One Hundred Buddhas
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These poems were first published in Urdu and were hailed as the first ever endeavor to present Buddhas teaching through the modern poetic idiom. To render topics like sex desire in young monks and meat eating if it was given as bhiksha (alms) were indeed controversial, but more so were Buddhas own lapses. Does he still feel lust for the other sex? asks Anand, and he replies in affirmative. Doesnt he have a guilty conscience in abandoning his wife and child? asks Anand, and Buddhas answer is still aye, but he defends it too. Is he going to get nirvana (freedom from the birth cycle) after this life? His answer is in the negative. He visualizes that he would be born as Jesus in his next birth and get nirvana only after he is crucified. So are some of his answers on the existence of God, hell or heaven, and whether or not this earth itself is either of these two.
Having taught English and comparative literature in universities in India, England, Canada, and USA, Satyapal Anand now lives a secluded life in a suburb of Washington, DC.
Satyapal Anand
An octogenarian author, Satyapal Anand (born in 1931) is a well-known Urdu and English poet. He has published forty books in Urdu and no fewer than a dozen in English. Poetry, prose, literary criticism, history, cultural synthesis of the East and the West, and religion, with particular reference to Buddhism, are his chosen subjects. A retired university professor of English, with a distinctive record in the field of comparative literature, Satyapal Anand is an expert in curriculum planning and course designing in this field. As a poet in Urdu, a language spoken and written by more than a billion people of Indo-Pak subcontinent, he is known to have blazed a trail by introducing a modern (read: European) tinge to it. Born in the prepartition of India (an area now in Pakistan), Satyapal Anand has had half a century of teaching career at the university level in diverse universities of India, Saudi Arabia, England, and North America. Having retired from active classroom teaching, he now teaches a couple of online courses but largely keeps himself busy not only in creative writing but also in making trips to address literary seminars in Europe, India, and Pakistan. After the demise of his wife, Satyapal Anand lives all by himself in a quiet neighborhood in Herndon, Virginia, a suburb of Washington, DC.
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One Hundred Buddhas - Satyapal Anand
© Copyright 2011 Satyapal Anand.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written prior permission of the author.
Printed in the United States of America.
isbn: 978-1-4669-0489-7 (sc)
isbn: 978-1-4669-0490-3 (hc)
isbn: 978-1-4669-0491-0 (e)
Library of Congress Control Number: 2011961157
Trafford rev. 11/23/2011
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North America & International
toll-free: 1 888 232 4444 (USA & Canada)
phone: 250 383 6864 928.png fax: 812 355 4082
Contents
Images of Buddha icons & paintings
Poetic Dialogues
JESUS CHRIST
LIMITS OF ACCEPTANCE
ALMS IN REVERSE ORDER
WEALTH
THE SEED
THE PERPETUAL RUNNER
THE TROPHY
A PERSONAL DECISION
APPROPRIATE RELATIONSHIP
ONE WHO LOST
THE BATTLE FOR HER BODY
HELL
BEING AND NON-BEING
MEAT EATING
JOY AND SORROW
JOY AND SORROW—2
JOY AND SORROW—3
THE DEMON MARRA
MARRA’S ELDER DAUGHTER
MARRA’S YOUNGER DAUGHTER
I AM NOT PERFECT, O’ ANAND
Thus Spake Buddha
to the Crowd
PROGENITIVE DESIRE
THE SECRET OF LONGEVITY—1
SECRET OF LONGEVITY—2
THE SECRET OF LONGEVITY—3
SUBSTANCE AND SHADOW
EARTH
AIR
WATER
FIRE
AAKASH
END NOTES
Sanskrit and Pali terms explained
Alokteshwra%20with%20100%20arms.j-%202g.jpgOriginal Icon from Malaysia 3rd Century A.D.
