War Poems
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About this ebook
Many of these poems were written in the hospital while Sassoon recovered from wounds he received in battle. Their violence and graphic detail shocked readers, impressing upon them the horrors of trench warfare and the foot soldier's weariness of the never-ending struggle. "The dynamic quality of his war poems," observed the Times Literary Supplement, "was due to the intensity of feeling which underlay their cynicism." More than 80 of Sassoon's moving works are featured in this volume, including "Counter-Attack," "They," "The General," and "Base Details."
Siegfried Sassoon
Siegfried Sassoon was born in 1886 and educated at Clare College, Cambridge. He served in the trenches during the First World War, where he began to write the poems for which he is remembered. Despatched as ‘shell-shocked’ to hospital, he organised public protest against the war. His poetry initially met with little response, but his reputation grew steadily in the following decades.
Read more from Siegfried Sassoon
The War Poems Rating: 3 out of 5 stars3/5Counter-Attack and Other Poems Rating: 5 out of 5 stars5/5War Poems of Siegfried Sassoon Rating: 4 out of 5 stars4/5The War Poems of Siegfried Sassoon Rating: 0 out of 5 stars0 ratingsCounter-Attack and Other Poems Rating: 5 out of 5 stars5/5Counter-Attack and Other Poems Rating: 0 out of 5 stars0 ratingsPicture-Show Rating: 0 out of 5 stars0 ratingsThe War Poems of Siegfried Sassoon Rating: 0 out of 5 stars0 ratingsThe War Poems of Siegfried Sassoon Rating: 0 out of 5 stars0 ratings
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Reviews for War Poems
3 ratings3 reviews
- Rating: 4 out of 5 stars4/5A collection of the poems Siegfried Sassoon wrote about World War I. Very thought-provoking in their observations of a war that Sassoon hated and yet felt compelled to support. A very sad commentary on war from the pen of a participant.Wonderful poems, though.
- Rating: 3 out of 5 stars3/5I am fascinated with Sassoon's World War I story, and hence I have turned to his poetry. His work, often an indictment of the conduct of the war, followed by the disillusionment of his post war poems make interesting and instructive reading.
- Rating: 4 out of 5 stars4/5Loved it - Sassoon is surgical in the precision with which he characterises human feelings and emotions, the futility of the war, its blind cruelty, and how in the end soldiers keep fighting because of the loyalty they feel to their companions also thrown in what is perceived quite clearly as a senseless butchery.
There are so many verses to quote, so many striking poems that the only thing which makes sense is to read them all - however I found the one below incredibly prescient, and think it should be compulsive reading in all schools
SONG-BOOKS OF THE WAR
In fifty years, when peace outshines
Remembrance of the battle lines,
Adventurous lads will sigh and cast
Proud looks upon the plundered past.
On summer morn or winter’s night,
Their hearts will kindle for the fight,
Reading a snatch of soldier-song,
Savage and jaunty, fierce and strong;
And through the angry marching rhymes
Of blind regret and haggard mirth,
They’ll envy us the dazzling times
When sacrifice absolved our earth.
Book preview
War Poems - Siegfried Sassoon
WAR POEMS
Siegfried Sassoon
DOVER PUBLICATIONS, INC.
MINEOLA, NEW YORK
DOVER THRIFT EDITIONS
GENERAL EDITOR: SUSAN L. RATTINER
EDITOR OF THIS VOLUME: STEPHANIE CASTILLO SAMOY
Copyright
Copyright © 2018 by Dover Publications, Inc.
All rights reserved.
Bibliographical Note
This Dover edition is a new collection of poems selected from the following books: The Old Huntsman and Other Poems, published in 1917 by William Heinemann, London; Counter-Attack and Other Poems, published in 1918 by E. P. Dutton & Company, New York; The War Poems of Siegfried Sassoon, published in 1919 by William Heinemann, London; and Picture-Show, published in 1920 by E. P. Dutton & Company, New York. The Introduction by Robert Nichols first appeared in Counter-Attack and Other Poems.
Library of Congress Cataloging-in-Publication Data
Names: Sassoon, Siegfried, 1886–1967, author.
Title: War poems / Siegfried Sassoon.
