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    Sir Gawain and the Green Knight
    Sir Gawain and the Green Knight
    Sir Gawain and the Green Knight
    Ebook108 pages1 hour

    Sir Gawain and the Green Knight

    By The Pearl Poet

    4/5

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    Sir Gawain and the Green Knight is an epic Middle English poem written in the 14th century and set in Arthurian England. It tells the story of the Green Knight, a huge green man who interrupts the yuletide festivities at Camelot and makes this challenge to King Arthur and his knights: Strike me with my axe and receive a blow in kind one year from today. Sir Gawain accepts the challenge and beheads the Green Knight. But what will happen to Sir Gawain in one year?
    LanguageEnglish
    PublisherDreamscape Media
    Release dateJan 31, 2017
    ISBN9781974996100
    Sir Gawain and the Green Knight

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    Reviews for Sir Gawain and the Green Knight

    4/5

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    • 4/5
      I've always liked the story of Sir Gawain and the Green Knight, but I never enjoyed reading it before. I first encountered this tale in a survey course of British Literature early in my college career (first semester--Beowulf to Sheridan; second semester--Blake to the Present Day...I still have the texts), in which we were exhorted to remember that the knight's name was pronounced GOWan. With apologies to the late Mr. Graham (who I believe preferred the 18th century to the 14th), I'm all in favor of Armitage's approach---let the rhythm and the alliterative requirements of the text dictate which consonant or syllable gets the stress. This version is so read-out-loudable that I feel it banishes any objection that might be raised to liberties Armitage took with literalness. (I'm not much of a purist that way when it comes to translating poetry anyway. I mean...it needs to remain poetic, above all.) I later had some exposure to the medieval language of the poem in a more advanced course; I may even have been expected to claw some of it into modern English myself, an effort best lost to time. This edition places the ancient version side-by-side with the new translation. It's interesting to compare, and to try to remember the sounds of the good old Anglo-Saxon, a clankier language by far. I counted four different spellings of our valiant knight's name in that text--Gawan, Gawayne, Gawen and Gauan. Surely that isn't just sloppiness or inconsistency, but suggestive of varying pronunciation in the original? In any case, if you're inclined to visit this classic tale, I commend you to Armitage's translation. It's just plain fun.
    • 5/5
      This is the book to get your poetry-resistant friend this #Booksgiving 2017. I read it on a dare. I don't like poetry very much, it's so snooty and at the same time so pit-sniffingly self-absorbed that I'd far rather stab my hands with a fork repeatedly than be condescended to in rhyming couplets.This tale is fabulous in every sense of the word, which is no surprise since it's survived for so many centuries. But poet and translator Simon Armitage has made the old world new again. He sucked me right in and never let me come up for air with his gorgeous words and his carefully chosen words and his alliterative rhythmical phrases.If the idea of a Norton Critical Edition is keeping you far away from this delightful read, rest assured it's not stodgy or dry or just plain boring. It's vibrant, alive, shimmering with an inner power, waiting for you to open its covers and fall utterly under its spell. Become happily ensorcelled, gentle reader, relax into the sure and strong embrace of a centuries-old knight and his spectacular tale.
    • 4/5
      I read W.S. Merwin's 2002 verse translation of this medieval poem, and so thoroughly enjoyed his rendering that I flagged it to read again. However, I heard good things about Armitage's translation, so bought it to add to my library. Figuring I'd read it someday, I flipped to the first page of the translation to see what it was like, and was immediately pulled into the narrative by the now familiar setup combined with Armitage's rich and accessible style. Being at work, I had to put it down, but I was reading it at home that night after everyone else was in bed.The story is marvelous (in more ways than one), but a side-by-side translation would be preferred. Armitage strikes a gentle balance between contemporary, accessible verse and keeping the otherworldly feel of the original. I say 'otherworldly' in reference to how far removed we are from the time and culture in which the original was written. Armitage emulates the beat (and off-beats) of the original. He also uses alliteration much as in the original, and this added layer contributes much to the power of the text.This story of chivalry, loyalty, fear, faith, doubt, and duty has a lot to say to our world. As with the Bible, a new and faithful translation can open up previously un-seen or unappreciated windows onto the landscape of a story. Armitage has added a new voice to an ancient tale, and I highly recommend it.Os.
    • 5/5
      The changing of the seasons, the clothing of the characters, and the bloody battles and hunt scenes are all described with such vivid detail. I love the expression of the struggle that Gawain faces between chivalry and what he knows to be right.
    • 4/5
      I enjoyed how this book was a poem, it was in verse but when you read it you don't get caught up in the rhyme and rhythm. When i was reading this book, because its told in third- person form, and i imagined the author was some sort of philosopher because there are times where there are parts that sound like something you would find in a quote book, and it is very descriptive and well worded. though in the middle of the book, it was a little hard for me to follow what was going on. The only way I understood what I was reading was when I read out loud. This story itself is great though. It has good moral values, but it has (just a little bit) goriness.
