The Road to Glory
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About this ebook
A group of young villagers, some of them teenagers are persuaded to enlist in King Henry’s army. They set sail from Southampton to claim the throne of France for England. Each has a different reason for going to war and their expectations vary, but none has any experience of fighting in a real battle.
Combining fact and fantasy, the play takes us on a journey from the peace of rural England to the bloody battlefields of Agincourt in France, where the young villagers finally come face to face with the mightiest army in Europe. The reality is both shocking and brutal.
What happens changes their lives forever.
Ideal play for schools,colleges and youth theatres which questions the need for war and its consequences.
Reviews of previous work
"... an extraordinarily moving and effective play, so dramatic that, at times, it is almost assaulting." The Guardian
"... this blazingly adventurous show." The Scotsman
"... no doubting the show's mesmerising appeal to the imagination, which seized the audience with rapt delight." Daily Telegraph
"... there is not a moment which isn't magical." Yorkshire Post
"... a marvellous play, a complex dramatic story, challenging in both form and content" Times Educational Supplement
About the author
Neil Duffield has written more than 50 plays which have been produced extensively throughout Britain and abroad. His play The Lost Warrior, commissioned by the Dukes Lancaster, won the 2006 Arts Council of England Award for work which displays excellence, inspiration and innovation in children's theatre.
Recent productions include: The Ugly Duckling (Sheffield Crucible and Nottingham Playhouse 2007), Leopard (Sheffield Crucible 2007), The Hunchback of Notre Dame (Dukes Theatre, Lancaster 2006). The Snow Queen (Watermill Theatre, Newbury 2006), The Firebird (Northumberland Theatre Company 2006), The Secret Garden (Helix Theatre Dublin 2005) and The Emperor's New Clothes(Midlands Arts Centre, 2005).
Neil is married to freelance theatre director Eileen Murphy and lives in Bolton.
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Book preview
The Road to Glory - Neil Duffield
(original)
THE ROAD TO GLORY
by Neil Duffield
Set: Non-specific and multi-locational.
Costume: Not tied to any one period. A mixture of past and present.
Chorus: Numbers are flexible and may vary from scene to scene. Chorus members carry wooden staves which they use as bows, spears, lances, farm implements, banners, etc, as well as using them collectively to represent a pillory, a ship, etc.
Music/percussion (live or recorded) is used wherever appropriate to accompany songs, link scenes, and to add mood and atmosphere.
ACT ONE
Music. Lights up on the Chorus as farm workers, using their staves as scythes, pitchforks, etc, to gather in the harvest.
Straight into song.
Anna, Margaret and Thomas are among the harvesters. Thomas is attempting to teach Anna how to use a scythe – with little success. Margaret looks on.
CHORUS
‘Oh where are you going?’ said Milder to Moulder
‘Oh we may not tell you!’ said Festel to Fose
‘We’re off to the wood!’ said John the Red Nose
‘We’re off to the wood!’ said John the Red Nose
‘And what will you do there?’ said Milder to Moulder
‘Oh we may not tell you!’ said Festel to Fose
‘We’ll shoot the cutty wren!’ said John the Red Nose
‘We’ll shoot the cutty wren!’ said John the Red Nose
‘And who’ll get the spare ribs?’ said Milder to Moulder
‘Oh we may not tell you!’ said Festel to Fose
‘We’ll give them all to the poor,’ said John the Red Nose
‘We’ll give them all to the poor,’ said John the Red Nose.
Music underscores and work continues as the Chorus address the audience.
CHORUS
Imagine a time:
CHORUS
A time that is as much fantasy as it is fact.
CHORUS
As much present as it is past.
CHORUS
A time that is neither now nor then.
CHORUS
Imagine a village.
CHORUS
A village that is as much invented as it is real.
CHORUS
As much near by as it is far away.
CHORUS
A village that is neither here nor there.
CHORUS
In this imaginary time
CHORUS
and this imaginary village,
CHORUS
women are as men
CHORUS
and men are as women
CHORUS
We perform the same roles,
CHORUS
enjoy the same rights.
CHORUS
suffer the same burdens.
CHORUS
In this imaginary time
CHORUS
and this imaginary village,
CHORUS
truth floats like a mist on the sea,
CHORUS
and history is the driftwood of yesterday
CHORUS
washed up on the shores of today.
CHORUS
In this imaginary time
CHORUS
and this imaginary village,
CHORUS
the road to glory begins.
CHORUS
But we villagers have yet to set foot on that fateful path.
CHORUS
For the moment, our lives proceed as normal.
Music ends.
THOMAS (getting exasperated)
You’re cutting it too high, Anna. Look at all the waste. What’s the steward going to say when he sees that? You need to swing lower. The way I showed you.
CHORUS
Thomas Cooper.
CHORUS
A kindly man.
CHORUS
But not the most patient.
THOMAS
I don’t see what’s so difficult about it… Give me the scythe. (He demonstrates.) Swing to the side… Down… And back… That’s all there is to it.
Try again.
CHORUS
He’s been at it all morning.
Anna tries again with the same lack of success.
THOMAS
To the side… Down… And back. Swing, Anna. Swing!
ANNA
To the side… Down… And back.
CHORUS
Anna Turner.
CHORUS
A determined young