, Brooke came five minutes late. Her mother never let her forget it. So Brooke, estranged from her mother, became a history professor and tries to live in obscurity. Until Professor Eldon Franke recruits her for a study of Millennium Babies, a study that will change her life.
Winner of science fiction’s prestigious Hugo Award.
“Never one for melodrama or overwrought prose, Rusch concentrates instead on the slow and deliberate amassing of insightful, low-keyed incidents and details to serve as the foundation for some neat stefnal conceits.”
—Asimov’s SF Magazine
“This is science fiction writing at its best.”
—EssentialWriters.com
Kristine Kathryn Rusch
USA Today bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. Under that name, she publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov’s Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award. Publications from The Chicago Tribune to Booklist have included her Kris Nelscott mystery novels in their top-ten-best mystery novels of the year. The Nelscott books have received nominations for almost every award in the mystery field, including the best novel Edgar Award, and the Shamus Award. She writes goofy romance novels as award-winner Kristine Grayson, romantic suspense as Kristine Dexter, and futuristic sf as Kris DeLake. She also edits. Beginning with work at the innovative publishing company, Pulphouse, followed by her award-winning tenure at The Magazine of Fantasy & Science Fiction, she took fifteen years off before returning to editing with the original anthology series Fiction River, published by WMG Publishing. She acts as series editor with her husband, writer Dean Wesley Smith, and edits at least two anthologies in the series per year on her own. To keep up with everything she does, go to kriswrites.com and sign up for her newsletter. To track her many pen names and series, see their individual websites (krisnelscott.com, kristinegrayson.com, krisdelake.com, retrievalartist.com, divingintothewreck.com). She lives and occasionally sleeps in Oregon.
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Millennium Babies - Kristine Kathryn Rusch
Millennium Babies
Kristine Kathryn Rusch
WMG Publishing, Inc.Contents
Millennium Babies
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Also by Kristine Kathryn Rusch
About the Author
Millennium Babies
Two weeks into the second semester, she got the message. It had been sent to her house system, and was coded to her real name, Brooke Delacroix, not Brooke Cross, the name she had used since she was 18. At first she didn’t want to open it, thinking it might be another legal conundrum from her mother, so she let the house monitor in the kitchen blink while she prepared dinner .
She made a hearty dinner, and poured herself a glass of rosé before settling down in front of the living room fireplace. The fireplace was the reason she bought this house. She had fallen in love with the idea that she could sit on cold winter nights under a pile of blankets, a real fire burning nearby, and read the ancient paperbacks she found in Madison’s antique stores. She read a lot of current work on her e-book, especially research for the classes she taught at the university, but she loved to read novels in their paper form, careful not to tear the brittle pages, feeling the weight of bound paper in her hands.
She had added bookshelves to the house’s dining room for her paper novels, and she had made a few other improvements as well. But she tried to keep the house’s character. It was a hundred-and-fifty years old, built when this part of Wisconsin had been nothing but family farms. The farmland was gone now, divided into five acre plots, but the privacy remained. She loved being out here, in the country, more than anything else. Even though the university provided her job, the house was her world.
The novel she held was a thin volume, and a favorite—The Great Gatsby by F. Scott Fitzgerald—but on this night, the book didn’t hold her interest. Finally she gave up. If she didn’t hear the damn message, she would be haunted by her mother all night.
Brooke left the glass of wine and the book on the end table, her blankets curled at the edge of the couch and made her way back to the kitchen. She could have had House play an audio-only version of the message in the living room, but she wanted to see her mother’s face, to know how serious it was this time.
The monitor was on the west wall beside the microwave. The previous owners—a charming elderly couple—had kept a small television in that spot. On nights like this, Brooke thought the monitor was no improvement.
She stood in front of it, arms crossed, sighed, and said, House, play message.
The blinking icon disappeared from the screen. A digital voice she did not recognize said, This message is keyed for Brooke Delacroix only. It will not be played without certification that no one else is in the room.
She stood. If this was from her mother, her tactics had changed. This sounded official. Brooke made sure she was visible to the built-in camera.
I’m Brooke,
she said, and I’m alone.
You’re willing to certify this?
the strange voice asked her.
Yes,
she said.
Stand-by for message.
The screen turned black. She rubbed her hands together. Goose bumps were crawling across her skin. Who would send her an official message?
This is coded for Brooke Delacroix,
a new digital voice said. Personal identification number…
As the voice rattled off the number, she clenched her fist. Maybe something had happened to her mother. Brooke was, after all, the only next of kin.
This is Brooke Delacroix,
she said. How many more security protocols do we have here?
Five,
House said.
She felt her shoulders relax as she heard the familiar voice.
Go around them. I don’t have the time.
All right,
House said. Stand-by.
She was standing by. Now she wished she had brought her glass of wine into the kitchen. For the first time, she felt as if she needed it.
Ms. Delacroix?
A male voice spoke, and as it did, the monitor filled with an image. A middle-aged man with dark hair and dark eyes stared at a point just beyond her. He had the look of an intellectual, an aesthetic, someone who spent too much