    • 4/5
      I remember reading a summary of this story in middle or high school, but it is nice to sit down with a classic and let it tell its tale. This is a very good story and its age only makes it more endearing. A simpler story from a different time.
    • 4/5
      An epic poem about Sir Gawain from Arthur's court.
    • 3/5
      I wouldn't trust anyone wearing all green in the first place.
    • 3/5
      Arthurian legendary fight with supernatural Knight.Read Samoa Nov 2003
    • 2/5
      I read this in 2011 for one of my university modules.I found it interesting to read something as old as this but didn't find it especially entertaining. I only read this because I had to!
    • 4/5
      I like this translation because the introduction is long enough to get me started, but not so long that it feels like work to read. And there is a great appendix that explains the poetical form, which I really enjoyed learning about and that helped me to appreciate the poem more. The poem itself is surprisingly vivid. The images are rich and the story is detailed and even brutal at times. I also liked the moral message - even the "best" of us had better beware of pride!
    • 4/5
      It's not at all what I was expecting. I'm not sure what I -was- expecting, but Sir Gawain and the Green Knight wasn't quite as epic and noble as I was thinking. Perhaps I was envisioning too modern a version of an arthurian knight.I got really into the beginning, even reading it aloud at times because the translation is just so pretty, but then the middle lost me. When Gawain started just sitting around the castle dodging the seductive lady (who is freaky), I grew very disappointed in him.But the ending makes up for it. I was -not- expecting a twist from a classic epic poem!
    • 5/5
      It seems strange giving a book like this a rating in stars, because it's so ancient and it's not like it's the latest Dan Brown novel or something. ;)I studied this book, and I write an essay or two on it, and I loved it mostly because of where it came from.
    • 4/5
      I read the untranslated version in college, and thanks to a linguistics class and a history of the english language class, my elitist English scholar self can now cringe whenever Armitage takes liberties with the original text. However, he explains why he does so in the introduction, in order to keep the original sound of the poem and in order to preserve the meaning of the original text. In the end, I agree with his choices and I feel he has done the modern reader a great service with this translation. There were a few times he chose alliteration over meaning, resulting in a few phrases that I considered to be anachronistic. But overall, Armitage's translation is beautiful and digs up the exciting story that has been buried under elitist/scholarly translations and from heavily footnoted untranslated versions for years and years
    • 3/5
      Something of a slog. Whilst the archaic English form is in many ways delightful, it contains at least two letters which just don't come up in modern usage, which is at the very least a challenge. However, persistence is rewarded, as the story of the Green Knight is pleasantly odd and offers a real window into the early medieval mind-set. The descriptions of hunting are particularly vividly brought to life, which makes a sharp contrast to the motivations and drives of Sir Gawain - who remains utterly an enigma (if incorruptible).
    • 4/5
      During holiday festivities in King Arthur's court, a mysterious green knight appears with a challenge: any knight of Arthur's court may strike the green knight a blow, and the green knight will return the strike in a year's time. The only knight brave enough to face the challenge is young Gawain, who indeed strikes the green knight, chopping off his head. Unperturbed, the green knight picks up his head and tells Gawain to find him in a year's time in order to receive the return blow. Sir Gawain and the Green Knight, written by an unknown fourteenth-century poet, is my favorite of the classic Arthurian tales (so far). The story is vivid and full of gorgeous contrasts, love and death and trust and renewal. The story unfolds with good pacing and entertaining adventures with true courtly manners, all without being redundant or dull (as some unnamed fourteenth-century Arthurian romances can be).Armitage's translation from the Middle English focuses on the alliterative and poetic structure of the original, rather than being a literal translation. The Middle English version appears on the left hand page with the Modern version on the right, so the reader can compare and see the differences. For the most part his version is surprisingly readable with beautiful phrases and imagery, though in some cases it strays into being a bit too modern (at one point Arthur is described as "keeping his cool"), which can be jarring. My second reading was just as enjoyable as the first, and I would love to add it to my library.However, since Arimitage's is only the only translation I've read, I'm very curious about trying a more literal translation. Apparently, even J.R.R. Tolkien did a translation, and I'd love to read that. For audio book lovers, I highly recommend the audio version of Armitage's translation, which is read by Bill Wallis. He does an amazing job highlighting the alliterative aspects of the text, while making it easy to follow. Once the Modern English translation is finished, Wallis then does an amazing reading of the original Middle English version of the book. It's amazing to hear and I found myself understanding more than I thought I would. Fantastic.
    • 4/5
      A very readable version of the poem. Armitage retains the verve of the original story as well as the beat,alliteration and bob-and wheel sections (two syllable lines followed by a quatrain) of the original poetry.

