Lysistrata
By Aristophanes
()
About this ebook
Aristophanes
Aristophanes, son of Philippus, of the deme Kydathenaion, was a comic playwright of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete.
Read more from Aristophanes
The Frogs Rating: 4 out of 5 stars4/5The Birds and Other Plays Rating: 4 out of 5 stars4/5Yale Required Reading - Collected Works (Vol. 1) Rating: 5 out of 5 stars5/5Aristophanes: Four Comedies Rating: 4 out of 5 stars4/5Lysistrata and Other Plays (Translated with Annotations by The Athenian Society) Rating: 4 out of 5 stars4/5Lysistrata Rating: 4 out of 5 stars4/5Lysistrata and Other Plays Rating: 4 out of 5 stars4/5The Complete Plays Rating: 0 out of 5 stars0 ratingsThe Birds Rating: 3 out of 5 stars3/5The Birds: A Play Rating: 3 out of 5 stars3/5The Thesmophoriazusae (Or The Women's Festival) Rating: 4 out of 5 stars4/5Harvard Classics: All 71 Volumes Rating: 0 out of 5 stars0 ratingsYale Classics (Vol. 1) Rating: 0 out of 5 stars0 ratingsClouds Rating: 3 out of 5 stars3/5The Birds Rating: 3 out of 5 stars3/5The Frogs Rating: 3 out of 5 stars3/5The Frogs and Other Plays Rating: 0 out of 5 stars0 ratingsThe Clouds Rating: 3 out of 5 stars3/5Yale Classics (Vol. 1): Yale Required Reading Rating: 0 out of 5 stars0 ratingsLysistrata (Translated with Annotations by The Athenian Society) Rating: 0 out of 5 stars0 ratingsThe Wasps Rating: 3 out of 5 stars3/5The Ecclesiazusae Rating: 4 out of 5 stars4/5
Related authors
Related to Lysistrata
Related ebooks
The Dutch Lover: "There is no sinner like a young saint." Rating: 0 out of 5 stars0 ratingsLunatic Heroes: Memories, Lies and Reflections Rating: 0 out of 5 stars0 ratingsThe Cyclops Rating: 3 out of 5 stars3/5Lysistrata Rating: 0 out of 5 stars0 ratingsAn Ideal Husband Rating: 0 out of 5 stars0 ratingsR. U. R. (Rossum's Universal Robots) Rating: 4 out of 5 stars4/5The Great Gatsby Rating: 1 out of 5 stars1/5Three Lives Rating: 3 out of 5 stars3/5Salome Rating: 4 out of 5 stars4/5Hippolytus; The Bacchae Rating: 0 out of 5 stars0 ratingsThe Miser and Other Plays Rating: 4 out of 5 stars4/5Medea and Other Plays Rating: 4 out of 5 stars4/5War and Peace (Translated by Louise and Aylmer Maude) Rating: 3 out of 5 stars3/5The Frogs Rating: 4 out of 5 stars4/5R.U.R. Rating: 4 out of 5 stars4/5Agamemnon Rating: 4 out of 5 stars4/5Ghosts Rating: 0 out of 5 stars0 ratingsA Yorkshire Tragedy Rating: 0 out of 5 stars0 ratingsThe Jungle Rating: 4 out of 5 stars4/5The Pretentious Young Ladies Rating: 4 out of 5 stars4/5Saint Joan Rating: 4 out of 5 stars4/5Now We Are Six Hundred: A Collection of Time Lord Verse Rating: 4 out of 5 stars4/5The White Devil Rating: 0 out of 5 stars0 ratingsA Study Guide for Anton Chekhov's "Uncle Vanya" Rating: 0 out of 5 stars0 ratingsLysistrata: A Play Rating: 4 out of 5 stars4/5Elektra: A New Translation Rating: 4 out of 5 stars4/5Frankenstein Rating: 4 out of 5 stars4/5The Children's Republic Rating: 0 out of 5 stars0 ratingsCandide Rating: 0 out of 5 stars0 ratingsCyrano de Bergerac Rating: 5 out of 5 stars5/5
Poetry For You
Bedtime Stories for Grown-ups Rating: 5 out of 5 stars5/5The Odyssey: (The Stephen Mitchell Translation) Rating: 4 out of 5 stars4/5The Things We Don't Talk About Rating: 4 out of 5 stars4/5Love Her Wild: Poems Rating: 4 out of 5 stars4/5Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death Rating: 4 out of 5 stars4/5Inward Rating: 4 out of 5 stars4/5The Prophet Rating: 5 out of 5 stars5/5The Way Forward Rating: 5 out of 5 stars5/5Beyond Thoughts: An Exploration Of Who We Are Beyond Our Minds Rating: 5 out of 5 stars5/5The Odyssey Rating: 0 out of 5 stars0 ratingsThe Complete Poems of Emily Dickinson Rating: 4 out of 5 stars4/5The Waste Land and Other Poems Rating: 4 out of 5 stars4/5Daily Stoic: A Daily Journal On Meditation, Stoicism, Wisdom and Philosophy to Improve Your Life Rating: 5 out of 5 stars5/5The Road Not Taken and Other Poems Rating: 4 out of 5 stars4/5Selected Poems Rating: 4 out of 5 stars4/5Tao Te Ching: A New English Version Rating: 5 out of 5 stars5/5The Divine Comedy: Inferno, Purgatory, and Paradise Rating: 5 out of 5 stars5/5Twenty love poems and a song of despair Rating: 4 out of 5 stars4/5Dream Work Rating: 4 out of 5 stars4/5Beowulf Rating: 4 out of 5 stars4/5The Complete Poems of John Keats (with an Introduction by Robert Bridges) Rating: 4 out of 5 stars4/5You Better Be Lightning Rating: 5 out of 5 stars5/5Edgar Allan Poe: The Complete Collection Rating: 5 out of 5 stars5/5Dante's Inferno: The Divine Comedy, Book One Rating: 4 out of 5 stars4/5Leaves of Grass: 1855 Edition Rating: 4 out of 5 stars4/5The Divine Comedy: Inferno Rating: 4 out of 5 stars4/5The Road Not Taken and other Selected Poems Rating: 4 out of 5 stars4/5Dante's Divine Comedy: Inferno Rating: 4 out of 5 stars4/5The Canterbury Tales Rating: 4 out of 5 stars4/5