CONFESSION
The topics, motifs, threads and themes for these poems have been taken from divers material about Buddha’s life and teachings, including folk tales in India, Nepal, Bhutan, Sri Lanka, Burma, Japan, China and Tibet. The poet makes no claim of originality in thought and content. These poems, at best, belong to the genre of poetic fiction. Since Buddha’s teachings have been diversely interpreted by various schools of thought in Buddhism, the poet has felt free to glean from their wide spectrum.
FOR
PRAMOD
The Introductory Poem
BUDDHAM SHARNAN GACHCHAMI
(I seek shelter with thee, O Buddha)
*Who, in truth, the Buddha was?
A cry of pain, a cry against fate
The tyranny of desire forever to break?
What did the Buddha do?
He sat down under the Bo-Tree
Till he felt he had only just to be.
What did the Buddha attain?
He saw a light, he heard a chime
On wings of nothing he flew out o’ time.
Where did Buddha go?
He went to seek alms from rich and poor
Opening to inflow of his Buddhi every door.
What did the Buddha preach?
Seek not permanence in a passing show
In the darkness of power make love lamps glow.
Where is the sage Buddha today?
In the births and deaths of creatures all
Disease is a cure and freedom is thrall.
When will the Buddha return?
No Buddha did come, no Buddha did go
No God, No Self, No Way, You Know.
(*Translated from Pali by Dr. Mohan Singh Diwana)
Images of Buddha icons & paintings
1. A rare picture of Anand
2. A row of Buddha icons
3. Altar—Buddha in Brahmanic tradition
4. Aokteshwara with 100 arms
5. Eyes—Gold Buddha
6. Amalgam of Buddhist and Krishna art traditions
7. Buddha—golden face with a crown
8. Buddha—a Japanese version
9. Buddha icon from Thailand
10. Buddha on lotus petals
11. Tibetan Art depicting the demon Marra
12. Buddha with Malaysian features
13. The Fasting Buddha: Gandhara art: Pakistan
14. Buddha Box
15. Buddhist art and Hindu goddess cult art
16. Death ushering in Nirvana
17. Anand’s beguilement by Marra as fire
18. Buddha with South East Asian features
19. Amalgam of Buddhist and Krishna art traditions
20. Hindu influence is evident in this painting
21. The inscription typifies a Sutra
22. Amalgam of Buddhist and Krishna art traditions
23. Reclining Buddha in Kushinagra—India
24. Sahastrabahu Buddha
25. Soft-featured Buddha
26. Kala Chakra Mantra Drawing
27. Thai Buddha
28. Thai Buddha
29. Thai Buddha Seated
30. Thailand (Siamese) Buddha
31. Soft-featured Buddha
32. Buddha with Southeast Asian features
Poetic Dialogues
A%20rare%20pic%20of%20Anand.jpgJESUS CHRIST
And then it so happened.
The crowd in the congregation dispersed
and even the last bhikshu, chanting his mantra
Buddham Sharnan Gachhami departed.
The Master was all by himself, alone
sitting cross-legged on his asana.
He was sunk in deep meditation.
He had told his disciples
that he would be busy for many days
visualizing his next life in the birth cycle,
that a single span was the only one that remained
and he would achieve the nirvana,
his release from the birth-death cyclic chain.
Anand, sitting next to him
spoke in a low tone,
"O’, the first among equals,
my master in this and other lives,
now grant me my wish
to give up your companionship
as I also want to get my nirvana
after this life span is over."
Buddha spoke,
"Which nirvana, O Anand, my first disciple?
which nirvana are you talking about?
Is it the same for which I,
your master and mentor,
have been tirelessly running
Thailand%20(Siamese)%20Buddha.jpgfrom one birth to another?
Changing my paths evenly and alternately,
O Anand, I have as yet not found my nirvana.
I have only reached
The present link in my birth cycle,
the link that you know as Buddha.
Come, speak up fearlessly,
O’ my first disciple!"
Hands folded, Anand spoke again,
"O Tathagata,