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    The Thesmophoriazusae
    The Thesmophoriazusae
    The Thesmophoriazusae
    Ebook75 pages45 minutes

    The Thesmophoriazusae

    By Aristophanes

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    Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.
    LanguageEnglish
    PublisherInteractive Media
    Release dateNov 14, 2016
    ISBN9781911535881
    The Thesmophoriazusae
    Author

    Aristophanes

    Often referred to as the father of comedy, Aristophanes was an ancient Greek comedic playwright who was active in ancient Athens during the fourth century BCE, both during and after the Peloponnesian War. His surviving plays collectively represent most of the extant examples of the genre known as Old Comedy and serve as a foundation for future dramatic comedy in Western dramatic literature. Aristophanes’ works are most notable for their political satire, and he often ridiculed public figures, including, most famously, Socrates, in his play The Clouds. Aristophanes is also recognized for his realistic representations of daily life in Athens, and his works provide an important source to understand the social reality of life in Ancient Greece. Aristophanes died sometime after 386 BCE of unknown causes.

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      Book preview

      The Thesmophoriazusae - Aristophanes

      Aristophanes

      The Thesmophoriazusae

      LONDON ∙ NEW YORK ∙ TORONTO ∙ SAO PAULO ∙ MOSCOW

      PARIS ∙ MADRID ∙ BERLIN ∙ ROME ∙ MEXICO CITY ∙ MUMBAI ∙ SEOUL ∙ DOHA

      TOKYO ∙ SYDNEY ∙ CAPE TOWN ∙ AUCKLAND ∙ BEIJING

      New Edition

      Published by Sovereign Classic

      www.sovereignclassic.net

      This Edition

      First published in 2016

      Copyright © 2016 Sovereign Classic

      ISBN: 9781911535881

      Contents

      INTRODUCTION

      DRAMATIS PERSONAE

      THE THESMOPHORIAZUSAE

      NOTES

      INTRODUCTION

      Like the ‘Lysistrata,’ the ‘Thesmophoriazusae, or Women’s Festival,’ and the next following play, the ‘Ecclesiazusae, or Women in Council’ are comedies in which the fair sex play a great part, and also resemble that extremely scabreux production in the plentiful crop of doubtful ‘double entendres’ and highly suggestive situations they contain.

      The play has more of a proper intrigue and formal dénouement than is general with our Author’s pieces, which, like modern extravaganzas and musical comedies, are often strung on a very slender thread of plot. The idea of the ‘Thesmophoriazusae’ is as follows.

      Euripides is summoned as a notorious woman-hater and detractor of the female sex to appear for trial and judgment before the women of Athens assembled to celebrate the Thesmophoria, a festival held in honour of the goddesses Demeter and Persephone, from which men were rigidly excluded. The poet is terror-stricken, and endeavours to persuade his confrčre, the tragedian Agathon, to attend the meeting in the guise of a woman to plead his cause, Agathon’s notorious effeminacy of costume and way of life lending itself to the deception; but the latter refuses point-blank. He then prevails on his father-in-law, Mnesilochus, to do him this favour, and shaves, depilates, and dresses him up accordingly. But so far from throwing oil on the troubled waters, Mnesilochus indulges in a long harangue full of violent abuse of the whole sex, and relates some scandalous stories of the naughty ways of peccant wives. The assembly suspects at once there is a man amongst them, and on examination of the old fellow’s person, this is proved to be the case. He flies for sanctuary to the altar, snatching a child from the arms of one of the women as a hostage, vowing to kill it if they molest him further. On investigation, however, the infant turns out to be a wine-skin dressed in baby’s clothes.

      In despair Mnesilochus sends urgent messages to Euripides to come and rescue him from his perilous predicament. The latter then appears, and in successive characters selected from his different Tragedies—now Menelaus meeting Helen again in Egypt, now Echo sympathising with the chained Andromeda, presently Perseus about to release the heroine from her rock—pleads for his unhappy father-in-law. At length he succeeds in getting him away in the temporary absence of the guard, a Scythian archer, whom he entices from his post by the charms of a dancing-girl.

      As may be supposed, the appearance of Mnesilochus among the women dressed in women’s clothes, the examination of his person to discover his true sex and his final detection, afford fine opportunities for a display of the broadest Aristophanic humour. The latter part of the play also, where various pieces of Euripides are burlesqued, is extremely funny; and must have been still more so when represented before an audience familiar with every piece and almost every line parodied, and played by actors trained and got up to imitate every trick and mannerism of appearance and delivery of the tragic actors who originally took the parts.

      The ‘Thesmophoriazusae’ was produced in the year 412 B.C., six years before the death of Euripides, who is held up to ridicule in it, as he is in ‘The Wasps’ and several other of our Author’s comedies.

      DRAMATIS PERSONAE

      EURIPIDES.

      MNESILOCHUS, Father-in-law of Euripides.

      AGATHON.

      SERVANT OF AGATHON.

      CHORUS attending AGATHON.

      HERALD.

      WOMEN.

      CLISTHENES.

      A PRYTANIS or Member of the Council.

      A SCYTHIAN or Police Officer.

      CHORUS OF THESMOPHORIAZUSAE—women keeping the Feast of Demeter.

      SCENE: In front of Agathon’s house; afterwards in the precincts of the Temple of Demeter.

      THE THESMOPHORIAZUSAE

      MNESILOCHUS. Great Zeus! will the swallow never appear to end the winter of

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