      'And they danced and they sang til the sun went down
      that day
      But mind your mood, Gawain,
      keep blacker thoughts at bay,
      or lose this lethal game
      you've promised you will play.'

      The poem was fastened to the page in the late 14thc, in the "alliteration revival" style : it was a style of verse that keeps to an Anglo-Saxon literary style and was almost certainly orally transmitted before. The use of repetition and alliteration are characteristic of the oral tradition: think about how fabulous the rhythm of lines like these sound spoken aloud

      'Then they riled the creature with their rowdy ruckus
      and suddenly he breaks the barrier of beaters -
      the biggest of wild boars has bolted from his cover'

      I love that Simon Armitage has let the poem breathe and remain a living thing rather than a dry academic exercise. The loss of a star is due to the fact that occasionally there is a choice of a word that jars, that sounds a bit too modern, chosen for the sake of the alliteration but can feel a bit shoe- horned in. I also prefer a side by side translation, but that is being a bit nit picky as the original is readily available .




    • 4/5
      This is a longish narrative poem in Middle English, here translated into modern English by the well-known British poet Simon Armitage. It recounts one of the legends of King Arthur and his nephew Gawain. It starts on New Year's Day at an elaborate banquet celebration at Arthur's court. In the first few stanzas, the company is invaded by a green giant who rides his green horse right into the banqueting hall, and demands a trial of fortitude with any one of the knights. Gawain volunteers, and the giant directs him to take one swing with the giant's axe at the giant's neck, unresisted. Gawain complies and chops off the giant's head. The giant picks up his head, gets back on his horse, and bids Gawain to show up at the giant's place, The Green Chapel, in one year to the day to suffer the giant's return blow. Then off he goes. The rest of the story tells of Gawain's search for The Green Chapel and his adventures when he gets there.The narrative approach throughout is light-hearted and lyrical. Suspense is maintained by a series of delays, but without any of the tiresome digressions that plague medieval romance. The poet excels in describing the scenes of nature and daily life (of the aristocracy) that surround the main action. The scenes of hunting particularly impressed me with their realism and detail. The poem takes a slightly humorous, ironic view of the conventions of courtly romance. The author of Sir Gawain and the Green Knight, a contemporary of Chaucer, is thought also to be the author of three other poems, The Pearl, Patience, and Cleanness. He or she is often referred to as The Gawain Poet or The Pearl Poet. The poem is written in stanzas of varying lengths consisting of unrhymed lines of alliterative verse terminated by a five-line section of short rhymed lines. It has a nice sort of swing to it, both in the original and in Armitage's translation, which duplicates the original stanza form. I read mostly the translation (the original is on facing pages) since I am not very good at Middle English, and this is particularly hard, being a northwest midlands dialect with a vocabulary quite different from Chaucer's London dialect. But I could read enough to sense the musicality that Armitage preserves. I infer from reviews that Armitage's translation is more informal than the well-known translation by J. R. R. Tolkien. I haven't read that one but will try to do so soon. Recommended to fans of Arthurian legends, descriptive poetry, and good yarns.
    • 4/5
      Let me tell you, then, a tale of adventure,A most striking one among the marvels of ArthurWhich some will consider a wonder to hear.If you listen closely to my words a little whileI'll tell it to you now as I heard it toldin town;A bold story, well proven,And everywhere well known,The letters all interwoven,As custom sets it down.During a New Year's feast at Arthur's court, Sir Gawain takes up a challenge issued by a strange green-skinned knight, and must find his way to the Green Chapel a year later to meet the mysterious knight again. On the way he stays at a castle for Christmas, whose lord and lady, while very hospitable, seem to be playing games with him. There were detailed descriptions of later fourteenth century armour, hospitality, hunting and also the traditional way of butchering deer and boar at the end of the hunt, which was fascinating. This poem about a quest by one of King Arthur's nephews, was written by an unknown poet in the late fourteenth century, in the dialect of the Cheshire/Staffordshire border. The Oxford World's Classics version contains an interesting introduction and useful notes alongside a verse translation by Keith Harrison. He has used an alliterative style to echo the pattern of the original Middle English poem, which was meant to be spoken aloud rather than read.
    • 4/5
      One of the best of the 'classic' Arthurian tales. Gawain is presented a bit differently here from many of the other ones. Usually he's a bit of a braggart and kind of a jerk, especially to women, but here he is presented as the perfect exemplar of courtoisie. He's also a bit young and still untried, so maybe that explains it for those who want to be able to have a grand unified theory of Arthuriana.