Related categories
Reviews for Lysistrata
0 ratings0 reviews
Book preview
Lysistrata - Aristophanes
LYSISTRATA
………………
Aristophanes
WAXKEEP PUBLISHING
Thank you for reading. In the event that you appreciate this book, please show the author some love.
This book is a work of nonfiction and is intended to be factually accurate.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2015 by Aristophanes
TABLE OF CONTENTS
INTRODUCTION
DRAMATIS PERSONAE
SCENE
Lysistrata
By
Aristophanes
INTRODUCTION
………………
LYSISTRATA IS THE GREATEST WORK by Aristophanes. This blank and rash statement is made that it may be rejected. But first let it be understood that I do not mean it is a better written work than the Birds or the Frogs, or that (to descend to the scale of values that will be naturally imputed to me) it has any more appeal to the collectors of curious literature
than the Ecclesiazusae or the Thesmophoriazusae. On the mere grounds of taste I can see an at least equally good case made out for the Birds. That brightly plumaged fantasy has an aerial wit and colour all its own. But there are certain works in which a man finds himself at an angle of vision where there is an especially felicitous union of the aesthetic and emotional elements which constitute the basic qualities of his uniqueness. We recognize these works as being welded into a strange unity, as having a homogeneous texture of ecstasy over them that surpasses any aesthetic surface of harmonic colour, though that harmony also is understood by the deeper welling of imagery from the core of creative exaltation. And I think that this occurs in Lysistrata. The intellectual and spiritual tendrils of the poem are more truly interwoven, the operation of their centres more nearly unified; and so the work goes deeper into life. It is his greatest play because of this, because it holds an intimate perfume of femininity and gives the finest sense of the charm of a cluster of girls, the sweet sense of their chatter, and the contact of their bodies, that is to be found before Shakespeare, because that mocking gaiety we call Aristophanies reaches here its most positive acclamation of life, vitalizing sex with a deep delight, a rare happiness of the spirit.
Indeed it is precisely for these reasons that it is not considered Aristophanes’ greatest play.
To take a case which is sufficiently near to the point in question, to make clear what I mean: the supremacy of Antony and Cleopatra in the Shakespearean aesthetic is yet jealously disputed, and it seems silly to the academic to put it up against a work like Hamlet. But it is the comparatively more obvious achievement of Hamlet, its surface intellectuality, which made it the favourite of actors and critics. It is much more difficult to realize the complex and delicately passionate edge of the former play’s rhythm, its tides of hugely wandering emotion, the restless, proud, gay, and agonized reaction from life, of the blood, of the mind, of the heart, which is its unity, than to follow the relatively straightforward definition of Hamlet’s nerves. Not that anything derogatory to Hamlet or the Birds is intended; but the value of such works is not enhanced by forcing them into contrast with other works which cover deeper and wider nexus of aesthetic and spiritual material. It is the very subtlety of the vitality of such works as Antony and Cleopatra and Lysistrata that makes it so easy to undervalue them, to see only a phallic play and political pamphlet in one, only a chronicle play in a grandiose method in the other. For we have to be in a highly sensitized condition before we can get to that subtle point where life and the image mix, and so really perceive the work at all; whereas we can command the response to a lesser work which does not call so finely on the full breadth and depth of our spiritual resources.
I amuse myself at times with the fancy that Homer, Sappho, and Aristophanes are the inviolable Trinity of poetry, even to the extent of being reducible to One. For the fiery and lucid directness of Sappho, if her note of