Digital Dreams: Exploring the Computer as an Art Medium
()
About this ebook
Harry Borgman
Harry Borgman's professional career has spanned many fields including graphic design, cartooning and illustration. He was art director on the Chevrolet account at Campbell - Ewald advertising agency and the Chariman of the Advertising Department at the Society of Arts and Crafts ( now the College for Creative Studies ). He has written several art technique books for Watson Guptill Publications, Dover Publications recently reprinting his book "Pen and Pencil Drawing Techniques." For many years he worked as a freelance artist in Detroit, New York and Paris, France. As a painter he works in the watercolor and acrylic mediums and is also very active as a sculptor, doing wood carvings as well as wood and metal constructions. Recently he has been experimenting with the computer medium, currently creating photomontages and collages on the computer for a proposed exhibition.
Read more from Harry Borgman
Surrealities: Experiments with Digital Photomontages Rating: 0 out of 5 stars0 ratingsPen and Pencil Drawing Techniques Rating: 5 out of 5 stars5/5
Related to Digital Dreams
Related ebooks
7 Step Method to Abstract Painting Rating: 3 out of 5 stars3/5Pen, Ink and Watercolor Sketching Rating: 0 out of 5 stars0 ratingsAn Artist's Guide to Plein Air Painting Rating: 4 out of 5 stars4/5Grid Drawing Rating: 4 out of 5 stars4/5Advanced Drawing Skills: A Course In Artistic Excellence Rating: 0 out of 5 stars0 ratingsComposition and Perspective Rating: 3 out of 5 stars3/5Monet: Poppy Field Near Argenteuil, 1873 Rating: 5 out of 5 stars5/5Pen & Ink Techniques Rating: 5 out of 5 stars5/5Get-Set-Sketch!: Pen, Ink and Watercolor Sketching Rating: 5 out of 5 stars5/5The Complete Book of Drawing Techniques: A Professional Guide For The Artist Rating: 3 out of 5 stars3/5A Beginners Guide Getting Your Painting into Art Shows Rating: 0 out of 5 stars0 ratingsThe Essentials of Drawing: Skills and techniques for every artist Rating: 4 out of 5 stars4/5The Creative Living Book Bundle Rating: 4 out of 5 stars4/5Abstract Expressionism For Beginners Rating: 4 out of 5 stars4/5Drawing: The Purpose Rating: 0 out of 5 stars0 ratingsAuroras & Blossoms Creative Arts Journal: Issue 1 Rating: 0 out of 5 stars0 ratingsMysteries of Still Life Rating: 5 out of 5 stars5/5Drawing in Charcoal and Crayon for the Use of Students and Schools Rating: 5 out of 5 stars5/5Drawing from Memory - The Cave Method for Learning to Draw Rating: 1 out of 5 stars1/5Harry Bertoia, Printmaker: Monotypes and Other Monographics Rating: 4 out of 5 stars4/5Line: An Art Study Rating: 5 out of 5 stars5/5Abstraction in Art and Nature Rating: 4 out of 5 stars4/5The Simplified Essentials of Charcoal Drawing Rating: 0 out of 5 stars0 ratingsLandscapes Rating: 4 out of 5 stars4/5Expressions of Place: The Contemporary Louisiana Landscape Rating: 0 out of 5 stars0 ratingsRodin: Drawings Colour Plates Rating: 0 out of 5 stars0 ratingsThe Elements of Drawing Rating: 5 out of 5 stars5/5
Art For You
Art & Fear: Observations on the Perils (and Rewards) of Artmaking Rating: 4 out of 5 stars4/5The Egyptian Book of the Dead: The Complete Papyrus of Ani Rating: 5 out of 5 stars5/5The Creative Habit: Learn It and Use It for Life Rating: 4 out of 5 stars4/5Flow: The Psychology of Optimal Experience Rating: 4 out of 5 stars4/5All the Beauty in the World: The Metropolitan Museum of Art and Me Rating: 4 out of 5 stars4/5And The Mountains Echoed Rating: 2 out of 5 stars2/5Everything Is F*cked: A Book About Hope Rating: 4 out of 5 stars4/5Vanderbilt: The Rise and Fall of an American Dynasty Rating: 4 out of 5 stars4/5The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life Rating: 4 out of 5 stars4/5Draw Like an Artist: 100 Flowers and Plants Rating: 4 out of 5 stars4/5The Shape of Ideas: An Illustrated Exploration of Creativity Rating: 4 out of 5 stars4/5Botanical Drawing: A Step-By-Step Guide to Drawing Flowers, Vegetables, Fruit and Other Plant Life Rating: 5 out of 5 stars5/5Drawing School: Fundamentals for the Beginner Rating: 4 out of 5 stars4/5Bibliophile: An Illustrated Miscellany Rating: 4 out of 5 stars4/5The World Needs Your Art: Casual Magic to Unlock Your Creativity Rating: 0 out of 5 stars0 ratingsMake Your Art No Matter What: Moving Beyond Creative Hurdles Rating: 4 out of 5 stars4/5The Electric State Rating: 4 out of 5 stars4/5Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History of Art Rating: 4 out of 5 stars4/5The Designer's Guide to Color Combinations Rating: 4 out of 5 stars4/5Not My Father's Son: A Memoir Rating: 4 out of 5 stars4/5Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic Rating: 4 out of 5 stars4/5Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business Rating: 4 out of 5 stars4/5The Designer's Dictionary of Color Rating: 5 out of 5 stars5/5Drawing and Sketching Portraits: How to Draw Realistic Faces for Beginners Rating: 5 out of 5 stars5/5How to Draw and Paint Anatomy, All New 2nd Edition: Creating Lifelike Humans and Realistic Animals Rating: 4 out of 5 stars4/5
Related categories
Reviews for Digital Dreams
0 ratings0 reviews
Book preview
Digital Dreams - Harry Borgman
Dedicated to Gloria
Copyright © 2004 by Harry Borgman. 535380
Library of Congress Control Number: 2003097457
ISBN: Softcover 978-1-4134-3265-7
EBook 978-1-4771-8132-4
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Rev. date: 05/02/2019
Xlibris
1-888-795-4274
www.Xlibris.com
A word about
the computer art
of Harry Borgman
from art critic
Amy Sult Stevens
14437.pngIf anyone could convince me to seriously consider exploring the computer as an artistic medium, it’s Harry Borgman. It was his work, after all, that convinced me that the very notion of computer art wasn’t a load of hogwash. As a trained and sporadically practicing artist, I’ve always been in love with the nose-to-the-paper, physical act of creating. To me, this always seemed an essential part of making art that conveyed one’s presence; the thing that pressed the artist’s spiritual fingerprint into a piece of work and made it more than just a pretty object. The remote-control aspect of point-and-click technology seemed too distancing of a working method to ever express the more tangible aspects of art.
Admittedly I was a bit of a technophobe. As a freelance art critic for the local paper throughout the 1990’s, however, I had ample opportunity to see exhibits by people in thrall of computers, and it did little