Description: Mineola, New York : Dover Publications, 2018. | Series: Dover thrift editions
Identifiers: LCCN 2018011979| ISBN 9780486826820 (paperback) | ISBN 0486826821 (paperback)
Subjects: LCSH: War poetry, English. | World War, 1914-1918—Great Britain—Literature and the war. | BISAC: POETRY / English, Irish, Scottish, Welsh. | HISTORY / Military / World War I. | LITERARY COLLECTIONS / English, Irish, Scottish, Welsh.
Classification: LCC PR6037.A86 A6 2018 | DDC 821/.912—dc23
LC record available at https://lccn.loc.gov/2018011979
Manufactured in the United States by LSC Communications
82682101 2018
www.doverpublications.com
Epigraph from
Counter-Attack and Other Poems
Dans la trêve désolée de cette matinée, ces hommes qui avaient été tenaillés par la fatigue, fouettés par la pluie, bouleversés par toute une nuit de tonnerre, ces rescapés des volcans et de l’inondation entrevoyaient à quel point la guerre, aussi hideuse au moral qu’au physique, non seulement viole le bon sens, avilit les grandes idées, commande tous les crimes—mais ils se rappelaient combien elle avait développé en eux et autour d’eux tous les mauvais instincts sans en excepter un seul; la méchanceté jusqu’au sadisme, l’égoïsme jusqu’à la férocité, le besoin de jouir jusqu’à la folie.
Henri Barbusse
(Le Feu.)
English language translation of Epigraph from Counter-Attack and Other Poems
In the desolate truce of this morning, these men who had been tormented by fatigue, whipped by the rain, upset by a night of thunder, these survivors of volcanoes and floods glimpsed how much the war, as hideous to the moral as to the physical, not only violates common sense, degrades big ideas, commands all crimes—but they remembered how much it had developed in them and around them all bad instincts without excepting one; wickedness until sadism, selfishness up to ferocity, the need to come to madness.
Henri Barbusse
Le Feu. (Fire)
CONTENTS
Introduction
FROM The Old Huntsman and Other Poems (1917)
Absolution
Brothers
The Dragon and the Undying
France
To Victory
When I’m among a Blaze of Lights
Golgotha
A Mystic As Soldier
The Kiss
The Redeemer
A Subaltern
In the Pink
A Working Party
A Whispered Tale
Blighters
At Carnoy
To His Dead Body
Two Hundred Years After
They
Stand-To: Good Friday Morning
The One-Legged Man
Enemies
The Tombstone-Maker
Arms and the Man
Died of Wounds
The Hero
Stretcher Case
Conscripts
The Road
Secret Music
Haunted
Before the Battle
The Death-Bed
The Last Meeting
A Letter Home
FROM Counter-Attack and Other Poems (1918)
Prelude: The Troops
Counter-Attack
The Rear-Guard
Wirers
Attack
Dreamers
How to Die
The Effect
Twelve Months After
The Fathers
Base Details
The General
Lamentations
Does It Matter?
Fight to a Finish
Editorial Impressions
Suicide in the Trenches
Glory of Women
Their Frailty
The Hawthorn Tree
The Investiture
Trench Duty
Break of Day
To Any Dead Officer
Sick Leave
Banishment
Song-Books of the War
Thrushes
Autumn
Invocation
Repression of War Experience
The Triumph
Survivors
Joy-Bells
Remorse
Dead Musicians
The Dream
In Barracks
Together
FROM The War Poems of Siegfried Sassoon (1919)
Battalion Relief
The Dug-Out
I Stood with the Dead
In an Underground Dressing-Station
Atrocities
Return of the Heroes
Concert Party
Night on the Convoy
Reconciliation
Memorial Tablet
Aftermath
Everyone Sang
FROM Picture-Show (1920)
Memory
Devotion to Duty
Titles Index
First Lines Index
INTRODUCTION
by Robert Nichols¹
New York City, November 20-23, 1917
Sassoon the Man
In appearance he is tall, big-boned, loosely built. He is clean-shaven, pale or with a flush; has a heavy jaw, wide mouth with the upper lip slightly protruding and the curve of it very pronounced like that of a shrivelled leaf (as I have noticed is common in many poets). His nose is aquiline, the nostrils being wide and heavily arched. This characteristic and the fullness, depth and heat of his dark eyes give him the air of a sullen falcon. He speaks slowly, enunciating the words as if they pained him, in a voice that has something of the troubled thickness apparent in the voices of those who emerge from a deep grief. As he speaks, his large hands, roughened by trench toil and by riding, wander aimlessly until some emotion grips him when the knuckles harden and he clutches at his knees or at the edge of the table. And