The Caxtons: A Family Picture — Volume 16
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About this ebook
In addition to being a politician, he wrote across all genres, from horror stories to historical fiction and action titles.
Edward Bulwer-Lytton
Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.
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The Caxtons - Edward Bulwer-Lytton
THE CAXTONS: A FAMILY PICTURE — VOLUME 16
..................
Edward Bulwer-Lytton
YURITA PRESS
Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.
This book is a work of fiction; its contents are wholly imagined.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2016 by Edward Bulwer-Lytton
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
PART XVI.: CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
The Caxtons: A Family Picture — Volume 16
By
Edward Bulwer-Lytton
The Caxtons: A Family Picture — Volume 16
Published by Yurita Press
New York City, NY
First published circa 1873
Copyright © Yurita Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
About YURITA Press
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PART XVI.: CHAPTER I.
..................
Please, sir, be this note for you?
asked the waiter.
For me,—yes; it is my name.
I did not recognize the handwriting, and yet the note was from one whose writing I had often seen. But formerly the writing was cramped, stiff, perpendicular (a feigned hand, though I guessed not it was feigned); now it was hasty, irregular, impatient, scarce a letter formed, scarce a word that seemed finished, and yet strangely legible withal, as the hand writing of a bold man almost always is. I opened the note listlessly, and read,—
I have watched for you all the morning. I saw her go. Well! I did not throw myself under the hoofs of the horses. I write this in a public- house, not far. Will you follow the bearer, and see once again the outcast whom all the rest of the world will shun?
Though I did not recognize the hand, there could be no doubt who was the writer.
The boy wants to know if there’s an answer,
said the waiter.
I nodded, took up my hat, and left the room. A ragged boy was standing in the yard, and scarcely six words passed between us before I was following him through a narrow lane that faced the inn and terminated in a turnstile. Here the boy paused, and making me a sign to go on, went back his way whistling. I passed the turnstile, and found myself in a green field, with a row of stunted willows hanging over a narrow rill. I looked round, and saw Vivian (as I intend still to call him) half kneeling, and seemingly intent upon some object in the grass.
My eye followed his mechanically. A young unfledged bird that had left the nest too soon stood, all still and alone, on the bare short sward, its beak open as for food, its gaze fixed on us with a wistful stare. Methought there was something in the forlorn bird that softened me more to the forlorner youth, of whom it seemed a type.
Now,
said Vivian, speaking half to himself, half to me, did the bird fall from the nest, or leave the nest at its own wild whim? The parent does not protect it. Mind, I say not it is the parent’s fault,—perhaps the fault is all with the wanderer. But, look you, though the parent is not here, the foe is,—yonder, see!
And the young man pointed to a large brindled cat that, kept back from its prey by our unwelcome neighborhood, still remained watchful, a few paces off, stirring its tail gently backwards and forwards, and with that stealthy look in its round eyes, dulled by the sun,—half fierce, half