Unaccompanied
4.5/5
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About this ebook
New York Times Bestselling Author of Solito
"Every line resonates with a wind that crosses oceans."—Jamaal May
"Zamora's work is real life turned into myth and myth made real life." —Glappitnova
Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind.
Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun."
From "Let Me Try Again":
He knew we weren't Mexican.
He must've remembered his family
coming over the border, or the border
coming over them, because he drove us
to the border and told us next time, rest
at least five days, don't trust anyone calling
themselves coyotes, bring more tortillas, sardines,
Alhambra. He knew we would try again.
And again—like everyone does.
Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.
Javier Zamora
Javier Zamora was born in El Salvador in 1990. His father fled the country when he was one, and his mother when he was about to turn five. Both parents' migrations were caused by the US-funded Salvadoran Civil War. When he was nine, Javier migrated through Guatemala, Mexico, and the Sonoran Desert. His debut poetry collection, Unaccompanied, explores the impact of the war and immigration on his family. Zamora has been a Stegner Fellow at Stanford and a Radcliffe Fellow at Harvard and holds fellowships from the National Endowment for the Arts and the Poetry Foundation.
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Reviews for Unaccompanied
3 ratings1 review
- Rating: 4 out of 5 stars4/5Poetry that’s haunting and has a lot of beat. Own voices narrative of a child immigrating, fearing his country and coming across the border.
Book preview
Unaccompanied - Javier Zamora
To Abuelita Neli
This is my 14th time pressing roses in fake passports
for each year I haven’t climbed marañón trees. I’m sorry
I’ve lied about where I was born. Today, this country
chose its first black president. Maybe he changes things.
I’ve told Mom I don’t want to have to choose to get married.
You understand. Abuelita, I can’t go back and return.
There’s no path to papers. I’ve got nothing left but dreams
where I’m: the parakeet nest on the flor de fuego,
the paper boats we made when streets flooded,
or toys I buried by the foxtail ferns. ¿Do you know
the ferns I mean? The ones we planted the first birthday
without my parents. I’ll never be a citizen. I’ll never
scrub clothes with pumice stones over the big cement tub
under the almond trees. Last time you called, you said
my old friends think that now I’m from some town
between this bay and our estero. And that I’m a coconut:
brown on the outside, white inside. Abuelita, please
forgive me, but tell them they don’t know shit.
Saguaros
It was dusk for kilometers and bats in the lavender sky,
like spiders when a fly is caught, began to appear.
And there, not the promised land but barbwire and barbwire
with nothing growing under it. I tried to fly that dusk
after a bat said la sangre del saguaro nos seduce. Sometimes
I wake and my throat is dry, so I drive to botanical gardens
to search for red fruits at the top of saguaros, the ones
at dusk I threw rocks at for the sake of hunger.
But I never find them here. These bats speak English only.
Sometimes in my car, that viscous red syrup
clings to my throat and I have to pull over —
I also scraped needles first, then carved
those tall torsos for water, then spotlights drove me
and thirty others dashing into paloverdes;
green-striped trucks surrounded us and our empty bottles
rattled. When the trucks left, a cold cell swallowed us.
from The Book I Made with a Counselor My First Week of School
His grandma made the best pupusas, the counselor wrote next to
Stick-Figure Abuelita
(I’d colored her puffy hair black with a pen).
Earlier, Dad in his truck: always look gringos in the eyes.
Mom: never tell them everything, but smile, always smile.
A handful of times I’ve opened the book to see running past cacti
from helicopters, running inside detention cells.
Next to what might be yucca plants or a dried creek:
Javier saw a dead coyote animal, which stank and had flies over it.
I keep this book in an old shoebox underneath the bed. She asked in Spanish,
I just smiled, didn’t tell her, no animal, I knew that man.
Second Attempt Crossing
for Chino
In the middle of that desert that didn’t look like sand
and sand only,
in the middle of those acacias, whiptails, and coyotes, someone yelled
¡La Migra!
and everyone ran.
In that dried creek where forty of us slept, we turned to each other,
and you flew from my side in the dirt.
Black-throated sparrows and dawn
hitting the tops of mesquites.
Against the herd of legs,
you sprinted back toward me,
I jumped on your shoulders,
and we ran from the white trucks, then their guns.
I said, freeze Chino, ¡pará por favor!
So I wouldn’t touch their legs that kicked you,
you pushed