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    The Dolliver Romance
    The Dolliver Romance
    The Dolliver Romance
    Ebook61 pages1 hour

    The Dolliver Romance

    By Nathaniel Hawthorne

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    Fragments of an unfinished novel. According to Wikipedia: "Nathaniel Hawthorne (1804 –1864) was an American novelist and short story writer... Much of Hawthorne's writing centers around New England and many feature moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his friend Franklin Pierce."
    LanguageEnglish
    PublisherSeltzer Books
    Release dateMar 1, 2018
    ISBN9781455366491
    Author

    Nathaniel Hawthorne

    Nathaniel Hawthorne was born is Salem, Massachusetts in 1804. His father died when he was four years old. His first novel, Fanshawe, was published anonymously at his own expense in 1828. He later disowned the novel and burned the remaining copies. For the next twenty years he made his living as a writer of tales and children's stories. He assured his reputation with the publication of The Scarlet Letter in 1850 and The House of the Seven Gables the following year. In 1853 he was appointed consul in Liverpool, England, where he lived for four years. He died in 1864.

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      Book preview

      The Dolliver Romance - Nathaniel Hawthorne

      THE DOLLIVER ROMANCE BY NATHANIEL HAWTHORNE

      published by Samizdat Express, Orange, CT, USA

      established in 1974, offering over 14,000 books

      Other recommended collections of short stories by Nathaniel Hawthorne':

      From Mosses from an Old Manse

      The Great Stone Face and Other Tales

      From the Snow Image

      A Book of Autographs

      The Dolliver Romance

      Other Tales and Sketches

      Tanglewood Tales

      Twice-Told Tales

      feedback welcome: info@samizdat.com

      visit us at samizdat.com

      INTRODUCTORY NOTE TO THE DOLLIVER ROMANCE

      A SCENE FROM THE DOLLIVER ROMANCE

      ANOTHER SCENE FROM THE DOLLIVER ROMANCE

      ANOTHER FRAGMENT OF THE DOLLIVER ROMANCE

      INTRODUCTORY NOTE.  THE DOLLIVER ROMANCE.

      In The Dolliver Romance, only three chapters of which the author lived to complete, we get an intimation as to what would have been the ultimate form given to that romance founded on the Elixir of Life, for which Septimius Felton was the preliminary study. Having abandoned this study, and apparently forsaken the whole scheme in 1862, Hawthorne was moved to renew his meditation upon it in the following year; and as the plan of the romance had now seemingly developed to his satisfaction, he listened to the publisher's proposal that it should begin its course as a serial story in the Atlantic Monthly for January, 1864--the first instance in which he had attempted such a mode of publication.

      But the change from England to Massachusetts had been marked by, and had perhaps in part caused, a decline in his health. Illness in his family, the depressing and harrowing effect of the Civil War upon his sensibilities, and anxiety with regard to pecuniary affairs, all combined to make still further inroads upon his vitality; and so early as the autumn of 1862 Mrs. Hawthorne noted in her private diary that her husband was looking miserably ill. At no time since boyhood had he suffered any serious sickness, and his strong constitution enabled him to rally from this first attack; but the gradual decline continued. After sending forth Our Old Home, he had little strength for any employment more arduous than reading, or than walking his accustomed path among the pines and sweetfern on the hill behind The Wayside, known to his family as the Mount of Vision. The projected work, therefore, advanced but slowly. He wrote to Mr. Fields:--

      I don't see much probability of my having the first chapter of the Romance ready so soon as you want it. There are two or three chapters ready to be written, but I am not yet robust enough to begin, and I feel as if I should never carry it through.

      The presentiment proved to be only too well founded. He had previously written:--

      There is something preternatural in my reluctance to begin. I linger at the threshold, and have a perception of very disagreeable phantasms to be encountered if I enter. I wish God had given me the faculty of writing a sunshiny book.  And again, in November, he says: I foresee that there is little probability of my getting the first chapter ready by the 15th, although I have a resolute purpose to write it by the end of the month. He did indeed send it by that time, but it began to be apparent in January that he could not go on.

      Seriously, he says, in one letter, my mind has, for the present, lost its temper and its fine edge, and I have an instinct that I had better keep quiet. Perhaps I shall have a new spirit of vigor if I wait quietly for it; perhaps not. In another: I hardly know what to say to the public about this abortive Romance, though I know pretty well what the case will be. I shall never finish it.... I cannot finish it unless a great change comes over me; and if I make too great an effort to do so, it will be my death.

      Finally, work had to be given over indefinitely. In April he went southward with Mr. Ticknor, the senior partner of his publishing house; but Mr. Ticknor died suddenly in Philadelphia, and Hawthorne returned to The Wayside more feeble than ever. He lingered there a little while. Then, early in May, came the last effort to recover tone, by means of a carriage-journey, with his friend Ex-President Pierce, through the southern part of New Hampshire. A week passed, and all was ended: at the hotel in Plymouth, New Hampshire, where he and his companion had stopped to rest, he died in the night, between the 18th and the 19th of May, 1864. Like Thackeray and Dickens, he was touched by death's petrific mace before he had had time to do more than lay the groundwork and begin the main structure of the fiction he had in hand; and, as in the case of Thackeray, the suddenness of his decease has never been clearly accounted for. The precise nature of his malady was not known, since with quiet hopelessness he had refused to

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