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The Dark Issue 34: The Dark, #34
The Dark Issue 34: The Dark, #34
The Dark Issue 34: The Dark, #34
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The Dark Issue 34: The Dark, #34

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Each month The Dark brings you the best in dark fantasy and horror! Edited by award winning editors Silvia Moreno-Garcia and Sean Wallace and brought to you by Prime Books, this issue includes two all-new stories and two reprints:

“Your Damnation Will Be Infinite” by Hadeer Elsbai
“In the Light of St. Ives” by Ray Cluley (reprint)
“Corwick Grows” by Aliya Whiteley
“We Who Sing Beneath the Ground” by Mark Morris (reprint)

LanguageEnglish
PublisherPrime Books
Release dateFeb 24, 2018
ISBN9781386630579
The Dark Issue 34: The Dark, #34

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    Book preview

    The Dark Issue 34 - Hadeer Elsbai

    THE DARK

    Issue 34 • March 2018

    Your Damnation Will Be Infinite by Hadeer Elsbai

    In the Light of St Ives by Ray Cluley

    Corwick Grows by Aliya Whiteley

    We Who Sing Beneath the Ground by Mark Morris

    Cover Art: Black Pearls by Laura Sava

    ISSN 2332-4392.

    Edited by Silvia Moreno-Garcia and Sean Wallace.

    Cover design by Garry Nurrish.

    Copyright © 2018 by Prime Books.

    www.thedarkmagazine.com

    Your Damnation Will Be Infinite

    by Hadeer Elsbai

    The body in the bathtub is starting to smell.

    I have been staring at it for hours, trying to forget that not too long ago the body had been he and not it, but that does not seem to be working.

    When he died I dragged it into the bathtub, leaving a trail of blood along my imported Moroccan rug—a gift from my mother-in-law. I lifted the body, heavy as cement, which meant practically embracing it. The front of my dress was soaked in its blood.

    I took a moment to catch my breath afterward, and I could not stand the feel of the bloody dress on my body so I simply stripped down until I was in nothing but sheer black tights and pink brassiere. With slightly trembling hands I lit a cigarette and curled up on the toilet seat, knees pressed against my chest.

    Now, hours later, I have smoked an entire box of Cleopatras and bitten through most of my thumbnail. I have to spit out chipped black nail polish.

    When the body twitches violently enough that it slides further into the tub, I jump in response, nearly falling off the toilet, stare at the body for a full minute, then sigh when nothing happens. I adjust, sit cross-legged, my last ci­­­­garette dangling loosely between my fingers, and continue to frown at the body as though it is a maths problem I need to solve. My leg twitches faster than I can control it.

    It is the waiting, more than anything. Waiting means idleness, and idleness leads to thinking, and thinking leads to overthinking, and overthinking means that doubt and anxiety and fright would creep into the unguarded corners of my mind and tear me apart from the inside out.

    I hear a phantom wail coming from the bedroom, and almost run to it by instinct before I remember my baby boy is safe at my mother-in-law’s house for the weekend.

    My phone buzzes, sound waves scraping against ceramic. I put out the cigarette and retrieve my phone from the sink. The text on the screen reads: Proof?

    I snap a photo of the body in the tub. Its eyes stare emptily at me as the flash goes off.

    Less than a minute after I send the picture I receive the response: 3:45AM. Street 9, Maadi. Deco Cafe. Wait outside. Wear white.

    3:45AM. Less than twenty minutes from now. Resisting the urge to throw my phone away I instead go to my closet to pull out the first white dress I see and quickly leave the apartment. Deco Cafe is close, but I will have to hurry if I want to make it in time.

    Street 9 is bustling even this late at night. Twenty-four-hour cafes have all their tables laid outside, where their patrons are enjoying the breezy night. Hookah fumes drift towards me, along with the fumes of freshly made Turkish coffee. The unnaturally bright street lights expose deep cracks in the sidewalk, along with the dust and trash that litter the streets.

    And the noise—car horns honk in uneven rhythms as they speed past. Motorcycles rev their engines. Speakers blare loud pop music from every corner, the irritating songs mingling together into a long string of nonsense. Various people shout various things intermittently: a mother calls to her daughter not to cross the street, a waiter yells at a busboy to fetch more tobacco, a group of teenagers squeals with laughter at a dirty joke . . .

    It is beginning to grate on my nerves. I grew up feeling stifled on my parents’ farm in Sohag, surrounded by nothing but open fields. I wanted to come to the city, so I latched onto the first Cairene suitor who asked for my hand, a distant relative of ours. My parents were ecstatic at my acquiescence; my new husband was rich, born and raised in America, and he had returned looking for a bride and a place to put his business degree to use. Less than a month after our first meeting we were married and living in Cairo.

    Now I found myself missing the farm: the smell of goats and clean air, the palm trees heavy with dates, the utter and complete silence at night. Cairo is a rabid, roaring animal that refuses to be silenced.

    I arrive at the cafe promptly at 3:45AM and loiter, trying my best not to look conspicuous. Soon, a girl approaches me. She is wearing a white abaya with a scarf draped loosely around her shoulders, as though it has slid off her shiny straight hair. She looks me up and down without saying anything, then stops with her eyes lingering on my legs.

    You’ll have to take those off when we get there, she says finally.

    I blink. What?

    Your tights. She raises her voice a decibel. They said white only.

    I scowl. Right. Are you my ride?

    She nods. Nawal. Are you Nahla?

    I nod.

    We walk quietly to her car, a greenish Fiat that looks about a thousand years old. When I sit down in the passenger seat, the springs beneath me poke up into my thighs. I shift uncomfortably as Nawal starts the engine, which takes several tries.

    Nawal speaks first. So . . . did you do it?

    I glance at her warily. Would I be here if I hadn’t?

    Her laugh is hollow. "Right. So . . . who

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