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The Parisians — Volume 07
The Parisians — Volume 07
The Parisians — Volume 07
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The Parisians — Volume 07

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Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like  "pursuit of the almighty dollar" and "the pen is mightier than the sword".


In addition to being a politician, he wrote across all genres, from horror stories to historical fiction and action titles.
LanguageEnglish
PublisherKrill Press
Release dateJan 7, 2016
ISBN9781518361494
The Parisians — Volume 07
Author

Edward Bulwer-Lytton

Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.

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    Book preview

    The Parisians — Volume 07 - Edward Bulwer-Lytton

    THE PARISIANS — VOLUME 07

    ..................

    Edward Bulwer-Lytton

    YURITA PRESS

    Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

    This book is a work of fiction; its contents are wholly imagined.

    All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

    Copyright © 2016 by Edward Bulwer-Lytton

    Interior design by Pronoun

    Distribution by Pronoun

    TABLE OF CONTENTS

    BOOK VII.: CHAPTER I.

    CHAPTER II.

    CHAPTER III.

    CHAPTER IV.

    CHAPTER V.

    CHAPTER VI.

    The Parisians — Volume 07

    By

    Edward Bulwer-Lytton

    The Parisians — Volume 07

    Published by Yurita Press

    New York City, NY

    First published circa 1873

    Copyright © Yurita Press, 2015

    All rights reserved

    Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

    About YURITA Press

    Yurita Press is a boutique publishing company run by people who are passionate about history’s greatest works. We strive to republish the best books ever written across every conceivable genre and making them easily and cheaply available to readers across the world.

    BOOK VII.: CHAPTER I.

    ..................

    IT IS THE FIRST WEEK in the month of May, 1870. Celebrities are of rapid growth in the salons of Paris. Gustave Rameau has gained the position for which he sighed. The journal he edits has increased its hold on the public, and his share of the profits has been liberally augmented by the secret proprietor. Rameau is acknowledged as a power in literary circles. And as critics belonging to the same clique praise each other in Paris, whatever they may do in communities more rigidly virtuous, his poetry has been declared by authorities in the press to be superior to that of Alfred de Musset in vigour—to that of Victor Hugo in refinement; neither of which assertions would much, perhaps, shock a cultivated understanding.

    It is true that it (Gustave’s poetry) has not gained a wide audience among the public. But with regard to poetry nowadays, there are plenty of persons who say as Dr. Johnson said of the verse of Spratt, I would rather praise it than read.

    At all events, Rameau was courted in gay and brilliant circles, and, following the general example of French litterateurs in fashion, lived well up to the income he received, had a delightful bachelor’s apartment, furnished with artistic effect, spent largely on the adornment of his person, kept a coupe, and entertained profusely at the cafe Anglais and the Maison Doree. A reputation that inspired a graver and more unquiet interest had been created by the Vicomte de Mauleon. Recent articles in the Sens Commun, written under the name of Pierre Firmin on the discussions on the vexed question of the plebiscite, had given umbrage to the Government, and Rameau had received an intimation that he, as editor, was responsible for the compositions of the contributors to the journal he edited; and that though, so long as Pierre Firmin had kept his caustic spirit within proper bounds, the Government had winked at the evasion of the law which required every political article in a journal to be signed by the real name of its author, it could do so no longer. Pierre Firmin was apparently a nom de plume; if not, his identity must be proved, or Rameau would pay the penalty which his contributor seemed bent on incurring.

    Rameau, much alarmed for the journal that might be suspended, and for himself who might be imprisoned, conveyed this information through the publisher to his correspondent Pierre Firmin, and received the next day an article signed Victor de Mauleon, in which the writer proclaimed himself to be one and the same with Pierre Firmin, and, taking a yet bolder tone than he had before assumed, dared the Government to

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