Reflective Journeys: Actias Luna
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About this ebook
A continuation to the authors previous collections subtitled Methuselah, and Architeuthis, an exploration of philosophical concepts and reflections on life all around us. Immerse yourself in this collection of writings organized in three sections: Form, Simple, and Complex. Awaken to the unfolding world around us and tap into the potential to reinvent, to re-imagine.
The magic is already there, waiting deep within, waiting
to be nurtured, waiting to be nurtured, to be unraveled
and surfaced. It is for you to allow it to unfold, with no
presumption of what will or will not be.
~
The new thing in front of me
I look upon it, taken for granted
As though sharing some common creed
And onwards we go, into the world
The North American Luna moth, a creature of metamorphosis, its journey from leaf to moonlight is a silent miracle, repeating itself over millennia. A life as brief as her unfolding transformation is astonishing. Our own unveiling journey holds similar magic, once we tune into it.
For more on Reflective Journeys, please visit: http://www.ugik.com
George Kassabgi
George Kassabgi is a contemporary writer/philosopher inspired by the writings of Zweig, Gibran, and Rilke, the poetry of Rumi, Mary Oliver and Liselle Mueller. Born in Northern Italy, George now lives in South Florida with his wife Valerie.
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Reflective Journeys - George Kassabgi
Copyright © 2013 George Kassabgi.
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
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ISBN: 978-1-4917-0897-2 (sc)
ISBN: 978-1-4917-0898-9 (e)
iUniverse rev. date: 09/28/2013
Contents
Book Description
Author Bio
Dedication
Introduction
Chapter 1 Form
Thing
Source
Nature
Carrot
Man
Vowels
Sum
Met
Small
Silence
Digits
Architeuthis
Minuet
Anything
Grave
Traps
Sleep
Moon
Age
Poet
Ambition
Talk
Sayings
Body
Worm
Things
Form
Doubt
Rarity
Begin
Quadri
Chapter 2 Simple
Refraction
Epoch
Simple
Gravity
Incubator
Real
Peasant
Pigeon
Roadside
Is
Sea
Awareness
River
Filter
Childhood
Numeric
Canvas
Them
Nine
Recursion
Truth
Inside
Adjective
Waiting
Stoic
Flower
Precognition
Cemetery
Earth
Chapter 3 Complex
Complex
Age
Thing
Prism
Art
Question
Metacognition
Become
Own
Delusion
Pupil
Luxury
Chestnut
Puzzle
Old
Off
Man
Bridge
Tree
Cashmere
Elemental
Babel
One
Traveler
Shadow
Lead
Moth
Afterimage
Endnotes
Book Description
A continuation to the author’s previous collections subtitled ‘Methuselah’, and ‘Architeuthis’, an exploration of philosophical concepts and reflections on life all around us. Immerse yourself in this collection of writings organized in three sections: Form, Simple, and Complex. Awaken to the unfolding world around us and tap into the potential to reinvent, to re-imagine.
Author Bio
George Kassabgi is a contemporary writer/philosopher inspired by the writings of Zweig, Gibran, and Rilke. This is his third collection of philosophical writings.
Born in Northern Italy, George lives in Winchester Massachusetts with his wife Maria and three sons: George-Emil, Nicholas and Louis.
Dedication
For Louis, Nicholas and George Emil, go forth and explore.
boys.jpgIntroduction
A continuation and expansion of writings published in 2006 entitled: Reflective Journeys, ‘Methuselah’ and in 2009 entitled ‘Architeuthis’. Once more we aspire to revisit fundamental questions, inquisitiveness in hand.
Actias Luna, and her impossible transformation. Silently, and without fanfare, on her sweet gum tree leaf. She is perfectly ordinary, common, and insignificant, yet her life is as brief as her metamorphosis is astonishing. What lessons are there for us and our own lives, our own ideas? What of our own transformations? How can we tune into the unfolding world around us? That our work and our essence might bravely undergo a rebirth of its own, we are all invited to consider once more.
G. Kassabgi
Winchester MA 2013
Chapter 1
Form
And finally the thing may begin to see
The form of form itself
Thing
Some new thing emerges onto the world
A new thing, just conceived
Born of some need, itself entirely new
Or an old want, met by a new response
A new thing dawns upon the world
At first a singularity, one thing
Then a multiplied seed, reproduced in waves
Carried on invisible wings
This new thing throughout the world
With competing things, mimicking copies
Greedily wanting its place to displace
And always pushing to replace
The new thing in front of me
I look upon it, taken for granted
As though sharing some common creed
And onwards we go, into the world
Source
In the attic one morning among the shadowy boxes of things and cobwebbed papers, I come upon a tired pair of glasses. Dusty lenses, scratches still crisp, must have belonged to a distant relative. In my pocket they rest, after being wiped with the underside of my shirt. Returning downstairs the day proceeds and I venture into town, doing what one does there.
Peering through these old glasses, I notice distant faces appearing blurry, as though vibrating in and out of focus. But not all alike, in this effect, some appear sharply defined while others not at all. Heading toward the center of town, more people, a scraggly old homeless man, seen clearly, a toddler in a stroller, equally so. Three women talking at a coffee shop or a courier holding his pale blue bag, some impossibly fuzzy, opaque.
Whatever the cause of this visual oddity, I could not discern, for it was as though some strange illumination was in effect. As though the glasses were somehow straining light and shadows, colors and shade, from some other source.
At the grocery store, a group gathered in line, but the old glasses blur them into one, glommed together, as a visual equivalent of noise from a crowd. The whole store suffers from this refraction. But the visual effect is itself clean, unlike an unfocus straining of the eyes. This distortion remains in play, in the way a distant object becomes indiscernible. My vision adjusts to these strange lenses and their oddity. Walking past a dark storefront window, I see myself and am startled. My reflection is overloaded by shadows. Once again the opaqueness is distinct, and removing the old glasses it disappears.
I return home frustrated and anxious, placing this perplexing eyewear in a drawer, and move along, doing what one does in the day. I think back to the images in town, the surprising view in the mirror. It must be an optical illusion, I surmise. The scratched lenses tricking sight into chaos, against certain colors or patterns. This seemed plausible after all, lacking some other explanation.
Weeks