Among Strange Victims
4/5
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About this ebook
Rodrigo likes his vacant lot, its resident chicken, and being left alone. But when passivity finds him accidentally married to Cecilia, he trades Mexico City for the sun-bleached desolation of his hometown and domestic life with Cecilia for the debauched company of a poet, a philosopher, and Micaela, whose allure includes the promise of time travel. Earthy, playful, and sly, Among Strange Victims is a psychedelic ode to the pleasures of not measuring up.
“Brief, brilliantly written, and kissed by a sense of the absurd. . . . like a much lazier, Mexico City version of Dostoevsky’s Underground Man.” —John Powers, Fresh Air
“Read this messy, shaggy picaresque for its ample page-by-page pleasures, which include devilishly clever syntax, a charming tendency to digress, and satisfying flashes of Rodrigo and Marcelo getting their act together.” —Publisher’s Weekly
“A welcome infusion of vitality into North American literature.” —Bookslut
Daniel Saldaña París
Daniel Saldaña París (Ciudad de México, 1984) es autor del libro de poemas La máquina autobiográfica, del proyecto transmedia Método Universal de Poesía Derivada y de las novelas En medio de extrañas víctimas y El nervio principal, ambas traducidas a varios idiomas. En 2017 fue incluido en la lista Bogotá39 de los mejores escritores menores de cuarenta años de América Latina y en 2020 obtuvo el Premio de Literatura Eccles Centre & Hay Festival.
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Among Strange Victims Rating: 4 out of 5 stars4/5Ramifications Rating: 4 out of 5 stars4/5
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Reviews for Among Strange Victims
8 ratings2 reviews
- Rating: 4 out of 5 stars4/5Towards the end of this strange novel, Rodrigo, our listless protagonist, begins pontificating about Descartes’ piece of wax--the very object that served to addle Descartes into nearly nihilistic skepticism (but for the grace of God)! Rodrigo’s strange recollection of Descartes’ Meditations reflects his understanding of his own life: Descartes sees the wax in a particular shape. A second figure removes the wax and places it over a fire, and remolds it. Can the first person recognize the newly presented wax as the same? Rodrigo concludes that if the first figure cannot determine it is the same piece of wax, then our senses cannot not reveal to us the principle of identity. We can only understand the piece of wax as the same piece of wax if we witness the process of its transformation. (Notably, Descartes is both first and second figure--no one conceals and then reveals it to him). I suspect Descartes is a master key to Rodrigo’s self-understanding, which--on a physical and philosophical level--is an exercise in a oddly principled non-formation of the self. Rodrigo’s life happens to him; he endeavors to make as few choices as possible: to let the ebb and flow of happenstance dictate his trajectory. “My life has the disadvantage of not being completely my own...The greater part of my time is spent in inertia, and that includes the most crucial decisions, which I take like someone picking a card from a deck held out to him. The result is never magic; I can’t even perceive the adrenaline of objective chance or observe a conspiracy of symbols behind what happens. I just go on living.” Rodrigo behaves as though he is a rudderless ghostship, waiting for a gale force wind (or a slight breeze) to tilt his prow towards a new life course. A certain will-lessness is a driving theme here, and also what makes Rodrigo immune to moralism: he makes no blame- or praise-worthy choices--he makes no choice at all. Rodrigo is more piece of wax than he is Figure 1 or Figure 2 trying to determine if he is the same at T1 and T2. If he values anything at all beyond his apartment view, his hen and his collection of teabags, it is his own intangibility--his own commitment to not having an identity.
- Rating: 5 out of 5 stars5/5I wasnt sure about this book for a long way through. And then part way it switches directions and I thought I was reading a series of short stories. But it all comes together in the end in a satisfyingly unexpected and bizarre way and I loved it.