      Anyway, you probably all know the story: Arthur is about to have a New Year's feast, but according to tradition is waiting for some marvel to occur. Right on cue in trots the Green Knight on his horse, a giant of a man who proceeds to trash the reputation of the entire court and dare someone to cut off his head as long as he gets to return the favour. No one makes a move and Arthur decides he better do something about this until Gawain steps up and asks to take on this quest himself. Everyone agrees and Gawain proceeds to smite the green head from the Knight's body. Everyone is fairly pleased with the result until the Green Knight gets up, picks up his smiling head, and says: "See you next year, G. Don't forget that it's my turn then." (I paraphrase, the middle english of the poet is far superior.) Needless to say everyone is a bit nonplussed by this.

      The year passes and Gawain doesn't seem to do much of anything until he finally decides it's time to get out and find this green fellow and fulfill his obligation...hopefully something will come up along the way to improve his prospects. What follows is a journey to the borders of the Otherworld as well as a detailed primer on just how one ought to act in order to follow the dictates of courtliness. Gawain ends up being the guest of Sir Bertilak, a generous knight who says that the Green Chapel, the destination of Gawain's quest, is close by and Gawain should stay with them for the duration of the holidays. We are treated to some coy (and mostly chaste) loveplay on the part of Bertilak's wife from which Gawain mostly manages to extricate himself without contravening the dictates of politeness, as well as the details of a medieval deer, boar and fox hunt with nary a point missing.

      In the end Gawain goes to the chapel and finds that his erstwhile host Bertilak was in fact the Green Knight. Gawain submits himself and is left, after three swings, with only a scratch as a reward for his courteous behaviour in Bertilak's castle. Despite the apparent success of Gawain, he views the adventure as a failure since he did not come off completely unscathed and he wears a girdle he was gifted by Bertilak's wife as a mark of shame to remind himself of this. Harsh much?

      The language of the Gawain poet's middle english is beautiful and I highly recommend reading it in the original with a good translation at hand to catch the nuances of meaning. The poem is replete with an almost dreamlike quality that is made real by all of the exquisite details of medieval life that are interspersed throughout the text. This is a great book to read at Christmas time.
    • 5/5
      The meter on this thing is pretty impressive: a strict alliterative pattern of two stresses, a pause, and two more stresses, with a five-line rhyming stanza (a short line followed by four with an ABAB scheme) at the end of each passage. It should be terribly constrictive, but the Gawain poet flows through it like it's nothing.

      Not that I can read the original, of course, so I have to take Armitage's word for it that it's as good as his translation, which I did like. This edition has the original on the left side and the translation on the right, though, which allows you to see how close he's hewing and also lets you play the "How well could I understand this?" game. (Answer: not at all. Those people talked funny.)

      The intro here has an interesting point: Anglo languages, Armitage says, stress the beginnings of words, whereas Romantic ones stress the ends. For this reason, Anglo epic poetry tends to focus on alliteration, while Romantic ones focus on rhyme. Get it? It had never occurred to me before. That's kindof cool.

      This isn't a long book; I blazed through it in a single night over a couple glasses of wine while Kirsten was out getting blasted at some company event.
    • 4/5
      I love this Edition of the book. Some say the Simon Armitage translation has too many modern inclusions, however that is what makes it approachable to the modern reader. The flow of the metre and the language is so rich you can just feel the heavy air in the ancient halls or the spring-fresh breezes and tang of new growth. All is enhanced by this Folio Society edition which Diana Sudyka presents us a mixture of a modern minimalist style (bold outline-stroke outlines) enriched with the classic medieval styling of vibrant color accents.A Beautiful and certainly collectable classic.
    • 4/5
      I love Sir Gawain and The Green Knight; it is interesting not only because of its expansive picture of what chivalry is (and what people pretend it is), but also for the fact that it can be read from many perspectives (try giving it a feminist reading, for instance, and see what you come up with!). I want to commend Borroff's translation in particular; she reproduces the alliterative meter and verse structure superbly, adding much to the reading. This work is captivating and entrancing; I highly recommend it.
    • 2/5
      Interesting story, well executed compellingly told, excellent and sometimes beautiful use of language and good moral messages. Would give a higher rating but for the ending.

