New Poems: 2009 to 2014
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The East Hobroken Sentinel of Criticism
Domenick J. Yezzi
Dom Yezzi grew up in New York City and has been writing poetry since high school. This effectively kept girls at bay but if one ventured near, reciting a few verses proved to be an effective antidote. In his formative years, people would look at him strangely when he would be reading poetry on the bus on train. For the most part, his poetic career was effectively stifled by work and raising a family. Now that these concerns are behind him, there’s no barrier to protect the world from his ruminations.
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New Poems - Domenick J. Yezzi
AT THE BOTANICAL GARDENS
At the botanical gardens
I framed in my mind
the perfect picture of you,
inspired by the exotic plants,
and had you pose
in front of their showy display
moving about and focusing
to get the perfect angle.
But when I printed the picture
the exotics disappeared
behind your breathtaking, beaming smile
and loving, laughing eyes.
Only then did I recognize
how unfocused
my original framing had been.
How I wish that smile were permanently on your face
so a frown I would never have the need to erase.
BASEMENT FASCINATIONS
My grandparents’ basements held fascinations.
On my mother’s side, the basement of paneled walls
had recessed latches that lead to hidden storage
of carefully sealed and marked boxes full of memories.
(But the memories were theirs, not anyone else’s,
so when they were opened later, the memories escaped
like ghosts in a Casper cartoon.)
When I scanned the slides in to make a DVD
the images looked faded, pale brown and upset
that I had disturbed their slumbering peace.
The large, old furnace in the laundry room
had a life apart, burping, hissing,
demanding my grandfather’s flashlighted attention
when it was thirsty. And the toilet in the closet
somehow flushed, even being below ground
and the special nightly retreat for my grandfather
and his newspaper.
The boogey man hid down there in the dark,
waiting until nightfall,
when he would come out to climb the tree next to the driveway
ready to pounce on me should I pass by.
He had a back full of embedded knives
that didn’t seem to bother him in the least.
When the time came, Maryanne and I would dance down there
to Harry Bellefonte singing Matilda.
On my father’s side, the basement was a work of art.
The main room was large, finished and un-interesting.
The closets held huge portraits of ancient ancestors
guessed-at, who gained notoriety
as more and more knowledge of them was lost.
Above the workbench
was the Betty Grable bathing suit pinup from The War;
even I was fascinated how women can be attractive
regardless of the fashion you foist on them:
Burka or Nun’s Habit, anyone?
The storage rooms around the furnace sported glass blocks;
my Uncle Lou’s war souvenirs were stored in one.
Thank god time and comic books made them more acceptable.
But the most important room in the basement
was the kitchen and pantry
with the table where my grandmother would
roll out the ravioli for the holidays.
She had a stature just slightly below Father McNulty,
although they both could hold their wine.
More about her another time.
What had they thought when they designed these subterranean worlds?
They became a playground for me, my cousins and The Girls.
BLUE-DRAPED SURGEON
Blue-draped Surgeon:
You wish eagerly to cut me open
to understand the parts of me that aren’t like yours.
But specimens die even when cleverly butchered:
the segments preserved in examination jars;
the connections severed, the whole lost.
And what will you do with the jars begging for
a specimen when your scalpel finds all that’s left
are packing crate peanuts that cling to you
no matter how many times you shake them off?
But I can tell you that my ignorance runs deep.
How high can I leap from the low plateau
of my effortless upbringing?
The immigrants brought us knowledge and diversity;
Elvis was Italian, right?
As drippings from the frying pan
are only so useful,
limited intelligence ably deployed,
gives the impression of greater heights,
like a handyman who grasps the situation
without knowing the schooled solution,
but rigs a solution of his own that works for a while.
Technology has taken all the decisions out of my life;
I need not turn a crucial eye.
I snap all the pictures I want,
it no longer costs a cent.
Something will come of it.
And I can also tell you that
my stage isn’t wide,
nor my audience large,
but the adoration of a few,
rather than the curiosity of the many,
is more than sufficient for my well-being.
Spider webs are strong traps it’s true
but they make beautiful bridges,