The Magnificent Lovers: Les Amants Magnifiques
By Molière and Charles Heron Wall
()
About this ebook
Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.
In 1631, his father purchased from the court of Louis XIII the posts of "valet of the King's chamber and keeper of carpets and upholstery" which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.
However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage. He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.
Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.
Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit. His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.
From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause. His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.
‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.
His death was as dramatic as his life. Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.
Molière insisted on completing his performance.
Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late. On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.
Molière
Molière was a French playwright, actor, and poet. Widely regarded as one of the greatest writers in the French language and universal literature, his extant works include comedies, farces, tragicomedies, comédie-ballets, and more.
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The Misanthrope (Translated by Henri Van Laun with an Introduction by Eleanor F. Jourdain) Rating: 4 out of 5 stars4/5The Misanthrope: A Play Rating: 4 out of 5 stars4/521 plays by Molière in English translation Rating: 0 out of 5 stars0 ratingsDon Juan: Comedy in Five Acts, 1665 Rating: 0 out of 5 stars0 ratingsHarvard Classics: All 71 Volumes Rating: 0 out of 5 stars0 ratingsTartuffe Rating: 0 out of 5 stars0 ratingsAmphitryon, By Molière Rating: 4 out of 5 stars4/5Tartuffe and Other Plays Rating: 4 out of 5 stars4/5The Physican in Spite of Himself aka A Doctor Despite Himself: Le Médecin Malgré Lui Rating: 0 out of 5 stars0 ratingsTartuffe or The Hypocrite Rating: 4 out of 5 stars4/5Tartuffe Rating: 4 out of 5 stars4/5The School for Husbands Rating: 2 out of 5 stars2/5The School for Wives: L'École des Femmes Rating: 0 out of 5 stars0 ratingsThe Misanthrope Rating: 4 out of 5 stars4/5The School for Wives Rating: 0 out of 5 stars0 ratingsThe Misanthrope Rating: 4 out of 5 stars4/5Amphitryon Rating: 4 out of 5 stars4/5The Misanthrope Rating: 0 out of 5 stars0 ratingsThe Pretentious Young Ladies Rating: 3 out of 5 stars3/5The Misanthrope and Other Plays Rating: 0 out of 5 stars0 ratingsThe Impostures of Scapin: Les Fourberies de Scapin Rating: 0 out of 5 stars0 ratingsThe Miser Rating: 0 out of 5 stars0 ratings
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The Magnificent Lovers - Molière
The Magnificent Lovers by Molière
Les Amants Magnifiques
Translated by Charles Heron Wall
Jean-Baptiste Poquelin is better known to us by his stage name of Molière. He was born in Paris, to a prosperous well-to-do family on 15th January 1622.
In 1631, his father purchased from the court of Louis XIII the posts of valet of the King's chamber and keeper of carpets and upholstery
which Molière assumed in 1641. The benefits included only three months' work per annum for which he was paid 300 livres and also provided a number of lucrative contracts.
However in June 1643, at 21, Molière abandoned this for his first love; a career on the stage. He partnered with the actress Madeleine Béjart, to found the Illustre Théâtre at a cost of 630 livres.
Unfortunately despite their enthusiasm, effort and ambition the troupe went bankrupt in 1645.
Molière and Madeleine now began again and spent the next dozen years touring the provincial circuit. His journey back to the sacred land of Parisian theatres was slow but by 1658 he performed in front of the King at the Louvre.
From this point Molière both wrote and acted in a large number of productions that caused both outrage and applause. His many attacks on social conventions, the church, hypocrisy and other areas whilst also writing a large number of comedies, farces, tragicomedies, comédie-ballets are the stuff of legend.
‘Tartuffe’, ‘The Misanthrope’, ‘The Miser’ and ‘The School for Wives’ are but some of his classics.
His death was as dramatic as his life. Molière suffered from pulmonary tuberculosis. One evening he collapsed on stage in a fit of coughing and haemorrhaging while performing in the last play he'd written, in which, ironically, he was playing the hypochondriac Argan, in ‘The Imaginary Invalid’.
Molière insisted on completing his performance.
Afterwards he collapsed again with another, larger haemorrhage and was taken home. Priests were sent for to administer the last rites. Two priests refused to visit. A third arrived too late. On 17th February 1673, Jean-Baptiste Poquelin, forever to be known as Molière, was pronounced dead in Paris. He was 51.
Index of Contents
NOTES
PREFACE BY THE AUTHOR
DRAMATIS PERSONAE
THE MAGNIFICENT LOVERS
FIRST INTERLUDE
ACT I
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SECOND INTERLUDE
ACT II
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
THIRD INTERLUDE
ACT III
FOURTH INTERLUDE
BALLET
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
FIFTH INTERLUDE
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
SIXTH INTERLUDE
BALLET AND DIVERTISSEMENT
MOLIÈRE – A SHORT BIOGRAPHY
MOLIÈRE – A CONCISE BIBLIOGRAPHY
NOTES
The subject of this play was given by Louis XIV. It was acted before him at Saint-Germain-en-Laye, on February 4, 1670, but was never represented in Paris, and was only printed after Molière's death. It is one of the weakest plays of Molière, upon whom unfortunately now rested the whole responsibility of the court entertainments. His attack upon astrology is the most interesting part.
PREFACE BY THE AUTHOR
The King, who will have nothing but what is magnificent in all he undertakes, wished to give his court an entertainment which should comprise all that the stage can furnish. To facilitate the execution of so vast an idea, and to link together so many different things, his Majesty chose for the subject two rival princes, who, in the lovely vale of Tempe, where the Pythian Games were to be celebrated, vie with each other in fêting a young princess and her mother with all imaginable gallantries.
DRAMATIS PERSONAE
IPHICRATES & TIMOCLES, princes in love with ERIPHYLE
SOSTRATUS, a general, also in love with ERIPHYLE
ANAXARCHUS, an astrologer
CLEON, his son
CHOROEBUS, in the suit of ARISTIONE
CLITIDAS, a court jester, one of the attendants of ERIPHYLE*
ARISTIONE, a princess, mother to ERIPHYLE
ERIPHYLE, a princess, daughter to ARISTIONE
CLEONICE, confidante to ERIPHYLE
A sham VENUS, acting in concert with ANAXARCHUS
*Acted by Molière.
THE MAGNIFICENT LOVERS
FIRST INTERLUDE
The scene opens with the pleasant sound of a great many instruments, and represents a vast sea, bordered on each side by four large rocks. On the summit of each is a RIVER GOD, leaning on the insignia