      When everything is done, and Gawain completes his quest, and the moral aspects of the story are dealt with (truth, honour, keeping word, resisting temptation etc), the Green Knight reveals the identity of the Old Woman in his castle as none other than Morgana le Fey, Arthur's mortal enemy and practitioner of Black Magic- who put him up to challenging Arthur's knights.

      Said Green Knight seems to have no problem Morgana living in his manor, and doing what she says, and asks dear Gawain to come in and say hello to her because she is his Aunt-- so apparently he has no problem with her association with 'the black arts' and thinks it is perfectly acceptable for a 'good Christian' to be involved with such.

      The other issue was with the translation whilst generally good, the use of some overtly modern terms and phrases could be questionable.

    • 5/5
      A splendid translation of the best of the English Arthurian romances. Armitage has made this classic readable and exciting for the 21st century. SGGK is a gorgeously crafted tale full of games, laughter, human foibles, tragedy averted and humanity triumphant .
    • 5/5
      I'm so glad I got a chance to read this one. It took a while, but it was totally worth it. I love this story!
    • 5/5
      Excellent.
    • 4/5
      The poet of this poem (and a few others) is unknown, and scholars have been guessing and debating for decades. In any case, this poet was a contemporary of Chaucer, but his poems are much more accessible. I can only imagine how difficult the translating is, as this poem is alliterative, with clear cadences throughout. I actually read about half of it out loud, simply because it sounds good.Gawain is a well-known character in Arthurian circles, though I am unfamiliar with him. In this poem he takes on a challenge given by the Green Knight--and fulfills it. No spoilers, but a quest of sorts is involved, as well as honesty. There are also some short essays on the manuscript, the poet, the pentangle, Arthurian themes, and there are a few pages of original text (which is almost readable but not quite).Very much worth reading!
    • 4/5
      Isn't this just the creepiest cover? Anyway, I've read this for the thriller category for the Back to the Classics Challenge. King Arthur and his Knights of the Round Table enjoy a Christmas celebration. But, along comes a huge green knight who goads them into accepting a challenge. In order to protect King Arthur, Sir Gawain agrees to the challenge. He must make one blow with his sword against the Green Knight today, then in one year Sir Gawain must come and find the Green Knight and receive one blow from him. Well, Sir Gawain chops his head off in one blow, but the Green Knight picks up his head and laughingly gallops off. You'll have to read it to see what happens.
    • 4/5
      While perhaps not the most accurate translation, it remains one of the more readable by the general reader, and maintains a sense of vitality and flow throughout. My main complaint would be a few too modern, or too slang-y phrasing choices of the sort that feel forced and dated a mere handful of years later.

    Book preview

    Sir Gawain and the Green Knight - The Pearl Poet

    cover.jpg

    SIR GAWAIN

    and the

    GREEN KNIGHT

    Translated By

    KENNETH G. T. WEBSTER

    and

    W. A. NEILSON

    This edition published by Dreamscape Media LLC, 2017

    www.dreamscapeab.com * info@dreamscapeab.com

    1417 Timberwolf Drive, Holland, OH 43528

    877.983.7326

    dreamscape

    Table of Contents

    Fytte the First

    Fytte the Second

    Fytte the Third

    Fytte the Fourth

    Fytte the First

    1.

    After the siege and the assault had ceased at Troy,

    the city been destroyed and burned to brands and ashes,

    the warrior who wrought there the trains of treason

    was tried for his treachery, the truest on earth.¹

    This was Aeneas the noble;

    he and his high kindred afterwards conquered provinces,

    and became patrons of well nigh all the wealth in the West Isles.

    As soon as rich Romulus turns him to Rome,

    with great pride he at once builds that city,

    and names it with his own name, which it now has;

    Ticius turns to Tuscany and founds dwellings;

    Longobard raises homes in Lombardy;

    and, far over the French flood, Felix Brutus

    establishes Britain joyfully on many broad banks,

    where war and waste and wonders by turns have since dwelt,

    and many a swift interchange of bliss and woe.

    2.

