Night of the Republic: Poems
By Alan Shapiro
3/5
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About this ebook
Poetry about places—from a supermarket to a strip club to a suburban home—from a poet who “seeks what lies at the deepest level of the human heart” (Chicago Tribune).
In Night of the Republic, Alan Shapiro takes us on an unsettling night tour of America’s public places—a gas station restroom, shoe store, convention hall, and race track, among others—and in stark Edward Hopper–like imagery reveals the surreal and dreamlike features of these familiar but empty night spaces. Shapiro finds in them not the expected alienation but rather an odd, companionable solitude rising up from the quiet emptiness.
In other poems, Shapiro writes movingly of his 1950s and ’60s childhood in Brookline, Massachusetts, with special focus on the house he grew up in. These meditations, always inflected with Shapiro’s quick wit and humor, lead to recollections of tragic and haunting events such as the Cuban missile crisis and the assassination of JFK. While Night of the Republic is Shapiro’s most ambitious work to date, it is also his most timely and urgent for the acute way it illuminates the mingling of private obsessions with public space.
“His poems are both artful and unpretentious.” —Boston Review
Alan Shapiro
Alan Shapiro, Ph.D. is author of the best-selling, Golf's Mental Hazards (Fireside, 1996). Highly acclaimed for his insightful and humorous perspective on the psychology of golf, Dr. Shapiro serves as consultant to The Golf School, based in Mt. Snow, Vermont. He maintains his residence and private-practice in Albany, New York.
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Reviews for Night of the Republic
7 ratings2 reviews
- Rating: 3 out of 5 stars3/5I have read other collections by Shapiro I liked better, but this was a fine enough collection.
- Rating: 4 out of 5 stars4/5Alan Shapiro has a masterful hand for poetry. I only wish he had sought to include human life in this book. The idea of visiting various locations at night is great, and the locations are emblematic of contemporary American society, but they all feel so sterile without occupation. The occasional human presence is composed of dead-eyed slaves to the worst in our society. I've been out in America at night, and it's not the post-apocalyptic isolation presented here. But the way that Shapiro imbues inanimate objects with human flaws is wonderful, and for that, four stars.
Book preview
Night of the Republic - Alan Shapiro
I. NIGHT OF THE REPUBLIC
Gas Station Restroom
The present tense
is the body's past tense
here; hence
the ghost sludge of hands
on the now gray strip
of towel hanging limp
from the jammed dispenser;
hence the mirror
squinting through grime
at grime, and the worn-
to-a-sliver of soiled soap
on the soiled sink.
The streaked bowl,
the sticky toilet seat, air
claustral with stink—
all residues and traces
of the ancestral
spirit of body free
of spirit—hence,
behind the station,
at the back end of the store,
hidden away
and dimly lit
this cramped and
solitary carnival
inversion—Paul
becoming Saul
becoming scents
anonymous
and animal; hence,
over the insides
of the lockless stall
the cave-like
scribblings and glyphs
declaring unto all
who come to it
in time: "heaven
is here at hand
and dark, and hell
is odorless; hell
is bright and clean."
Car Dealership at 3 A.M.
Over the lot a sodium aura
within which
above the new cars sprays
of denser many-colored brightnesses
are rising and falling in a time lapse
of a luminous and ghostly
garden forever flourishing
up out of its own decay.
The cars, meanwhile, modest as angels
or like angelic
hoplites, are arrayed
in rows, obedient to orders
they bear no trace of,
their bodies taintless, at attention,
serving the sheen they bear,
the glittering they are,
the sourceless dazzle
that the showcase window
that the showroom floor
weeps for
when it isn't there—
like patent leather, even the black wheels shine.
Here is the intense
amnesia of the just now
at last no longer longing
in a flowering of lights
beyond which
one by one, haphazardly
the dented, the rusted-through,
metallic Eves and Adams
hurry past, as if ashamed,
their dull beams averted,
low in the historical dark they disappear into.
Supermarket
The one cashier is dozing—
head nodding, slack mouth open,
above the cover girl spread out before her on the counter
smiling up
with indiscriminate forgiveness
and compassion for everyone
who isn't her.
Only the edge
is visible of the tightly spooled
white miles
of what is soon
to be the torn-off-
inch-by-inch receipts,
and the beam of green light in the black glass
of the self-scanner
drifts free in the space that is the sum
of the cost of all the items that tonight
won't cross its path.
Registers of feeling too precise
too intricate to feel
except in the disintegrating
traces of a dream—
panopticon of cameras
cutting in timed procession
from aisle to aisle
to aisle on the overhead screens
above the carts asleep inside each other—
above the darkened
service desk, the pharmacy, the nursery,
so everywhere inside the store
is everywhere at once
no matter where—
eternal reruns
of stray wisps of steam
that rise
from the brightly frozen,
of the canned goods and foodstuffs
stacked in columns onto columns
under columns pushed together
into walls of shelves
of aisles all celestially effacing
any trace
of bodies that have picked
packed unpacked and placed
them just so
so as to