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Love and Dandelions: A Life of Rhyme
Love and Dandelions: A Life of Rhyme
Love and Dandelions: A Life of Rhyme
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Love and Dandelions: A Life of Rhyme

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Love and Dandelions is a collection of sixty-two original poems written by the author from 1945 to 1986. He has said "some are corny, some are good, and some are excellent," but all reflect the writer's perception of the human condition over four decades as he developed his skills as a wordsmith. A few of these efforts have been called classics, but if not all classics, they are at least sincere. They are also easy to read and understand, as opposed to the vagaries of others.

Ranging in subject matter from the Civil War to Alaska, from Life to Death, and from Hell to New Orleans, Love and Dandelions will interest today's romantic and contemplative daydreamers. An entertaining author's self-review of each poem makes this work unique.

LanguageEnglish
PublisheriUniverse
Release dateApr 13, 2004
ISBN9780595762286
Love and Dandelions: A Life of Rhyme
Author

Chuck Lewis

Chuck Lewis is a member of the Western Writers of America, is the author of When Good Men Ride, Two From the West, and others, and is a literary reviewer for True West magazine. He obviously is also drawn to western movies. He and his wife Pat reside in Wickenburg, Arizona.

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    Book preview

    Love and Dandelions - Chuck Lewis

    Love and Dandelions

    A Life of Rhyme

    Chuck Lewis

    iUniverse, Inc.

    New York Lincoln Shanghai

    Love and Dandelions

    A Life of Rhyme

    All Rights Reserved © 1991, 2004 by Chuck Lewis

    No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher.

    iUniverse, Inc.

    For information address:

    iUniverse, Inc.

    2021 Pine Lake Road, Suite 100

    Lincoln, NE 68512

    www.iuniverse.com

    ISBN: 0-595-31413-9

    ISBN: 978-0-5957-6228-6 (ebook)

    Contents

    Preface

    The Deer

    Life

    The Sigh of the Wind

    Awareness

    You Tell Me Why!

    You Are With Me

    Plumb-Bob: A Character

    Confession to a Wife

    A Cry For the Mountains

    We Live!

    I Never Knew

    When It’s Spring Again

    Wind

    Homeless Man

    Morning Memo To a Wife

    If I Can Only Find Her

    Bite the Dust

    The Tidal Wave of Age

    Hempen Rope

    You

    I Belong To Yesterday

    Scarlet Girl

    You’re My Woman

    Buz

    I Miss Your Love

    Has Anybody Seen My Cool?

    Loved and Lost

    Lonely Hours

    Love and Dandelions

    Blue Aloha

    That Man in the Moon

    What’s-her-name

    Seasons of Love

    Things That Shine

    I’m Right Where You Told Me to Go

    Christine

    In and Out of Love

    When the Blue Was Blue

    A Note Before a Hunting Trip

    What Would I Be?

    Joy (To the World)

    Fearful Heart

    Things That I Say

    Keeper of the Door

    Every Poet Needs a Poe

    The Tryst

    Darkly Down

    To Mons Veneris

    Adam’s Barbecued Rib

    The Din of Rin Tin Tin’s Din-Din in Tin

    A Blue and Gray Summer Day

    Merry Christmas to My Wife

    A Thought

    In the Dark

    My Lover’s Love

    Freedom From the Mold

    When Last I Saw Alaska

    Observation

    Happy Valentine

    A Thought To My Wife of Twenty-Eight Years

    Because of a Girl Named Marie

    Author’s Reviews

    With all my heart to my wife Patty, who chose to run with me through the bright fields of love and dandelions.

    Preface

    I’ve never heard of a rich poet. Poetry is written for fun, for self-expression, and for artistic motivations not normally conducive to commercial profit. For me, poetry offered a kind of literary challenge, especially in the use of rhyme. The restrictions of form, meter, and phonics are compounded by a narrow choice of rhyming words of appropriate meaning. The challenge of being inhibited by such disciplines and still being able to construct sensible verses to say what one wants to say, offers a certain degree of satisfaction when one attains that result.

    My attempts at poetry were sporadic over a period of about forty years. Some were written during fits of nostalgia, some were initiated as song lyrics, some prompted by romance, but, with one exception, all by unexplainable impulse and inspiration. I never consciously sat down to write a poem; it didn’t work that way with me. An entire poem or song suddenly formed in my mind and I had to immediately stop whatever I was doing and get it down on paper. The words simply materialized, and afterward I would have little memory of ever having consciously or purposely formulated such thoughts. It was as if someone else had done the writing. I knew, of course, the creation was mine and I could feel pleasure at the work, but it also allowed me to be honestly objective about it all.

    I suffer no delusions regarding my talents or the quality of these poems. Some are rather corny, some are embarrassingly maudlin, and some are silly. Some are quite good, however, and I am well pleased with them. One thing I can say about most of them is that just about anybody can understand them. They are not the ponderous vagaries of the classical bards who produced lengthy poems of such obscure meaning that no one but the poet could understand them. Some of today’s poets still write that way. Such is the stuff that makes all school children and most adults groan at the prospect of being subjected to a dose of poetry. We don’t relate to The Faerie Queene as easily as we do The Night Before Christmas.

    My own work, I hope, more closely resembles the latter. I’ve also written the words and music for a couple dozen songs, and some of the poems in this collection were originally composed as lyrics for such efforts. That was fun, too, but equally unproductive in attaining any commercial success.

    I no longer write poetry, the reason for which will become apparent to any reader who has the patience to reach the last poem in this book. I have since been encouraged by my wife to assemble these efforts and to get them into print. Upon such assembly, I realized that these poems are not only examples

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