    And when this Britain was founded by this great hero,

    bold men loving strife bred therein,

    and many a time they wrought destruction.

    More strange things have happened in this land since these days

    than in any other that I know,

    but of all the British kings that built here,

    Arthur was ever the most courteous,

    as I have heard tell.

    Therefore, I mean to tell of an adventure in the world,

    which some count strange and extraordinary

    even among the wonders of Arthur.

    If ye will listen to this lay but a little while,

    I will tell it forthright as I heard it told in town,

    as it is set down in story that cannot be changed,

    long written in the land in true words.

    3.

    This King lay royally at Camelot at Christmas tide

    with many fine lords, the best of men,

    all the rich brethren of the Round Table,

    with right rich revel and careless mirth.

    There full many heroes tourneyed betimes,

    jousted full gaily;

    then returned these gentle knights to the court to make carols.²

    For there the feast was held full fifteen days alike

    with all the meat and the mirth that men could devise.

    Such a merry tumult, glorious to hear;

    joyful din by day, dancing at night.

    All was high joy in halls and chambers

    with lords and ladies as pleased them best.

    With all the weal in the world they dwelt there together,

    the most famous knights save only Christ,

    the loveliest ladies that ever had life,

    and he, the comeliest of kings, who holds the court.

    For all this fair company were in their prime in the hall,

    the happiest troop under heaven with the proudest of kings.

    Truly it would be hard to name anywhere so brave a band.

    4.

    When New Year was fresh and but newly come,

    the court was served double on the dais.

    As soon as the king with his knights was come into the hall,

    the chanting in the chapel came to an end;

    loud was the cry there of clerks and others.

    Noel was celebrated anew, shouted full often;

    and afterwards the great ones ran about to take handsel;³

    called aloud for New Year’s gifts;

    ladies laughed full loud, though they had lost;

    and he that won was not wroth,

    that may ye well trow.

    All this mirth they made till the meat time.

    When they had washed,

    worthily they went to their seats,

    the best man ever above,

    as it best behoved.

    Queen Guinevere full beauteous was set in the midst,

    placed on the rich dais adorned all about.

    Fine silk at the sides,

    a canopy over her of precious cloth of Toulouse

    and tapestries of Tars,⁴ that were embroidered

    and set with the best gems that money could buy.

    Truly no man could say that he ever beheld

    a comelier lady than she,

    with her dancing gray eyes.

    5.

    But Arthur would not eat till all were served.

    He was so merry in his mirth,

    and somewhat childlike in his manner;

    his life pleased him well;

    he loved little either to lie long or to sit long,

    so busied him his young blood and his wild brain.

    And another custom moved him also,

    that he through chivalry had taken up;

    he would never eat upon such a dear day before he was told

    an uncouth tale of some adventurous thing,

    of some great marvel that he could believe,

    of ancient heroes, of arms, or of other adventures;

    or unless some person demanded of him

    a sure knight to join with him in jousting,

    to incur peril, to risk life against life,

    trusting each in the other,

    leaving the victory to fortune.

    This was the king’s custom whenever he held court

    at each goodly feast among his free company in the hall.

    And so with undaunted face he strides

    stoutly to his seat on that New Year,

    making great mirth with everybody.

    6.

    Thus the great king stands waiting before the high table,

    talking of trifles full courteously.

    The good Gawain was placed there beside Guinevere,

    and Agravain of the Hard Hand sat on the other side,

    both of them the king’s sister’s sons and full sure knights.

    Bishop Baldwin at the top begins the table,

    and Ywain, Urien’s son, ate by himself.

    These were placed on the dais and honorably served,

    and after them many a good man at the side tables.

    Then the first course came in with blare of trumpets,

    which were hung with many a bright banner.

    A new noise of kettle-drums with the noble pipes,

    wild and stirring melodies wakened the echoes;

    that many a heart heaved full high at their tones.

    Dainties of precious meats followed,

    foison of fresh viands, and on so many dishes

    that it was difficult to find place before the people

    to set on the cloth the silver that held the several courses.

    Each man as he himself preferred partook without hesitation.

    Every two⁵ had twelve dishes between them,

    good beer and bright wine both.

    7.

    Now will I tell you no more of their service,

    for everybody must well understand that there was no

    lack of opportunity for the people to take their food.⁶

    Another noise full new suddenly drew nigh,

    for scarcely had the music ceased a moment,

    and the first course been properly served in the court,

    than there burst in at the hall door an awesome being,

    in height one of the tallest men in the world;

    from the

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